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Publisher's Summary

Let the wicked be ashamed, and let them be silent in the grave.

These ominous words, slashed from the pages of a book of Psalms, are the last threat that the darling of London society, Sir Edward Grey, receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.

Prepared to accept that Edward's death was due to a long-standing physical infirmity, Julia is outraged when Brisbane visits and suggests that Sir Edward has been murdered. It is a reaction she comes to regret when she discovers the damning paper for herself, and realizes the truth.

Determined to bring her husband's murderer to justice, Julia engages the enigmatic Brisbane to help her investigate Edward's demise. Dismissing his warnings that the investigation will be difficult, if not impossible, Julia presses forward, following a trail of clues that lead her to even more unpleasant truths, and ever closer to a killer who waits expectantly for her arrival.

©2007 Deanna Raybourn (P)2007 Audible, Inc.
All rights reserved including the right of reproduction in whole or in part in any form. This edition is published by arrangement with Harlequin Books S.A. All characters in this book are fictitious. Any resemblance to actual persons, living or dead, is purely coincidental.

Critic Reviews

"Riveting." ( "Fans of British historical thrillers will welcome Raybourn's perfectly executed debut." (Publishers Weekly)

What members say

Average Customer Ratings


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  • Overall
  • 9S
  • 07-04-09

Happily surprised

In the 12 years I have been an Audible member I have only purchased two or three romance novels. I can't recall what prompted me to use a credit for SILENT IN THE GRAVE, but I am glad I did. The great period detail shows Raybourne did her research. Be sure to listen closely because the author sprinkles quite a few clues throught this clever story. The narration by Ellen Archer is spot on, not sure why some reviewers disliked her.
If you want to listen to a riveting mystery laced with humor, romance and cleverness then SILENT IN THE GRAVE is a great choice.

44 of 45 people found this review helpful

  • Overall
  • Performance
  • Story
  • Nancy J
  • Tornado Alley OK
  • 05-14-13

Adequate story, but hard to listen to.

I bought this book as a mystery, not as a romance, so I was happy to have the story pretty light on the romance side -- more a tantalizingly slow build up of romantic tension. The period detail was good, and the plot was interesting, although the author did sometimes telegraph what was going to happen next. I liked the characters, minor ones as well as major. I had a little trouble getting into it at the beginning, but I think that was because it started out sounding a lot like many a Victorian or Regency romance. Thank god it never developed into the bodice-ripper I was dreading. All in all, it turned out to be a satisfying story with an interesting ending.

My problem with this book was the narrator. At first, the voice itself bothered me because of a rather saccharine tone, but I got used to that and it fitted the story fairly well. This narrator did a fairly good job with different voices, but different accents did not come out well. One of the servants was supposed to be Scottish, but the accent used sounded so artificial, with words really stretched out of shape, that it was hard to listen to. Another character, said to be Italian, sounded more like a Scotsman. Also, in the course of delivering lines of dialogue being spoken by the upperclass British characters, every once in a while something slipped and a word or two came out not in the right accent because the pronunciation of the vowels had shifted.

But finally, the part of the performance that drove me wild and greatly detracted from my enjoyment of the story was the mispronunciations. It seems obvious to me that when a reader prepares to record an audio book, one of the obligations on that reader is to make sure that he or she knows how to pronounce every word in the text. This reader does not seem to have done that at all. I will grant you that I am not British, but I have listened to and watched a large number of performances of British books, movies and plays, and I believe that I have an ear for the pronunciation of most words, even when spoken by the English. For instance, I know that they do not pronounce "Viscount" as "Viss-count". And I suspect they do not pronounce "bibelot" as "bible-ott." There were many other similar examples in the recording of this book. The fact that the reader did not know how to pronounce the words was her failing. And the fact that the editor, assuming there was one, did not catch the mispronunciations was the failing of the company producing the book.

I would listen to another Lady Julia book, but not if it is read by the same narrator.

27 of 29 people found this review helpful

  • Overall
  • A
  • WinnipegScotland
  • 02-14-07

Mystery-heavy, Romance-lite, Narrator ok

If you buy this book looking for a romance you will be disappointed, as the *intimation* of a romance is there, but in the end, the actual romance is holding out for the sequel. (So don't be mislead of the Harlequin title -- this isn't sugary-sweet over-the-top romance book, which in my case was a concern, although ever since Poison Study, I stopped judging a Harlequin book by its publisher :-)

The mystery/plot is fine, although there is a little too much deus ex machina towards the end, but not enough to ruin the book for me. The characters don't always play to societal norms, but it isn't as if this book is trying to pass as accurate historical fiction, so it is forgivable. There are a number of interesting side characters, including pets. Overall fairly well-written gothic/Victorian mystery mix -- good, but not perfect.

As for the narrator, I don't think she is British. It wasn't that the accents were off completely, just occasionally, which to my ear was slightly grating, and at times the "class" of the accent didn't match the "class" of the character. I expect most North American listeners won't be bothered, but British listeners might cringe at times.

From me, the romance gets a 2/5 (although the potential for a really steamy 5/5 exists for the next book). The narrator ranges from 2.5/5 to 5/5. The story gets a 3.5/5.

22 of 24 people found this review helpful

  • Overall
  • Sara
  • Chevy Chase, MD, United States
  • 02-12-08

Decent Story, Annoying Narration

I almost gave up a few times during the course of listening to this book. Although the plot moves along nicely and the charater development is good, Ellen Archer's narration is weird and irritating. She inserts pauses between words for no apparent reason, giving the I will read the second in the series myself rather than listen to her again.

12 of 13 people found this review helpful

  • Overall

A mixed review

The story was great! An intelligent, literary mystery, with some very original characters. However. the narrator left a lot to be desired. Her accent and even her pronunciation of words were off. I am now reading the book of the second in the series.

4 of 4 people found this review helpful

  • Overall
  • Elaine
  • Bronx, NY, USA
  • 01-26-07


This book was excellent. I have ecclectic taste in romance novels and this fit right in with my taste. I like romance novels from Nora Roberts, Jayne Ann Krentz/Amanda Quick, Elizabeth Peters, J.D. Robb, and Lisa Kleypas; very different writing and genre styles. This book was a cross between Elizabeth Peters (historical, suspense) and Amanda Quick (Historical Romance). The romance is just starting in this book though and I cannot wait until her next book to see what happens...

14 of 17 people found this review helpful

  • Overall

Neither Your Standard Mystery or Romance

Deanna Raybourn has created memorable characters here in Lady Julia Grey, and Nicholas Brisbane. The former is an aristocratic lady with a charmingly eccentric family, and the latter is handsome, dark, exotic -- but Raybourn avoids the traps that could turn him into a Sherlock Holmes clone. Grand fun.

I gave only 4 stars because the reader is only moderately adequate to the task. At times she sounds a bit strangled, which I put down to RP being not her native English accent; and many of the characters sound rather alike, the men particularly. This definitely reduces the listening pleasure, but not so badly that I don't recommend the book.

10 of 12 people found this review helpful

  • Overall
  • Performance
  • Story

I Loved this Book

I just recently re-read it as a matter of fact. And not for the first time. I thought everything about it was pretty close to perfection. The author did a wonderful job of creating fully formed and fascinating characters. Julia, the main character was almost the least developed, but that fit well with the plot of this first book in the series and her character was the perfect foil to the eccentric family she tolerates to varying degrees, her dysfunctional long term relationship with her husband and his family and most importantly, to the brilliance of Brisbane. He quickly became one of my very favorite "heroes", using that word quite loosely, of all time. I love every quirk, tic and unlikeable aspect of his character. And Julia slowly emerges as the book progresses and in the other books that follow in the series.

This is one of the best parings of narrator to book. Everything about the crisp, clear, reserved and concise voice of the narrator worked. The way she pronounced "Brisbane" perfectly defined Julia's personality.

The quality of this book alone made me rethink some long held prejudices about its publisher.

6 of 7 people found this review helpful

  • Overall

Pretty good book, bad narrator

This is a pretty good historical suspese/romance with apparently fairly accurate depiction of life in the Victorian age. Unfortunately, the brightness of the story is dimmed by the narrator. Clearly not British, it's hard not to notice the lapses into American and/or the stilted supposed British accent - sometimes, it works, sometimes, it definitely doesn't. Also, the narrator has a tendency to read. In a very. Staccato. Way. which is infuriating and just about murdered my enjoyment of the book.

Good enough that I'll keep an eye out for the sequeal, but only if it's read by someone else.

6 of 7 people found this review helpful

  • Overall
  • Charlene
  • Seattle, WA, United States
  • 02-21-10

Not a bad historical mystery

I'm not a big romance reader, but I love a good mystery. I like historical fiction well enough, too. This was a good combination of mystery, historical fiction and chick lit. It was not full of ooshy-gooshy romance (a relief), nor was it full of bodice ripping passion. It was, however, a pretty good mystery and the author did her research for the historical component. The narrator does some pretty terrible accents, though. Everyone who isn't English sounds like an English person doing a caricature. Also, she makes some pretty glaring mispronunciations.

2 of 2 people found this review helpful