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Norse Mythology Audiobook

Norse Mythology

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Audible Editor Reviews

Editors Select, February 2017 - Norse Mythology. Neil Gaiman. A project he's been working on for seven years, narrated by Gaiman himself. This book made me weak in the knees. Neil really lives this stuff, and you can tell he has a passion for the subject matter. As he points out in the prologue, myths are an oral tradition, and the best thing about them is how they change and evolve with each telling. And so they do here as Gaiman gives these ancient cultural tales a divine sense of character and voices the plethora of monsters, humans, gods, and giants exceptionally well. I swear, the moment you start listening to these intricate and enchanting tales, you won't want to leave the world that Neil has so deliberately crafted to be relatable, visionary, and entertaining. —Michael, Audible Editor

Publisher's Summary

Introducing an instant classic - master storyteller Neil Gaiman presents a dazzling version of the great Norse myths.

Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales. In Norse Mythology, Gaiman fashions primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds; delves into the exploits of the deities, dwarves, and giants; and culminates in Ragnarok, the twilight of the gods and the rebirth of a new time and people. Gaiman stays true to the myths while vividly reincarnating Odin, the highest of the high, wise, daring, and cunning; Thor, Odin's son, incredibly strong yet not the wisest of gods; and Loki, the son of a giant, a trickster and unsurpassable manipulator. From Gaiman's deft and witty prose emerge the gods with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

©2017 Neil Gaiman (P)2017 HarperCollins Publishers

What the Critics Say

"Neil Gaiman's retelling of Norse myths is destined to become a classic for both his sure-footed stories and his captivating performance.... The tales seem timeless, and Gaiman's melodic narration so strongly echoes the oral tradition of myths that it's as if the narrator has stepped out of the stories themselves." (AudioFile)

"In 'Norse Mythology,' Gaiman brings voice to the old myths so viscerally that listening to the audiobook every night for a week, I thought my bedroom might explode into Valhalla.... In fact the entire Norse pantheon, including dwarves and giants and demons, plays out as vividly as a novel or film.... Hearing the great myths spoken in a language from my present with a trace of ancient history physically broke me open, Gaiman's voice bringing the characters to life." (The New York Times Book Review)

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  •  
    Jefferson 02-24-17
    Jefferson 02-24-17 Member Since 2010

    I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.

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    "A Comedy-Tragedy of Gods Giants Dwarfs & Monsters"

    Near the end of the only romantic happy ending story in Neil Gaiman's Norse Mythology (2017), Gaiman makes a brilliantly ironic aside: "Their wedding was blessed, and some say their son, Fjolnir, went on to become the first king of Sweden. He would drown in a vat of mead late one night, hunting in the darkness for a place to piss."

    In his introduction, Gaiman says that "I've tried my best to retell these myths and stories as accurately as I can, and as interestingly as I can. . . . I hope that they paint a picture of a world and a time" of "long winter nights" and "the unending daylight of midsummer," when people "wanted to know . . . what the rainbow was, and how to live their lives, and where bad poetry comes from." He achieves his aims.

    Gaiman also explains what fascinated him as a boy about the myths: they are full of tragic heroes and villains "with their own doomsday: Ragnarok, the twilight of the gods, the end of it all." In both Norse and Greek mythologies the gods and goddesses are powerful, flawed beings who embody human traits or forces of nature and give appropriate justice or unexpected trouble, and who appear in stories that feature origins, metamorphoses, and ethical messages on hospitality, oath keeping, and the like. But in the Greek myths, the main gods and goddesses just keep going.

    Gaiman first introduces the three main "players" of the myths: Odin ("highest and oldest of all the gods," the wise, far-seeing, "all-father"), Thor (the thunder god, son of Odin, strongest, simplest, and most violent of the gods), and Loki (blood-brother of Odin, the supreme trickster, father of monsters, maker of an interesting but unsafe world). He relates the creation of the nine worlds and gods and giants. And then he tells thirteen stories. (Though they should be read in sequence, each story can stand alone, for Gaiman repeats a few details when referring to something in a later story that he's already introduced in an earlier one.)

    The first two tales ("Mimir's Head and Odin's Eye" and "The Treasures of the Gods") detail how Odin got extra wisdom and how Loki staged (and interfered with) a magical artifact competition between two teams of dwarves. Then follow an assortment of violent comedy fantasy stories like "The Master Builder" (a reckless bargain, an amazing builder, and some cross-species conception), "Freya's Unusual Wedding" (the theft of Thor's hammer and some comical cross-dressing), and "Hymir and Thor's Fishing Expedition" (an outrageous tall tale). Interspersed among those are an origin story "The Mead of the Poets" (war + spit + blood + honey + dwarves + sex + eagles = mead and bards), an ominous story "The Children of Loki" (the fates of Loki's monstrous kids), and a love story "The Story of Gerd and Frey" (even a god may fall in love with a giantess). Ending things are a tragedy ("The Death of Balder"), a punishment ("The Last Days of Loki"), and an apocalypse ("Ragnarok").

    Before Norse Mythology, I read the beautifully illustrated D'Aulaires' Book of Norse Myths (1967) for children. I found that the humor, violence, imagination, pathos, and plots are essentially the same in both, but that Gaiman gives more emotional, psychological, and physical detail. For example, what the D'Aulaires write in one sentence ("The mead made the gnomes feel so grand that they recklessly killed an old jotun, and when his wife came looking for him, they slew her too"), Gaiman develops for pages. Gaiman adds to the myths his own vision and "joy and creation."

    Gaiman writes more violence, scatology, and sex than the D'Aulaires do, as when he recounts Thor doing what he does best ("Methodically, enthusiastically, one after the next, Thor killed all the giants of the waste, until the earth ran black and red with their blood"), or Odin escaping as an eagle ("Odin blew some of the mead out of his behind, a splattery wet fart of foul-smelling mead right in Suttung's face, blinding the giant and throwing him off Odin's trail"), or Odin seducing a giantess (nude bodies and nuzzling). His renewal finale, when golden chess pieces representing the gods, Loki, and the giants are found lying scattered in the grass, is more numinous and less Christian than the D'Aulaires'. He also belongs to the contemporary villain revision trend, making Loki and some monsters (like his children Hel and Fenris) a little more understandable and sympathetic than do the D'Aulaires.

    In dialogue Gaiman writes a few jarring modern idioms, like "The temperature was all over the place" and "What kind of woman do you think I am?" And he tends to overuse fairy tale superlatives (e.g., "the gods drink the finest ale there ever was or ever will be" vs. the original Poetic Edda's "And now the gods/drink good beer").

    But his writing is wonderful. His style features rich Norsy alliteration and description, like "a murky mist that cloaked everything hung heavily." He writes apt and evocative similes, like "She laughed as loudly as a calving glacier." He's often funny, e.g., "He tossed them [a pair of nefarious dwarfs], still bound and soaking, into the bottom of the boat, where they wriggled uncomfortably, like a couple of bearded lobsters." He writes a terrifying apocalypse: "The misty sky will split apart with the sound of children screaming." He's a master of the neat parenthesis, like, "(that was Naglfar, the Death Ship, made from the untrimmed fingernails of the dead)."

    Gaiman is in fine fettle reading his audiobook. His Loki, Thor, Fenris, giants, and ogre lord are great. His wit, enthusiasm, and pauses and emphases are engaging. When a pretty giantess says to Odin, "my father would get quite irritable if he thought that I was giving away his mead to every good looking stranger who penetrated this mountain fastness," Gaiman pauses archly after "penetrated" to make us expect "penetrated his daughter." He paints aural illustrations the equivalent of the D'Aulaires' wonderful pictures. Listening to Gaiman's audiobook was a pleasure.

    49 of 54 people found this review helpful
  •  
    Jim "The Impatient" 05-08-17 Member Since 2016

    My taste differs from kid books to gory horror books.

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    "OF COURSE IT WAS LOKI, IT'S ALWAYS LOKI"

    IT SEATED MORE PEOPLE THAN THE MIND COULD HOLD
    I am a big fan of fairy tales, mythologies, tall tells and fables. Just like reading the Arabian Nights, it is important to me to get an idea of what goes on in the minds of different cultures and histories. This is even more fun than most, because of Loki. He is a trickster and is always causing mischief. The stories, as a whole, have a beginning, a middle and an ending. There are also several comparison to the bible that could be made. Did you know that Odin, sacrificed himself to himself on a tree and he was pierced in the side? Ragnarok has several similarities to Revelations.

    NO ONE WANTED TO DRINK THE MEAD COMING FROM ODIN'S ASS
    I will admit that there were times in which my mind wondered, but all in all some of these stories are excellent, and as a whole shouldn't be missed.

    Neil Gaiman
    I have never been a huge NG fan. I have even wondered at his popularity. I am glad he took on this project and helped to make these stories understandable and entertaining to the modern age. His narration is top notch. He is good enough to read for other authors.

    67 of 79 people found this review helpful
  •  
    Twin B 02-16-17
    Twin B 02-16-17
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    "I battled yard work, then drank & feasted in Valhalla!"

    This was true story telling. I wasn't studying, or researching, nor was I seeking a bedtime story. I was enriched! "Were you not entertained!?" YES, YES, I was entertained.

    I had about... six hours of hard yard work to do (flood repair), shoveling mud and rock. But with this book, I battled the mud and rock and then drank and feasted in Valhalla!

    It was the perfect length. I was fortunate enough to listen in one "sitting". The short stories were great pausing points for water breaks and lunch. They would be good for stopping points if you couldn't listen in one sitting.

    N. Gaiman is a great narrator, OMGs, his Thor voice is excellent! If I hadn't been baTTling the rocks, mud and rain, I'd have been sitting by the fire, drinking a pint of ale, listening to Uncle Neil tell us all how Thor got his hammer. His voice is that familiar story teller in your head and heart.

    Lastly, I'm terrible with names, really. About five mins in, I thought I'm gonna be lost with these lesser known Gods. But trust the author/narrator. You'll remember who you need to, when you need to.

    I go now, in search of the Chess Board of the Gods... Etsy?

    169 of 236 people found this review helpful
  •  
    Erika N. Krause Close to DC, VA 06-06-17
    Erika N. Krause Close to DC, VA 06-06-17 Member Since 2015

    bwaybaby

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    "not great"

    not at all up to the story telling caliber of which I expect from Mr. Gaiman

    1 of 1 people found this review helpful
  •  
    Kayla Santa Cruz, CA, United States 06-04-17
    Kayla Santa Cruz, CA, United States 06-04-17 Member Since 2011
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    "Why couldn't I like this book?"
    What didn’t you like about Neil Gaiman’s performance?

    As much as I usually love Gaiman's stories, I don't think he has a good speaking voice. He reads with an affectation that sounds slimy, simpering and creepy to me. I tried to put it out of mind, but I just couldn't get past that.


    Any additional comments?

    In addition to disliking the audio, I found the story dragged on and I couldn't finish this book. I'm a long time enthusiast of Norse Mythology and "Stardust" is the model against which I judge every other book. Have I heard the tale too many times for there to be any freshness left for even Gaiman to squeeze out? I don't know. I'm disappointed, but maybe "it's not him, it's me".

    1 of 1 people found this review helpful
  •  
    Leo 06-04-17
    Leo 06-04-17 Member Since 2016
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    "Gaiman retelling existing myths... but why?"

    The gods of the Norse pantheon played a huge role in American Gods. In that book, Gaiman added new stories to the myths and religious stories from around the world, and his new additions felt just as powerful, and even strengthened those age old, and timeless stories.

    In this book, he just gathers and retells some of those old stories.
    I'm not sure I get the point of doing that.

    All of that info is out there, and readily available.
    The Poetic edda, The Ring of the Nibelung, and countless books have told these stories of the naive, unsophisticated inhabitants of the Nine Worlds as they made their way through the new, young universe; discovering the beings that inhabited it.
    Fascinating stuff, but Gaiman could've just as well given us links to existing works as write it down here.

    I guess there's nothing wrong with that, but I'd rather read the fruit of this writer's own imagination.

    Plus, as much as I love Gaiman's writing, he's not the greatest narrator in the world.
    Come on Neil Gaiman, leave the audiobook reading to the professional actors!

    1 of 1 people found this review helpful
  •  
    Manuel 02-10-17
    Manuel 02-10-17
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    "I loved it but...."

    I really loved these stories, written and read by an expert story teller it was great! However, 6 hours?! I want more, I waited for so long and it's over so soon.

    78 of 117 people found this review helpful
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    Edric Unsane 02-07-17
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    "An excellent take on the mythology of the Norse"

    Neil Gaiman did a truly great job with making the Norse myths more palatable for persons in the 21st century. If you have been interested in the Norse, or even if you enjoy Mr. Gaiman's writings, I highly encourage you to pick up a copy of Norse Mythology as it is written well, written with respect for the source matterial, and just outright entertaining.

    24 of 36 people found this review helpful
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    Amazon Customer 02-08-17 Member Since 2017
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    "This is exactly what I was looking for"

    I looked for a Norse Mythology book for a long time and some friend recommend me this one and it's really good. The storys inside are really fun and interesting to hear. The narrating is really good and you don't get confused or tired.

    37 of 57 people found this review helpful
  •  
    John L Murphy Los Angeles 02-07-17
    John L Murphy Los Angeles 02-07-17 Member Since 2013

    Fionnchú

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    "From the lands of ice, snow, and fire"
    Would you listen to Norse Mythology again? Why?

    Definitely. I read an advance copy of the book before hearing this, and I enjoy the experience of learning about a body of lore I had remained unfamiliar with for far too long in my life. Neil Gaiman is at ease with the corpus after many years of immersion, from his boyhood on.


    What other book might you compare Norse Mythology to and why?

    The retellings of myth by such as Robert Graves or Edith Hamilton for the Greeks, or the Celts by Frank Delaney or Marie Heaney. That is, they make the stories into our own diction, and they encourage as Gaiman does to relate them in turn to each other under the stars.


    Which scene was your favorite?

    The ending. Terrible and unfortunately relevant, in an era of melting icecaps and "sunny day flooding." Ragnorok is horrible, and the apocalyptic climax betters the stories in Revelation.


    Was this a book you wanted to listen to all in one sitting?

    Yes, but two or three are more likely as it's nearly seven hours. Neil Gaiman takes up a rather mid-Atlantic accent and the narrative pace is steady. It's appropriate for the effect.


    Any additional comments?

    Recommended for a family, as the stories teach us about trickery and truth, honesty and betrayal. Not sure if the pantheon are role models all, but it's instructive to consider gods and goddesses as if archetypes from one's culture, and less supernatural and apart from people. The name recognition Gaiman holds will surely find new audiences for these ancient quests.

    75 of 116 people found this review helpful

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