
Theft
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Narrado por:
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Luke Francis
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De:
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Luke Brown
Acerca de esta escucha
"What I did to them was terrible, but you have to understand the context. This was London, 2016."
Bohemia is history. Paul has awoken to the fact that he will always be better known for reviewing haircuts than for his literary journalism. He is about to be kicked out of his cheap flat in east London and his sister has gone missing after an argument about what to do with the house where they grew up. Now that their mother is dead this is the last link they have to the declining town on the north-west coast where they grew up.
Enter Emily Nardini, a cult author, who – after granting Paul a rare interview – receives him into her surprisingly grand home. Paul is immediately intrigued: by Emily and her fictions, by her vexingly famous and successful partner Andrew (too old for her by half), and later by Andrew’s daughter Sophie, a journalist whose sexed-up vision of the revolution has gone viral. Increasingly obsessed, relationships under strain, Paul travels up and down, north and south, torn between the town he thought he had escaped and the city that threatens to chew him up.
With heart, bite and humour, Luke Brown leads the reader beyond easy partisanship and into much trickier terrain. Straddling the fissures within a man and his country, riven by envy, wealth, ownership, entitlement, and loss, Theft is an exhilarating howl of a novel.
Perfect for fans of Jonathan Cole's Middle England, Zadie Smith's NW and Nick Hornby's High Fidelity.
Luke Brown grew up in a former fishing town on the coast of Lancashire. He works as a book editor and is a lecturer at the Centre for New Writing at the University of Manchester. He writes regularly for the Financial Times; and sometimes for the TLS, London Review of Books and New Statesman. His debut novel My Biggest Lie was published in 2014, and his fiction has appeared in The White Review.
©2022 SAGA Egmont (P)2022 SAGA EgmontLos oyentes también disfrutaron...
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Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.
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Great novel - my favorite in years
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Reseñas de la Crítica
A raw, funny, surprisingly tender novel about belonging, class, and what makes a life a success. I loved the central brother/sister relationship and how the book confronted masculinity and the disparity between womanhood and the male experience. I grew so fond of the protagonist, and devoured the book in a day.
-- Dolly Alderton, Author
It's a rare thrill to find a writer with Luke Brown's gift for nimbly navigating the maze of gentrification, Brexit, and the gig economy with dark, effervescent hilarity. Theft is a funhouse mirror held up to the grim absurdity of our political moment, a quick-witted tale of generational crisis, and an incredibly poignant and funny take on what happens after bad turns to worse.
-- Alexandra Kleeman, Author
Luke Brown’s Theft is acerbic but tender, biting but elegiac, a snapshot of early twenty-first century life in which the unceasing prospect of catastrophe is the new normal.
-- Colin Barrett, Author
"Theft" is a witty, tender and insightful portrait of a city, and a life, at at time of crisis. It’s engrossing and charming and made me laugh many, many times.
-- Nicole Flattery, Author
This Britain is both utterly recognisable and freshly revealed and the writing assured, funny and always humane.
-- Catherine O'Flynn, Author