
Ultimate Lost and Philosophy
Think Together, Die Alone
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Narrado por:
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John McCormick
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De:
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Sharon Kaye
Acerca de esta escucha
Expanded and up-to-date-the ultimate guide that explores meaning and philosophy of all six seasons of Lost
Lost is more than just a popular television show; it's a complex examination of meaningful philosophical questions. What does good versus evil mean on the island? Is it a coincidence that characters John Locke and Desmond David Hume are named after actual philosophers? What is the ethics of responsibility for Jack?
An action-adventure story with more than a touch of the metaphysical, Lost forces viewers to ask difficult questions of themselves just as the story asks difficult questions of its characters. Ultimate Lost and Philosophy helps you explore the deeper meaning and philosophical questions hidden within every complex twist and turn in the historic show's entire six-season run.
- Includes every season of Lost, including 2010's final, highly anticipated season
- Connects events on the show to core philosophical issues such as truth, identity, and morality
- Explores a host of intriguing topics such as time travel, freedom, love, and loss
For fans of Lost who are interested in what the show reveals about ourselves and the human condition, Ultimate Lost and Philosophy is an entertaining, informative, and enlightening resource.
©2011 John Wiley & Sons, Inc. (P)2012 Tantor AudioLos oyentes también disfrutaron...
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Awful
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As a celebrated cultural critic and a writer for national publications like The Atlantic and Harper's, Alan Jacobs has spent his adult life belonging to communities that often clash in America's culture wars. And in his years of confronting the big issues that divide us - political, social, religious - Jacobs has learned that many of our fiercest disputes occur not because we're doomed to be divided, but because the people involved simply aren't thinking.
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Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.
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Not bad for a "Publish or Perish" thesis
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