Mostrando resultados por Editor "Faber & Faber" en Clásicos

A young woman is in love with a successful surgeon, a man torn between his love for her and his incorrigible womanizing. His mistress, a free-spirited artist, lives her life as a series of betrayals - while her other lover, earnest, faithful, and good, stands to lose everything because of his noble qualities.

Dean Jocelin has a vision: that God has chosen him to erect a great spire on his cathedral. His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular.From the author of Lord of the Flies, The Spire is a dark and powerful portrait of one man's will, and the folly that he creates.

Maud Martha Brown is a little girl growing up on the South Side of 1940s Chicago. Amidst the crumbling taverns and overgrown yards, she dreams: of New York, romance, her future. She admires dandelions, learns to drink coffee, falls in love, decorates her kitchenette, visits the Jungly Hovel, guts a chicken, buys hats, gives birth. But her lighter-skinned husband has dreams, too: of the Foxy Cats Club, other women, war. And the 'scraps of baffled hate'—a certain word from a saleswoman, that visit to the cinema, the cruelty of a department store Santa Claus—are always there.

Two decades before Zimbabwe would win independence and ended white minority rule, 13-year-old Tambudzai Sigauke embarks on her education. On her shoulders rest the economic hopes of her parents, siblings and extended family, and within her burns the desire for independence. A timeless coming-of-age tale and a powerful exploration of cultural imperialism, Nervous Conditions charts Tambu's journey to personhood in a nation that is also emerging.

A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys’ delicate sense of order fades, so their childish dreams are transformed into something more primitive and their behaviour starts to take on a murderous, savage significance.

The summer holidays have begun. In a seaside caravan resort, Isabel and her sister Meg build sandcastles with the children, navigate deckchair politics, explore the pier's delights, gorge ice cream in the sun. But their half-sister Mildred has returned to a nearby coastal cottage where her husband - the mysterious Uncle Paul - was arrested for his first wife's attempted murder. Now, on his release from prison, is he returning for revenge, seeking who betrayed him?

A masterly new recording by Ralph Fiennes. Four Quartets is the culminating achievement of T. S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in 20th-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author.

A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Donne, their wild, domineering leader, is obsessed with hunting for a mysterious woman and exploiting Indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior—their own hearts of darkness—deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock.

London, June 1965. Karl Braun arrives as a lodger in Pimlico: hatless, with a bow-tie, greying hair, slight in build. His new neighbours are intrigued by this cultured German gentleman who works as a piano tuner; many are fellow émigrés, who assume that he, like them, came to England to flee Hitler. That summer, Braun courts a woman, attends classical concerts, dances the twist. But as the newspapers fill with reports of the hunt for Nazi war criminals, his nightmares become increasingly worse.

Milan Kundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera. Like Flaubert's Emma or Tolstoy's Anna, Kundera's Agnes becomes an object of fascination, of indefinable longing. From that character springs a novel, a gesture of the imagination that both embodies and articulates Milan Kundera's supreme mastery of the novel and its purpose: to explore thoroughly the great themes of existence.

When the mysterious Green Knight arrives unbidden at the Round Table one Christmas, only Gawain is brave enough to take up his challenge.... This story, first told in the 1400s, is one of the most enthralling, dramatic and beloved poems in the English tradition. Now, in Simon Armitage, the poem has found its perfect modern translator. Armitage's retelling of Sir Gawain and the Green Knight captures all of the magic and wonderful storytelling of the original while also revitalising it.

'The Waste Land' is a landmark in 20th-century poetry. Here it is read by the late Poet Laureate Ted Hughes. Published in 1922, it is a brilliant exploration of a faithless, immoral society trying to rebuild itself after the devastation of the Great War. Rich in literary references and steeped in allusive and evocative imagery, 'The Waste Land' is widely considered to be the pinnacle of modernist poetry.

Edmund Talbot is sailing to Australia in the early 19th century. In his journal, he records mounting tensions aboard the ancient, stinking warship, as officers, sailors, soldiers and emigrants jostle in the cramped darkness below decks. But when something happens to Reverend Colley that brings him into a 'hell of self-degradation', it seems that shame is a force deadlier than the sea itself....

This is Britain: but not as we know it. THEY are coming closer . . . THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; savage mobs stalk the countryside destroying artworks—and those who resist. THEY capture dissidents—writers, painters, musicians, even the unmarried and childless—in military sweeps, 'curing' these subversives of individual identity. Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget ...

Dorothy is a grieving housewife in the Californian suburbs. Her infant son, unborn child and dog have all just died; her husband is unfaithful; her only friend is an alcoholic. One day, she is doing chores when the radio announces that a green-skinned sea monster has escaped from the Institute for Oceanographic Research - but little did she expect him to arrive in her kitchen. Muscular yet gentle, vegetarian, sexually magnetic and excellent at housework, Larry the frogman is a revelation: and their passionate affair goes beyond their wildest dreams.

Christopher Martin, the sole survivor of a torpedoed destroyer, is stranded upon a rock in the middle of the Atlantic. Pitted against him are the sea, the sun, the brutal cold and the aching terror of his isolation. To drink, there is a pool of rainwater; to eat, seaweed and anemones, preyed upon by feathered reptiles. As he descends into the abyss of his consciousness, weathering lightning strikes of memory, Martin must try to assemble the truth of his fate - piece by terrible piece.

Jolted from sleep by the ringing of the telephone, Imogen stumbles through the dark, empty house to answer it. At first, she can't quite understand the man on the other end of the line. Surely he can't honestly be accusing her of killing her husband, Ivor, who died in a car crash barely two months ago. As the nights draw in, Imogen finds her home filling up with unexpected guests, who may be looking for more than simple festive cheer. Has someone been rifling through Ivor's papers? Who left the half-drunk whiskey bottle beside his favourite chair?

A decrepit warship is becalmed halfway to Australia, stilled in an ocean wilderness of heat and sea mists. In this surreal, fête-like atmosphere, a ball is held with a passing ship: the passengers dance and flirt, while beneath them seaweed like green hair spreads ominously over the hull. Half-mad with fear, drink, love and opium, both vessel and passengers feel themselves going to pieces, and the very planks seem to twist themselves alive as the ship comes apart at the seams.

Milan Kundera's brilliant collection of essays is a passionate defence of art in an era that, he argues, no longer values art or beauty. With the same dazzling mix of emotion and ideas that characterises his best-selling novels, the internationally acclaimed author revisits the artists whose works help us better understand what it means to be human. Elegant, startlingly original, and provocative, Encounter combines many of the author's signature themes with personal reflections and stories.