Mostrando resultados por título "We Live for the We" en Literatura y Ficción

As a young, queer couple who flip houses, Charlie and Eve can’t believe the killer deal they’ve just gotten on an old house in a picturesque neighborhood. As they’re working in the house one day, there’s a knock on the door. A man stands there with his family, claiming to have lived there years before and asking if it would be alright if he showed his kids around. People pleaser to a fault, Eve lets them in. As soon as the strangers enter their home, uncanny and inexplicable things start happening.

Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart, and an elderly stepfather who seems to have quietly moved in. Her career is in freefall and her love life is . . . complicated. So when her real dad—a man she has barely seen since he ran off to Hollywood thirty-five years ago—suddenly appears on her doorstep, it feels like the final straw. But it turns out even the family you thought you could never forgive might have something to teach you: about love, and what it actually means to be family.

In this world of bribes, vendettas, and swindling, in which heiresses are gambled and won, Trollope's characters embody all the vices: Lady Carbury is 'false from head to foot'; her son Felix has 'the instincts of a horse, not approaching the higher sympathies of a dog'; and Melmotte - the colossal figure who dominates the book - is a 'horrid, big, rich scoundrel...a bloated swindler...a vile city ruffian'. But as vile as he is, he is considered one of Trollope's greatest creations.

These 12 stories - published over the last five years in Harper's, The Best American Short Stories, McSweeney's, Playboy, and other publications - veer from comic tales of love to social satire to suspenseful crime fiction, from hip Portland to once-hip Seattle to never-hip Spokane, from a condemned casino in Las Vegas to a bottomless lake in the dark woods of Idaho. This is a world of lost fathers and redemptive conmen, of meth tweakers on desperate odysseys and men committing suicide by fishing.

First Glen Duncan gave us his monstrously thrilling, genre-reinventing The Last Werewolf: the tale of Jake, a werewolf with a profoundly human heart, considering bringing to an end the timeless legend of his kind.... Then Talulla Rising: Jake’s werewolf lover, mother to newborn twins, on the run from those who want her destroyed... And now By Blood We Live: a stunningly erotic love story that gives us the final battle for survival between werewolves and vampires.

We the Living portrays the impact of the Russian Revolution on three people who demand the right to live their own lives. At its center is a girl whose passionate love is her fortress against the cruelty and oppression of a totalitarian state. Rand said of this book: "It is as near to an autobiography as I will ever write."

Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart and an elderly stepfather who seems to have quietly moved in. Her career is in freefall and her love life is … complicated. So when her real dad - a man she has barely seen since he ran off to Hollywood thirty-five years ago - suddenly appears on her doorstep, it feels like the final straw.

The Way We Live Now is a complex and compulsive tale that traces the career of Augustus Melmotte, a strange and mysterious financier who bursts into London society like a guided missile. In setting up a dubious scheme based on speculative money and stock market gambles, Melmotte manages to lure in several members of the English aristocracy, for whom money is the summum bonum. The world is at his feet - until the corruption catches up with him.

This Is Where We Live tells the story of Claudia and Jeremy, a young married couple (she’s an aspiring filmmaker, he’s an indie musician) who are on the verge of making it. Her first film was a sensation at Sundance and is about to have its theatrical release; he’s assembled a new band and is a few songs shy of an album. But a series of seismic events deal a crushing blow to their dreams.

How should we live in this world when so much is changed? Katherine May, author of Wintering and the Electricity of Every Living Thing, asks those most intimate with the effects of these transformations: what now? How do we stay soft in a world determined to harden? How can we bear witness to suffering without being dragged into despair? How do we ride the waves of our anger, sorrow and exhaustion, and still find space for wonder, hope and joy? How can we possibly help? In a series of frank, thoughtful and deeply personal conversations, How We Live Now will explore the cultural, social...

English girl Sheila Matthews accepts an invitation to holiday in Poland, the country where her father died in mysterious circumstances. When German bombers begin pounding Warsaw, she decides against returning home and is recruited by the Polish underground. Playing a dangerous game as a double agent, Sheila must use all her skill to stay one step ahead of the Gestapo. But soon the Germans begin to suspect her and she flees to the forest, to be reunited with the enigmatic Captain Adam Wisniewski, now a wanted partisan.

The collection includes the novella We Don't Live Here Anymore, which served as the basis for the 2004 film of the same title; the novella also introduces Dubus' writer-protagonist Hank Allison, a character who continues to appear throughout his work. Two years later, the title story of Dubus' sophomore collection Adultery and Other Choices continued the exploits of Hank Allison. While the collection's opening stories focus on the fragile nature of youth, later stories shift to darker struggles of adulthood.

Young couple Charlotte and Eve can’t believe the killer deal they got on an old house in a beautiful yet remote neighbourhood nestled deep in the mountains. One day, there’s a knock at the door. A man stands there with his family, claiming to have lived there years before and asking if it would be alright if he showed his kids around. People pleaser to a fault, Eve lets them in. As soon as the family enters their home, strange things start to happen, and Eve wants nothing more than for them to leave and never come back. But they can’t – or won’t – take the hint that they are no longer welcome.

Everyone thinks Augustus Melmotte, a new arrival in London, is a wealthy financier - until he is caught in a forgery scheme. This is a satirical look at immorality and dishonesty as Trollope saw them in the worlds of business, politics, journalism, literature, and society on his return from the colonies in 1872. Scoundrels, coquettes, swindlers, and intriguers abound in this novel, which is often called his masterpiece.

Lara Feigel listens to birds outside her window—their circling, strident calls—and thinks of D. H. Lawrence. It is the spring of 2020 and, as the pandemic takes hold, she locks down in rural Oxfordshire with her partner, her two children, and that most explosive of writers. Proceeding month by month through the year, she sets out to start again with Lawrence: to find vital literary companionship; to use him as a guide to rural living and even, unexpectedly, to child-rearing; to find a way through his writing to excavate the modern world she feels he helped bring into being.

We Aim to Live is a collection of fourteen powerful, dark and funny short stories, about ordinary people – mostly men – at moments of crisis, crossroads or revelation. The stories look unflinchingly at men’s behaviour and the moments when masculinity is on the edge of turning dangerous. Some stories portray the toxic world of professional football drawing upon the writer’s past in that world; while others are set in high end hotels, removals firms and sheds.

Sound interesting? The author thinks so too! Listen to The Way We Live Now and experience the zesty, compelling world of 1870s London.

A rare glimpse into the lives of female physicians. Dr. Apple reveals the overall inequity of women in medicine spoken honestly and plainly. Instead of recoiling, retreating, or fighting with an angry voice to demand justice, we see what one woman experiences as a leader in medicine, and the crushing experience of a malpractice lawsuit. Ultimately, we face an underlying spirituality of why forgiveness is needed to live: to decontaminate the poisons in a world of unforgiveness.

George Worth is a grumpy lifestyle columnist. He hates fashion, mobile phones, computers and Young People. At night he goes home to a borrowed Labrador and feelings of guilt about his dead wife. Justin Smith is a Young Person. A bright newcomer, he’s always on his mobile to his girlfriend, surfing the Net and keeping abreast of the latest trends. Then comes the day when Justin’s girlfriend throws him out and he finds himself having to share a flat with George. As the women around them watch and wonder, both men start to work out what really matters among the distractions of modern life.

Why do we have to live with men? As another evening with her best friends and a few bottles of wine comes to an end, Cat O'Connor is left pondering this very question. And, escaping from a ruined love affair, she is about to find the answer. When Cat joins a group of women in a huge, decaying farmhouse deep in the countryside, she prepares to embark on six months without men.