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Beautiful Losers
- Narrated by: Stefan Rudnicki, Bronson Pinchot, John Lescault
- Length: 8 hrs and 41 mins
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On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.
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Excellent!
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Today, "Hallelujah" is one of the most-performed rock songs in history. It has become a staple of movies and television shows as diverse as Shrek and The West Wing, of tribute videos and telethons. It has been covered by hundreds of artists, including Bob Dylan, U2, Justin Timberlake, and k.d. lang, and it is played every year at countless events - both sacred and secular - around the world. Yet when music legend Leonard Cohen first wrote and recorded "Hallelujah", it was for an album rejected by his longtime record label.
By: Alan Light
Publisher's Summary
One of the best-known experimental novels of the 1960s, Beautiful Losers is Cohen's most defiant and uninhibited work.
As imagined by Cohen, hell is an apartment in Montreal, where a bereaved and lust-tormented narrator reconstructs his relations with the dead. In that hell, two men and a woman twine impossibly and betray one another again and again. Memory blurs into blasphemous sexual fantasy - and redemption takes the form of an Iroquois saint and virgin who has been dead for 300 years but still has the power to save even the most degraded of her suitors.
By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character's attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.
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What listeners say about Beautiful Losers
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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- Susannah
- 10-02-18
Well .... I'm conflicted ...
I love Cohen's work; it's raw, extremely difficult and this novel borders on poetry.
The first narrator nails it (Rudnicki, I think?); imho he should have read the whole book. He crafts the timing, the angst, the phrasing, the humor, and the poetry, the French. He even sounds like Cohen.
Then another voice comes in (Pinchot? who I normally love, or Lescault?) playing the "other" lover; and the poor narrator is out of his depths. He does hit some rhythms that work, but generally it feels like he's floundering about. Then, there's a third voice. I kinda felt like there was no one overseeing the whole production. Cohen is tough writing, but OMG, when it's done well, it's magic. There was a lot of overly worked, mangled French in the non-first narrator bits and odd over-acting.
I dunno. I guess I'm disappointed, hence my negative take.
Maybe listen to the first narrator's part, and then return it to Audible. The second half is painful.
6 people found this helpful
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- Vicki Borja
- 03-09-22
Disappointed
I was very disappointed because I like his music but I found the writing to be perverse.
I like Erotica but it was not only gross but it was never ending
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- Cliente Amazon
- 05-12-21
Provoking and scandalous fantasy experiences
High language mixed to the vulgar in harsh sexual practices and symbolic acts. It was hard to read the story and it is hard to understand its purpose, if it has any.