Apollo's Angels

A History of Ballet

De: Jennifer Homans

Narrado por: Kirsten Potter

For more than 400 years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. A ballerina dancing The Sleeping Beauty today is a link in a long chain of dancers stretching back to 16th-century Italy and France: Her graceful movements recall a lost world of courts, kings, and aristocracy, but her steps and gestures are also marked by the dramatic changes in dance and culture that followed. Ballet has been shaped by the Renaissance and Classicism, the Enlightenment and Romanticism, Bolshevism, Modernism, and the Cold War.

Apollo's Angels is a groundbreaking work---the first cultural history of ballet ever written, beautifully told. Ballet is unique: It has no written texts or standardized notation. It is a storytelling art passed on from teacher to student. The steps are never just the steps---they are a living, breathing document of a culture and a tradition. And while ballet's language is shared by dancers everywhere, its artists have developed distinct national styles. French, Italian, Danish, Russian, English, and American traditions each have their own expression, often formed in response to political and societal upheavals.

From ballet's origins in the Renaissance and the codification of its basic steps and positions under France's Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. It was in Russia that dance developed into the form most familiar to American audiences: The Sleeping Beauty, Swan Lake, and The Nutcracker originated at the Imperial court.

©2010 Jennifer Homans (P)2011 Tantor

Reseñas de la Crítica

"[The] book is a delight to read, massively informed yet remarkably agile." ( The Washington Post)

“The only truly definitive history of the most impossibly fantastic art form, ballet . . . an eloquent and lasting elegy to an unlasting art.” ( The New York Times Book Review)

“Intellectually rigorous, beautifully written, brilliantly structured.” ( San Francisco Chronicle)

This book inspired me to get back into Ballet

The author has a way of describing what ballet is and it’s rich history. They highlight specific dancers, choreographers, eras and styles of ballet. As someone who did ballet as a child and is now getting back into it it’s so fascinating to learn about the history of this magical and athletic art form. I highly recommend it to anyone who loves dance and or history.

Was sad when it ended

I thought this was one of the best non-fiction books I've ever listened to. I don't know what book some of the other reviewers listened to who gave mediocre reviews but I don't think they really listened all the way through. Although a little slow in the beginning, I began to get the rhythm of the read about 1/4 of the way through and then was captivated. I'll go back and re-listen to the first 1/4 since I didn't really appreciate it then. What an amazing feat, Ms. Homans has accomplished. I have to admit complete ignorance about ballet but she changed my mind by pure education. Before I listened to the book, I had no idea that an art form that was the pure fabrication of the ultimate decadent aristocracy of the French became the standard cultural icon of the totalitarian Stalinist State. How could this happen? Ms. Homans makes the transition so understandable and rational that when I finished that section, I had to stop, take a deep breath and think about what the author had done and then she did it again with the United States. The book made me go to youtube and find every ballet clip that I could click on. Plus, the reader was great.

A good history of ballet

Would you listen to another book narrated by Kirsten Potter?

Possibly; I know she's very prolific. I have to say, though, that although her voice is pleasing and her pacing good, I was very surprised at the amount of mis-pronounced words in her narration of this book. Clearly no one did any research to prepare for the constant stream of words and names in French, Russian, Italian, and other languages that appear throughout this book. It was very distracting.

Great - except

The book is fascinating and well-written. The narrator reads well, except for her inability to pronounce proper names and foreign phrases. Her many errors are jarring.

Tortured, ephemeral, fascinating

A rigorous scholarly work which also manages to capture the unique ethos and pathos of ballet. It tells the story of an art form which constantly struggled to define itself, reaching a few moments of shining transcendence, more often caught awkwardly between eras and philosophies. Born in the courts of King Louis XIV, ballet is at heart noble, courtly, and idealistic, yet it was often reformed for new generations amidst a political and artistic mileu that was anything but. The author perfectly illustrates the singular beauty of ballet, its history, and its artists for her audience- tortured, ephemeral, fascinating.