
Dancing Arabs
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Narrado por:
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Fajer Al-Kaisi
Acerca de esta escucha
The debut novel by 28-year-old Arab-Israeli Sayed Kashua has been praised around the world for its honesty, irony, humor, and uniquely human portrayal of a young man who moves between two societies, becoming a stranger to both. Kashua's nameless antihero has big shoes to fill, having grown up with the myth of a grandfather who died fighting the Zionists in 1948 and with a father who was jailed for blowing up a school cafeteria in the name of freedom. When he is granted a scholarship to an elite Jewish boarding school, his family rejoices, dreaming that he will grow up to be the first Arab to build an atom bomb. But to their dismay, he turns out to be a coward devoid of any national pride; his only ambition is to fit in with his Jewish peers who reject him. He changes his clothes, his accent, his eating habits, and becomes an expert at faking identities, sliding between different cultures, schools and languages, and eventually a Jewish lover and an Arab wife. With refreshing candor and self-deprecating wit, Dancing Arabs brilliantly maps one man's struggle to disentangle his personal and national identities, only to tragically and inevitably forfeit both.
©2002 Sayed Kashua. Translation copyright 2004 by Miriam Shlesinger. Recorded by arrangement with Grove Atlantic, Inc. (P)2014 Audible Inc.Los oyentes también disfrutaron...
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Native
- Dispatches from an Israeli-Palestinian Life
- De: Sayed Kashua, Ralph Mandel - translator
- Narrado por: Fajer Al-Kaisi
- Duración: 7 h y 39 m
- Versión completa
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General
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Narración:
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Historia
Sayed Kashua has been praised by The New York Times as "a master of subtle nuance in dealing with both Arab and Jewish society". An Arab-Israeli who lived in Jerusalem for most of his life, Kashua started writing with the hope of creating one story that both Palestinians and Israelis could relate to, rather than two that cannot coexist together. He devoted his novels and his satirical weekly column published in Haaretz to telling the Palestinian story.
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What a wonderful book
- De Samar en 07-28-16
De: Sayed Kashua, y otros
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Track Changes
- De: Sayed Kashua, Mitch Ginsburg - translator
- Narrado por: Fajer Al-Kaisi
- Duración: 5 h y 30 m
- Versión completa
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General
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Narración:
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Historia
Hailed as "an unusually gifted storyteller with exceptional insight" (Jewish Tribune), Bernstein award-winning writer Sayed Kashua presents his masterful fourth novel Track Changes, which follows an Arab-Israeli man as he reckons with the weight of his past, his memories, and his cultural identity.
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So sad, but beautiful
- De Miriam en 04-19-23
De: Sayed Kashua, y otros
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All the Rivers
- A Novel
- De: Dorit Rabinyan, Jessica Cohen - translator
- Narrado por: Gabra Zackman
- Duración: 9 h y 27 m
- Versión completa
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Narración:
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Historia
When Liat meets Hilmi on a blustery autumn afternoon in Greenwich Village, she finds herself unwillingly drawn to him. Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi.
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One of the best books I’ve ever read
- De Vernik Vadim en 04-11-19
De: Dorit Rabinyan, y otros
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Second Person Singular
- De: Sayed Kashua, Mitch Ginsburg - translator
- Narrado por: Elijah Alexander
- Duración: 9 h y 35 m
- Versión completa
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General
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Narración:
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Historia
From one of the most important contemporary voices to emerge from the Middle East comes a gripping tale of love and betrayal, honesty and artifice, which asks whether it is possible to truly reinvent ourselves, to shed our old skin and start anew.
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Excellent story, but performance needed work
- De DaviM en 03-17-16
De: Sayed Kashua, y otros
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A Tale of Love and Darkness
- De: Amos Oz
- Narrado por: Stefan Rudnicki
- Duración: 23 h y 52 m
- Versión completa
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It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.
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His life was interesting, but not his memoir
- De DR Harle en 01-27-19
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Native
- Dispatches from an Israeli-Palestinian Life
- De: Sayed Kashua, Ralph Mandel - translator
- Narrado por: Fajer Al-Kaisi
- Duración: 7 h y 39 m
- Versión completa
-
General
-
Narración:
-
Historia
Sayed Kashua has been praised by The New York Times as "a master of subtle nuance in dealing with both Arab and Jewish society". An Arab-Israeli who lived in Jerusalem for most of his life, Kashua started writing with the hope of creating one story that both Palestinians and Israelis could relate to, rather than two that cannot coexist together. He devoted his novels and his satirical weekly column published in Haaretz to telling the Palestinian story.
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What a wonderful book
- De Samar en 07-28-16
De: Sayed Kashua, y otros
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Track Changes
- De: Sayed Kashua, Mitch Ginsburg - translator
- Narrado por: Fajer Al-Kaisi
- Duración: 5 h y 30 m
- Versión completa
-
General
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Narración:
-
Historia
Hailed as "an unusually gifted storyteller with exceptional insight" (Jewish Tribune), Bernstein award-winning writer Sayed Kashua presents his masterful fourth novel Track Changes, which follows an Arab-Israeli man as he reckons with the weight of his past, his memories, and his cultural identity.
-
-
So sad, but beautiful
- De Miriam en 04-19-23
De: Sayed Kashua, y otros
-
All the Rivers
- A Novel
- De: Dorit Rabinyan, Jessica Cohen - translator
- Narrado por: Gabra Zackman
- Duración: 9 h y 27 m
- Versión completa
-
General
-
Narración:
-
Historia
When Liat meets Hilmi on a blustery autumn afternoon in Greenwich Village, she finds herself unwillingly drawn to him. Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi.
-
-
One of the best books I’ve ever read
- De Vernik Vadim en 04-11-19
De: Dorit Rabinyan, y otros
-
Second Person Singular
- De: Sayed Kashua, Mitch Ginsburg - translator
- Narrado por: Elijah Alexander
- Duración: 9 h y 35 m
- Versión completa
-
General
-
Narración:
-
Historia
From one of the most important contemporary voices to emerge from the Middle East comes a gripping tale of love and betrayal, honesty and artifice, which asks whether it is possible to truly reinvent ourselves, to shed our old skin and start anew.
-
-
Excellent story, but performance needed work
- De DaviM en 03-17-16
De: Sayed Kashua, y otros
-
A Tale of Love and Darkness
- De: Amos Oz
- Narrado por: Stefan Rudnicki
- Duración: 23 h y 52 m
- Versión completa
-
General
-
Narración:
-
Historia
It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.
-
-
His life was interesting, but not his memoir
- De DR Harle en 01-27-19
De: Amos Oz
-
A Gentleman in Moscow
- A Novel
- De: Amor Towles
- Narrado por: Nicholas Guy Smith
- Duración: 17 h y 52 m
- Versión completa
-
General
-
Narración:
-
Historia
In 1922, Count Alexander Rostov is deemed an unrepentant aristocrat by a Bolshevik tribunal, and is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. Unexpectedly, his reduced circumstances provide him entry into a much larger world of emotional discovery.
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Lo que los oyentes dicen sobre Dancing Arabs
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Nancy
- 06-15-22
I have listened to all the Kashua novels
For all the suffering that Kashua portrays of the Arabs, especially the Palestinians, who are Israeli citizens, he is not an Arab nationalist. In light of his fiction it seems to me that Kashua is not proud of the group into which he was born. The Arab males in his stories are shlmiels, except for the one in Third Person Singular who assumes the identity of a Jew. In Dancing Arabs the anti- hero attends, like Kashua in his youth, a Jewish school because he performance academically is superior to others in his Arab-Israeli village. Yet the bright hero becomes an anti-hero, an alcoholic, a chain-smoker and an adulterer who barely provides for his Arab wife and baby. In the Kashua novels Arabs in the villages of Israel fight between themselves over the little bit of land that the Jews did not take. The villages are horribly violent because of Arab upon Arab crime. Kashua cannot countenance a two-state solution where his “ heroes” would find themselves in an independent Palestine, poor and not democratic. For Kashua’s young Arab men the sole solution of their plight is to leave the region.
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- 🎉 Brooke G.
- 01-31-23
Incredible book, wonderfully performed
Incredible book, wonderfully performed - I read this for a college class and found it enlightening and entertaining. I wish all my assigned readings were so well written and performed!
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- OA
- 09-12-18
Very Disappointing Narration
The narrator passes himself as a native speaker, with his heavy Arabic accent, but critical words and names are horribly mispronounced. As a native Arabic speaker, it's very jarring and hear the standard words mispronounced (like Watan, Izzeddine, Ayyar, the last name of Mahmoud Darwiche, and many more). A less pretentious narration would have gone a long way. It's unfortunate, because it takes away from an otherwise very engaging story of a man's struggle with identity and oppression.
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