Turning Pointe

How a New Generation of Dancers Is Saving Ballet from Itself

De: Chloe Angyal

Narrado por: Casey Holloway

A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future

Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance.

In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.

Reseñas de la Crítica

“A vigorously reported critique of common policies and practices in the ballet world.”—Kirkus Reviews

“Turning Pointe: How a New Generation of Dancers is Saving Ballet from Itself is a painstaking, and often painful, assessment of the troubling racialized, gendered, and classed lessons of classical ballet. Angyal’s sharp analysis invites us to wonder how ballet might expand if it did not require broken toes, torn ligaments, starving dancers, or pink tights. This is the book for all of us who loved ballet but found it did not love us back.”
—Melissa Harris-Perry, Maya Angelou Presidential Chair at Wake Forest University and cohost of System Check

“This is the book I desperately needed as a teenage ballerina, when I mistakenly thought there was something wrong with me rather than ballet’s culture. Having read it, I want to buy copies for every aspiring dancer, as well as the gatekeepers who most need to read it. Angyal reports with urgency and precision about what draws young dancers to ballet, and how it needs to change to keep them there. Turning Pointe is a long-overdue reckoning for an art form that excludes and injures its dancers as much as it dazzles them.”—Ellen O’Connell Whittet, author of What You Become in Flight

“The best art is not an escape for the audience, but a journey. It uses beauty incisively, and that is what Chloe Angyal’s writing does. In her essential observations about her beloved ballet, she reminds us of the necessity of thinking critically, especially about that which we love the most.”—Jamil Smith, journalist and contributor to Believe Me

“There’s no question: Turning Pointe is a groundbreaking book that stands to shift the nature of ballet as we know it. The depth of reporting is astounding, inspiring, and necessary: Chloe Angyal doesn’t just explore ballet, she examines it, holding up magnifying glasses and mirrors to the inequities and systemic issues that have persisted for too long, the innovation unfolding in studios and on stages, and the shattering of rigid tradition that today’s ballet can’t let stand. With Angyal’s obvious passion for the art form and thoughtful, immersive conversations with sources from across the ballet world at the heart of this book, Turning Pointe is a must-read for any current or former dancer, dance parent, or individual who is interested in a vibrant, inclusive future of a classical art form. Turning Pointe reads like a reckoning—one that can truly change ballet for the better.”—Rainesford Stauffer, author of An Ordinary Age

Loved it

Oooh this reminded me of don’t think, dear and I was talking about how much I missed books like this. And this one got aspects that Alice didn’t cross as much. It was really good and with any interest in ballet — one should read this. I really got a lot out of it.

Liberal leaning book about ballet

I am an adult who started taking ballet classes a few years ago. I was aware of some of the issues surrounding this dance form (body image/eating disorders, and the cost-prohibitiveness of learning to dance) but was less aware of other aspects (the "whiteness" of ballet, the issues with boys both in the studio and outside of it, and the role of men in creating ballets and running companies). At times the author leaned into liberal social justice ideology, but there were topics that needed to be addressed.

Mind-blowing and eye-opening

As a ballet dancer, I can say that this book needs to be heard by everybody. Dancers and non-dancers have helped to perpetuate injustices and racism in the ballet co8and it needs to be stopped altogether.

Wonderful- please read if you’re learning ballet

So important to listen/read this if you’re learning or teaching ballet. Can’t recommend enough.

I knew ballet was messed up...

I've been dancing ballet for 32 years and I knew that ballet was a messed up system but I was not aware it was this messed up. I don't have the hips or the feet and now after reading this book I'm okay with that. I've been striving to get back on pointe, and now that is gone. I will never dance in pointe shoes again. I knew it was sexist and racist but again not at the level that was discussed in this book. at the end of the book it asks if the author would be willing to let their children dance ballet. My answer is a resounding "No." Not until ballet gets its sh!t together. A wonderful read and I will read it again.