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Reading Pride and Prejudice in the 21st Century
- Narrado por: Patricia A. Matthew
- Duración: 1 h y 43 m
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Resumen del Editor
After Romeo and Juliet, Elizabeth Bennet and Fitzwilliam Darcy might just be the world’s most famous fictional couple.
The story of how they fall in love—Pride and Prejudice—has left an indelible imprint on popular culture. Readers, novelists, playwrights, filmmakers, and even zombies can’t leave Pride and Prejudice alone. Which raises the question: Why has this novel, of all Jane Austen’s works, remained the general favorite?
In Reading Pride and Prejudice in the 21st Century, Professor Patricia A. Matthew, a specialist in British Romanticism and the history of the novel, examines how fans and scholars engage with the novel today—and how contemporary storytellers continually surprise us with new retellings. Through this Audible Original, you’ll explore fresh perspectives on the heroic ideals of Elizabeth Bennet and the values of the women around her, the enduring sex appeal of Mr. Darcy and his various cinematic interpretations, how today’s readers grapple with the novel’s depictions of gender and class in the 1800s, the timeless power of Austen’s satire, and even the promises of a Pride and Prejudice multiverse of parodies, murder mysteries, and more.
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A Courtly History: Romance in the 19th Century
- De: Stephanie Insley Hershinow, The Great Courses
- Narrado por: Stephanie Insley Hershinow
- Duración: 2 h y 46 m
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Historia
The rituals and pageantry of courtship in the 19th century can seem foreign to us today. Some of us may look back and see a more romantic age, while others will see a minefield of strict rules and stuffy protocol. Either way you look at it, it was worlds away from what dating is in the 21st century. In the six lessons of A Courtly History: Romance in the 19th Century, Professor Stephanie Insley Hershinow gives you a look at the complex and ever-evolving rules of romance in 19th-century Britain. Along the way, you will see why this fascinating era keeps drawing us back to novels and Netflix.
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So much fun!
- De ArianaAZ en 03-16-24
De: Stephanie Insley Hershinow, y otros
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Zombified: Real-World Lessons from Fictional Apocalypses
- De: Athena Aktipis, The Great Courses
- Narrado por: Athena Aktipis
- Duración: 2 h y 33 m
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Historia
Athena Aktipis of Arizona State University is a self-professed apocalypse enthusiast, and as the host of the podcast Zombified, she knows the undead inside and out. With Zombified: Real-World Lessons from Fictional Apocalypses, she’s compiled her research and insights into a fascinating Audible Original that will have you thinking deeper about all those shambling, brain-hungry corpses in pop culture—not to mention our everyday lives. Drawing on years of research on zombies and zombification, these six lessons offer a fun way to explore and understand the many forces that influence us.
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Good attempt, lackluster execution
- De R. MCRACKAN en 10-14-23
De: Athena Aktipis, y otros
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The Life and Legacy of Muhammad
- De: Maria Dakake, The Great Courses
- Narrado por: Maria Dakake
- Duración: 4 h y 57 m
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Historia
New religious movements aren’t earthquakes - they’re not generated by blind natural forces, and they’re not inevitable. Social and spiritual change requires a catalyst to set it in motion. And in the case of Islam, that catalyst has a name: Muhammad. He was a charismatic individual, born of the existing culture of sixth-century Arabia and yet somehow alienated from it. He drew on existing religious ideas in radically new ways that would change his world - and ours - forever. Join Maria Dakake of George Mason University for a riveting exploration of Islam’s founding prophet.
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A Lot of Detail Enriches this Book
- De Gilbert M. Stack en 03-29-22
De: Maria Dakake, y otros
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How Memory Works and Why Your Brain Remembers Wrong
- De: Gabrielle F. Principe, The Great Courses
- Narrado por: Gabrielle F. Principe
- Duración: 5 h y 47 m
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Historia
“Who are you?” Chances are you’d answer this question by describing the highlights of your personality and life experiences. But if you’d been asked this same question yesterday, you might have responded with a slightly different description. Does that mean you are a particular person today but were a different person yesterday? And what about tomorrow? Welcome to the slippery, shape-shifting nature of memory. As Professor Gabrielle Principe reveals, “you” are the conglomeration of the often-unreliable information your brain decides to feed you at any given moment.
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Outstanding
- De Natasha en 01-20-24
De: Gabrielle F. Principe, y otros
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These Six Things Will Kill You
- De: Brandy Schillace, The Great Courses
- Narrado por: Brandy Schillace
- Duración: 2 h y 38 m
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We might be afraid of lions, tigers, and bears (oh, my!), but much more frequently, our worst foes come without teeth and claws and in teeny, tiny packages. In These Six Things Will Kill You, medical historian Brandy Schillace introduces you to half a dozen deadly forces, often microscopic and invisible, that might be coming for you at this very moment.
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Interesting but Troubling
- De Gilbert M. Stack en 04-28-23
De: Brandy Schillace, y otros
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Navigating Bias at Work
- De: Meara Habashi, The Great Courses
- Narrado por: Meara Habashi
- Duración: 2 h y 24 m
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While we’ve made progress on social equity, some workplaces still don’t operate in the most inclusive ways. And when bias and discrimination, whether explicit or implicit, go unresolved, they disrupt not just our health and productivity, but that of our entire organization. Navigating Bias at Work is designed to help you work and thrive in places where bias runs rampant.
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Repeats What Is Commonly Found Online
- De Alice en 09-24-23
De: Meara Habashi, y otros
Lo que los oyentes dicen sobre Reading Pride and Prejudice in the 21st Century
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- M. E. Greenham
- 08-21-23
Too woke
There is a difference between modern standards and woke “standards”. The author could consider this.
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- Margaret
- 09-04-23
Great info for thought!
I love all the Jane Austen books and this expert explained why all the reasons Jane wrote her books as she did as well as all the adaptations since. I found it an enjoyable short read!
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- Ari@The Bookish Coven
- 10-02-23
Short and educational
Short series of lectures about the impact of Pride and Prejudice. Matthew's analysis was enjoyable!
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Historia
- Baka Svig
- 08-09-23
So enjoyable! More please
I really enjoyed Dr.Patricia Mathew’s scholarship. More please! I will look for more courses by her.
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Historia
- Eliza
- 12-09-23
Helpful introduction
Whether you’re just getting started with Jane Austen or you’ve read the novel but want some additional background, this is a well-informed and engaging introduction to Jane Austen and her most famous novel.
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- Fastidious Kingdoms
- 09-01-23
Omg the narrator
The narrator/author not only speaks in an unnatural, completely scripted cadence, but she repeatedly says, “In this lecture I will tell you…” “In Lecture Four I will tell you.” A college professor should have better writing skills than using the “I will tell you” crutch. Perhaps, “in this lecture we will discuss,” or “this lecture focuses on.”
I was excited to see this title, but the narration is a mess.
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- Chelsea Fairless
- 08-22-23
Very disappointing subjective course
If someone is seeking out any kind of literary, critical, or modernist take on Pride and Prejudice, you can be pretty confident that they will already be familiar with the plot; therefore, Matthew spends entirely too much time summarizing it and giving her general opinions on it as a 19th century novel with no time spent on how first-time readers today might interpret the original text. When she does finally get to discussing modern adaptations, she spends the most time discussing the most popular movie adaptations and very little on the books adaptations that appear in much higher quantity.
Matthew seems particularly upset by the 2005 movie version, which she deems as horribly inaccurate for various reasons. Dismissing an adaptation for slight inaccuracies is a very tired argument since new writers are obviously going to change certain things for the modern viewers and their own personal preferences; expecting a perfect facsimile of the original novel is unrealistic and quite frankly, boring. About this 2005 version, Matthew says, "I think Keira Knightley is too pretty for the role of Elizabeth, the orchestral music is too intrusive, and the ampersand in the title is grating." First of all, bringing up your annoyance with an ampersand in a title in no way contributes to any meaningful discussion of the story or medium and is therefore completely unnecessary. Also, the orchestral music in no way distracts the viewer from the story, so that is also an incredibly subjective comment. And as for Knightley being too pretty, it is commonly accepted that the heroine of a film is going to be beautiful, so that's entirely to be expected from Hollywood and in no way should reflect poorly on Knightley herself. Matthew also takes umbrage with the proposal scene in this movie because of the shouting and sexual tension. She says that people of this time would never shout at each other; normally I would agree, but I think it can be allowed that people of any century sometimes lose their tempers and a more heated argument is good for the visual medium of film. I also don't find any fault with there being some sexual tension in the scene, as love and hate are both strong feelings that are well-known to bring people together as much as apart, so it's not unreasonable to say that expressing any strong emotion in this scene could result in sexual tension between two grown adults.
Matthew was inconsistent with her critique of tropes in some adaptations but not others; she seems to condemn the wet shirt scene in the 1995 movie and yet lauds a Darcy on horseback in an Atlanta-based adaptation for being hot. Perhaps she thinks sex appeal is only acceptable in contemporary adaptations but not those still set in the Regency? But they're all adaptations at the end of the day, so I think it's hypocritical to allow it for some and not all. And as for contemporary adaptations as a whole, she implied that one should never sacrifice accuracy for diversity and inclusion, which sounds rather close-minded and borderline racist to me. Matthew has a throwaway comment about how the Bennet parents in the book "Pride" love each other much more than in the original, but while that may seem true on the surface, you also have to consider the social conventions of the time period; couples in the Regency were not expected to ever show physical intimacy outside of the marriage bed but cuddles and kisses in front of others are perfectly acceptable today.
In conclusion, this audiobook needed less summary and personal opinion and more objective analysis on what this classic novel means to readers today. Matthew could have used many more examples of adaptations and spent a little more time with each one to really delve into the nuance of various changes. I'm less interested in Matthew's personal preference for accuracy and more interested in how this novel has shaped our society in surprising ways.
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- Monique
- 11-14-23
Disappointing and Shallow Analysis
The first few chapters were okay, but half of the audiobook were shallow references to modern adaptions most readers likely wouldn’t have encountered before listening. This was less about analyzing the book and more about gushing over fan fiction.
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