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In Max Barry's twisted, hilarious vision of the near future, the world is run by giant American corporations; employees take the last names of the companies they work for; The Police and The NRA are publicly-traded security firms. Jennifer Government is a Catch-22 for the New World Order, a satire both broad and pointed, deeply funny and disturbingly on-target.

The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly?

The irreverent author of the cult classic Syrup hits his target in this satire on the wages of big capital. In Max Barry's hilarious vision of the near future, the world is run by giant American corporations, and employees take the last names of the companies they work for; The Police and The NRA are publicly traded security firms, and the U.S. government may only investigate crimes if they can bill a citizen directly.

Margaret Atwood's classic novel, The Handmaid's Tale, is about the future. Now, in Oryx and Crake, the future has changed: it's much worse. The narrator of this riveting novel calls himself Snowman. When the story opens, he's sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death.

All residents of the City have recently died, and they will remain in the City only as long as someone still living on Earth remembers them. On Earth, however, the population has been devastated by a terrible pandemic. Laura Byrd, isolated at an Antarctic research station, may be the only person to have survived the pandemic. But she's running out of time and supplies, and her memories are fading.

In the not so distant future, the tide of righteousness—in the form of executions, barking evangelists, tank-like SUVs, and a movie industry run entirely by the Christian right—has swept the nation. Aside from the non-white, the non-Christian, and the non-wealthy, all are believers. Among the skeptics is a washed-up journalist named Johnny Greco, who hears of a media-shy young man known as “Jay” roaming through ghettos, healing the sick, and tossing off miracles. Soft-spoken and shabbily dressed, Jay is an unlikely savior for this anxious and intolerant America.

It is the late 21st century, and due to the economic breakdown and rising crime rate, nearly every citizen has fled Toronto. The city is a slum, populated by the homeless, the poor, and criminals like Rudy, who uses the power of voodoo to help him control the booming drug market. But also left behind are people like Ti-Jeanne, who hope to use voodoo to help rebuild the city, even as Canada's privileged population turns to Toronto to begin harvesting human organs.

George Orwell depicts a gray, totalitarian world dominated by Big Brother and its vast network of agents, including the Thought Police - a world in which news is manufactured according to the authorities' will and people live tepid lives by rote. Winston Smith, a hero with no heroic qualities, longs only for truth and decency. But living in a social system in which privacy does not exist and where those with unorthodox ideas are brainwashed or put to death, he knows there is no hope for him.

Imagine a world where everyone knows everything about everybody. Where what a person "feels" and "truly believes" is protected under the law, while what is rational, even provable is condemned as heresy. A world where to question ignorance and intolerance is to commit a Crime against Faith. Imagine it. Or just wait until After the Flood.

When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

A city is hit by a sudden and strange epidemic of "white blindness", which spares no one. Authorities confine the blind to an empty mental hospital, but there social conventions quickly crumble and the struggle for survival brings out the worst in people.

When a listless office employee (the narrator) meets Tyler Durden, his life begins to take on a strange new dimension. Together they form Fight Club - a secretive underground group sponsoring bloody bare-knuckle boxing matches staged in seedy alleys, vacant warehouses, and dive-bar basements. Fight Club lets ordinary men vent their suppressed rage, and it quickly develops a fanatical following.

Every weekend, in basements and car parks across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight Club is the invention of Tyler Durden, projectionist, waiter and dark, anarchic genius. And it's only the beginning of his plans for revenge on the world.

In one of the most stunning debuts to come along in years, reminiscent of Philip K. Dick's best work and P. D. James' classic The Children of Men, David Oppegaard gives us a world whose near future presents some terrifying realities. The Despair has plagued the earth for five years. Most of the world's population has inexplicably died by its own hand, and the few survivors struggle to remain alive.

Tim Scott's inventive and hilarious science fiction novels are unlike any others. In a strange world where living refrigerators exist in herds like wild animals, Seattle has become a coddled city beset by irrational fears. Enter ex-cop Huckleberry, who's about to see his life take a turn for the weird when he stumbles into a dangerous conspiracy and the fridges become his only friends.

In a New York City groaning under the burden of 35 million inhabitants, detective Andy Rusch is engaged in a desperate and lonely hunt for a killer everyone has forgotten. For even in a world such as this, a policeman can find himself utterly alone.

Within seconds, normally rational, self-controlled people become frenzied killers. Christened "Haters" by the media, the attackers strike without warning, killing all who cross their path. People are afraid to go to work, afraid to leave their homes, afraid that at any moment their friends or family could turn on them. In the face of this mindless terror, Danny McCoyne must secure his family, seek shelter, and watch as the world falls apart. "Attack first, ask questions later" becomes the order of the day.

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman.

Nineteen Eighty-Four is a classic dystopian novel by English author George Orwell. Published in 1949, it is set in the eponymous year and focuses on a repressive, totalitarian regime. Read by gritty and accomplished actor Philip Glenister from the acclaimed crime series Life on Mars and Ashes to Ashes.

The award-winning William Gibson goes beyond science fiction to the broader mainstream fiction audience. His unique world features multinational corporations and high-tech outlaws vying for power, traveling the computer-generated universe.