Mostrando resultados por Editor "Tantor Audio" en Artes Escénicas

From master comedian Mark Schiff, a long-time touring partner of Jerry Seinfeld, comes a hilarious account of decades of foolery with comedy and acting legends and how he honed his mensch skills in all of life's arenas.

At a high point in his career, Artie Lange performed a sold-out show in Carnegie Hall-and he did it with a pocketful of heroin. In the midst of a deep, self-destructive depression, addicted to heroin, cocaine, and prescription drugs, he lashed out at everyone around him-from his cohosts on The Howard Stern Show to celebrity guests and even his longtime friends. Then came his legendary meltdown on-air, with 6 million people listening, after which Lange pulled himself together enough to go to a buddy's bachelor party in Amsterdam.

Few television shows revolutionized comedy as profoundly or have had such an enormous and continued impact on our culture as In Living Color. Inspired by Richard Pryor, Carol Burnett, and Eddie Murphy, Keenen Ivory Wayans created a television series unlike any that had come before it. In Living Color shaped American culture in ways both seen and unseen. Now, Homey Don't Play That! reveals the complete, captivating story of how In Living Color overcame enormous odds to become a major, zeitgeist-seizing hit.

This entertaining and sharply written guide - for both beginners breaking into comedy and professionals seeking to improve their sets and advance their careers - examines the work of great comedians such as Louis C. K., Jerry Seinfeld, Eddie Izzard, Moms Mabley, Hannibal Buress, Sarah Silverman, Richard Pryor, and more as a means of illustrating the most important techniques of performing and writing stand-up.

The Merchant of Venom traces Don Rickles's career from his rise in the 1950s to a late-in-life resurgence thanks to the Toy Story franchise, his role in Martin Scorsese's Casino, and scores of TV appearances from Carson to Seth Meyers. In the intervening decades, Rickles conquered every medium he worked in, including film, television, and on stage. He was idolized by a generation of younger comedians including Jerry Seinfeld, Chris Rock, and Jay Leno, and performed in the shadow of a shocking open secret: he was the nicest man in town.

In Seven Dirty Words, journalist and cultural critic James Sullivan tells the story of Alternative America from the 1950s to the present, from the singular vantage point of George Carlin, the Catholic boy for whom nothing was sacred.

In 1963, 30-year-old Friedman - who had recently quit his job as a Boston advertising executive and returned to his hometown of New York to become a theatrical producer - opened a coffee house for Broadway performers called the Improvisation. His goal? Simply to make a living, and if all went according to plan, to also make enough professional contacts to be able to mount his first Broadway show within a year's time. Later shortened to the Improv, its first West 44th Street location was in a seedy section of Manhattan's Hell's Kitchen.

In 1978, Kim "Howard" Johnson ran away to join the circus - Monty Python's Flying Circus, that is. The Pythons converged on Tunisia to film their timeless classic Life of Brian, and Howard found himself in the thick of it, doubling for nearly all the Pythons, playing more roles in the film than John Cleese, and managing to ruin only one shot. He became the unit journalist, substitute still photographer, Roman soldier, peasant, near-stalker, and, ultimately, friend and confidant of the comedy legends.

Dr. Peter McGraw, founder of the Humor Research Lab at the University of Colorado Boulder, teamed up with journalist Joel Warner on a far-reaching search for the secret behind humor. Their journey spanned the globe, from New York to Japan, from Palestine to the Amazon. Meanwhile, the duo conducted their own humor experiments along the way-to wince-worthy, hilarious, and illuminating results.

I'm Dying Up Here chronicles the collective coming of age of the standup comedians who defined American humor during the past three decades. Born early in the Baby Boom, they grew up watching The Tonight Show, went to school during Vietnam and Watergate, migrated en masse to Los Angeles in the mid-1970s, and created an artistic community unlike any before or since. They were arguably the funniest people of their generation, living in a late-night world of sex, drugs, dreams, and laughter.

Decades before The Daily Show, The Smothers Brothers Comedy Hour proved there was a place on television for no-holds-barred political comedy with a decidedly antiauthoritarian point of view. In this explosive, revealing history of the show, veteran entertainment journalist David Bianculli tells the fascinating story of its three-year network run---and the cultural impact that's still being felt today.

Born Julius Marx in 1890, the brilliant comic actor who would later be known as Groucho was the most verbal of the famed comedy team the Marx Brothers, his broad slapstick portrayals elevated by ingenious wordplay and double entendre. In his spirited biography of this beloved American iconoclast, Lee Siegel views the life of Groucho through the lens of his work on stage, screen, and television.

i>39 Years of Short-Term Memory Loss is a seriously funny, offbeat, and irreverent memoir that chronicles the early days of Saturday Night Live and features some of its greatest personalities---Al Franken, Lorne Michaels, Dan Aykroyd, John Belushi, Bill Murray, Michael O'Donoghue, and Chris Farley.

Lauren Weedman is not okay. She's living what should be the good life in sunny Los Angeles. After a gig as a correspondent with The Daily Show with Jon Stewart, she scored parts in blockbuster movies, which led to memorable recurring roles on HBO's Hung and Looking. She had a loving husband and an adorable baby boy. In these comedic essays, she turns a piercingly observant, darkly funny lens on the ways her life is actually not okay.

Written by an acknowledged master of comedy, this study reflects on the nature of humor and the functions it serves. Why do we laugh? What are we to make of the sheer variety of laughter, from braying and cackling to sniggering and chortling? Is humor subversive, or can it defuse dissent? Can we define wit?

Ever since Johnny Carson first popularized the late-night talk show in 1962 with The Tonight Show, the 11:00 p.m. to 2:00 a.m. comedy time slot on network television has remained an indelible part of our national culture. More than six popular late-night shows air every night of the week, and with recent major shake-ups in the industry, late-night television has never been more relevant to our public consciousness than it is today.

This audio original includes 10 must-listen podcast episodes from comedian and actor Andy Dick. Contains mature themes. 

An entertaining and insightful examination of the Emmy-award winning American satirical news show, broadcast on Comedy Central in the US, and (in an edited edition) on More4 in the UK and CNN International around the world.