Every Secret Thing

De: Susanna Kearsley

Narrado por: Katherine Kellgren

No one lives forever. But the truth survives us all. Kate Murray is deeply troubled. In front of her lies a dead man, a stranger who only minutes before had approached her wanting to tell her about a mystery, a long-forgotten murder. The crime was old, he'd told her, but still deserving of justice. Soon Kate is caught up in a dangerous whirlwind of events that takes her back into her grandmother's mysterious war-time past and across the Atlantic as she tries to retrace the dead man's footsteps. Finding out the truth is not so simple, however, as only a few people are still alive who know the story...and Kate soon realizes that her questions are putting their lives in danger. Stalked by an unknown and sinister enemy, she must use her tough journalistic instinct to find the answers from the past - before she has to say goodbye to her future.

©2006 Susanna Kearsley (P)2016 Audible, Inc.

Reseñas de la Crítica

"The matchless Katherine Kellgren artfully presents this accomplished historical mystery, which shifts in time from WWII to the present day. Young reporter Kate Murray encounters elderly Andrew Deacon, who makes two significant revelations just before he's killed by a hit-and-run driver. Two plotlines follow, one in the past, one in the present: Kellgren touchingly portrays the kind, gentlemanly Deacon in flashbacks involving wartime spies, one of whom is Kate's grandmother. In the present, Kellgren captures the feisty and dedicated journalist as she pursues the complicated story of the spies while following their circuitous route across Europe. Audio is the perfect format for the unexpected transitions of time and setting. Kellgren's best creation is Murray's beloved grandmother, who reluctantly shares painful secrets with her granddaughter and beautifully recounts an unusual love story that will bring tears for what might have been." ( AudioFile Magazine)

Strongly Resonated With Me Emotionally Page Turner

It all begins with a forgettable old man telling her he has a story about murder to share with her and then Kate watches him die before her eyes in a hit and run. Starting slowly like the dropping of a stone into a body of water and the waves increasing steadily in size. This is a story of discovery and an unforgettable story of past sacrifices and secrets touching the present with danger and murder.

Originally published under another pen name, Emma Cole, Every Secret Thing is now released by Susanna Kearsley as the first book in the Kate Murray series.

The story begins with Canadian journalist in London for a big murder trial. She's covering the story and when the verdict comes in, she'll wrap up and head back home to Toronto. While the jury is out deliberating, Kate encounters a bland forgettable older man outside the courthouse. He strikes up a conversation and then speaks of her writing up a story he has about an old case of murder that never saw justice. Kate is distracted by thoughts of her own story and thinks he's just a forgettable, lonely old man until she watches him walk away and die when struck by a car. He made one comment that disconcerts her- she has her grandmother's eyes. How would this stranger know that?

Next thing she knows, she is being warned away from Andrew Deacon's story, his things are ransacked, and everyone connected to him is meeting with fatalities. It really strikes home when just after she gets back to Toronto, her grandmother tells her a story- a story of a life during the war years when her grandmother worked for a top man in British intelligence in NYC. Kate is flabbergasted to discover that not only did her grandmother know Andrew Deacon, but they were close. Then her grandmother is shot.

Kate goes on the run for her life and knows that she'll never be safe until she discovers the truth behind that old murder that Andrew Deacon wanted to come to light. Her investigations take her back into the past- Lisbon of the 40's. She must avoid those who are trailing her and keep those who know of the past safe even as someone is dead set on the opposite.

Alright, this book solidified what I already knew. I love Kearsley's work. I love her dual plotted stories that make the past come alive with the present story line and pose a cunning suspense and light romance plot as well. Every Secret Thing got going with some excitement and then turned gently paced in the middle. The end picked things up again.

But it was not just the pacing so much as how the plot was teased out. The reader is given an explosion of early facts and situation, characters, tone, and setting to drawn them in and get things started. Then details come along that start making sense while also confusing matters. Things are not always what they seem. Kate learns that she has to figure out who to trust and who is telling the truth. But that end-wow, a twist on a twist on a twist. So many details that I saw and didn't grasp the significance made the puzzle pieces finally fit and give the full picture. Some I worked out, but other pieces left me amazed.

Beyond the suspense, there was a beautiful bittersweet story of star-crossed lovers, people affected by war, honor, and duty, and hard truths. Many of the players in this one particularly in the past story line were so alive to me. At first, the reader is introduced to this old man who soon dies and he seems to be almost throwaway just to get the plot moving. Even now, I get emotional just thinking of how wonderful and heroic that self-effacing man really was and I had to hear his story knowing that he was gone- murdered. Kate is the central figure, but her story is tangled up with those in the past. I bawled my eyes out there near the end at the loss, pain, and poignancy of this story that goes well beyond the usual engaging romantic suspense piece.

The settings both historical New York City and Lisbon and modern day London, English country village, Lisbon, DC, and Toronto were well drawn. I felt I was there and could appreciate these international settings.

I enjoyed this book in audio format. It was my first time with Katherine Kellgren as the narrator. I thought her voice really matched well with the characters from the past. I think it is a gift to not only portray a persona and their accent, but a person not from modern times and then switch it with people from the present and representing several nationalities. She really gets into her storytelling and startled me the first time she told an exciting part because I wasn't ready for her to break out of her steady storytelling voice. But I adjusted and came to enjoy her dramatic telling.

This story felt complete when it ended, but I noticed that it had been labeled as the first of a series. I assume the main character, Kate, will have more suspenseful adventures and maybe do something about the attraction she shares with a certain someone.

In summary, this was abso-fab and I can't praise it enough. The mystery plot would have been enough, but the blend with that historical time, the people, and the tone made it extraordinary. Romantic suspense and historical mystery lovers really should grab it up.

Too Many Ribbons Tied Up in the End

This book focused more on solving the historical mystery at the heart of all of Kearsley's books and very little on the romance. All of her books center around a historical mystery, but there is usually a little more subtle romance involved. That was fine and fit the plot well since the main character was in physical danger and people around her were being murdered. The mystery at the heart of this was also more recent than most books, with the historical part occurring during World War II versus the 17th or 18th century. All of that was fine.

My problem with this book was that she tied too many of the coincidences up in the end. This wasn't about a single family or small town generations apart, it was about World War II and the millions of people affected by and the even larger world today, and yet, in the end, she'd pieced together how these very disparate people from all over the world happened to meet each other and connect over a 60 year span. How did a Canadian pilot shot down in France just happen to hook up with British intelligence personnel at an out of the way windmill outside of Lisbon, Portugal?

There was no reason to connect every single relationship. The story would have been fine. The mystery itself was fairly plausible, except she never explained why the British government was so happy to cover up a crime and continued to do so long after it made sense just to protect someone not worth protecting. But, what made it implausible was the author's attempt at synchronicity.

As far as the narration of this audiobook goes, I am a big fan of the late Kathrine Kellgren - but it has to be the right book. She is perfect on the campy Royal Spyness mysteries. But there were a couple of times on this book that she got way too dramatic, stopped narrating and started (poorly) acting. That didn't help.

I will truly read anything written by this author!

I've read or listened to nearly all of Ms. Kearsley's books, and most have some sort of mystery element, history element, and romance element. I have thoroughly enjoyed each and every one. Ever since I first opened and read The Winter Sea, I started buying up her books, eagerly devouring them. Many, if not most of them, have a far-in-the-past history element, and that was the initial draw... her descriptions, characterizations and plots simply make a book seem like a vacation to a different time. It's like being Dr.Who when you read! (That was for my fellow Sci-fi nerds.).

This book is a bit different. There is still the mystery (actually a crime to solve... a cold case), but the history takes place during a recent generation. After all, many of us living today had close family members (grandparents or parents, etc) who remembered WWII. Instead of making this novel less exciting, it seemed to have even more relevance, almost as if this could be a true crime novel. There was still a romance element to this book, but it was only there in a distant sort of way, you'll understand what I mean if you read/listen to the book. It wasn't so much a love in passing, like ships passing in the night, but a slow simmering type of journey back in time, all of it being told 2nd or 3rd hand. No passion, just sentiment for the past. Which is the way many of us still think of the way things were back in the 40s, so the romance element truly set the scene. Like the romance and the overall arc of the story were kindred spirits. The crime was also relevant enough and carried over enough into the "now" for some heart pounding, which makes for a more enjoyable novel.

As for the reader/narrator, I've listened to Katherine Kellgren many times before, and it's always a great experience. She does different voices for different people, but instead of putting on a fake-deep male voices, her own voice is perfect for a simply changing the timbre, the accent, the tone, or maybe adding some roughness, so that when she speaks the parts for men, you forget you're listening to a woman. If I think hard, I can still tell a woman is speaking, but she pulls the reader so far into the book, and so easily, that thinking of anything beyond the story itself, getting caught in the sheer excitement and drama of it, almost seems impossible.

I had a friend in the college orchestra once. They performed in the orchestra pit during school plays. After one play (not a concert, but a play), a friend came by to tell her how great the orchestra sounded during the show. My friend didn't say much until the person left, but then she turned to me, disappointed. She said, "we must've done a poor job of it." I asked why she would say that after receiving a compliment, and she pointed out, "during a play, we are supposed to bring the observer INto the play, not bring them OUT of it to listen to us." When I listen to a book read by Katherine Kellgren, I think she makes a great orchestra. Very seldom do I think "wow, what a good reader" when she reads, only noticing after the fact that I listened to a narrated book, instead of living in the story.

I will miss the characters from Every Secret Thing, especially the character who died first.

Excellent book!

Historically interesting, much adventure and suspense, a non-cookie cutter novel, full of surprises and including a beautiful romance in the background. Strong & independent characters ( good & bad). Difficult to stop listening. What a great surprise.

Great combo - author + narrator

While I have enjoyed other books by Susanna Kearsley, I chose this book because of the narrator. Others complain about her over-acting narration, I like it very much. Good narration IS acting. Also, few narrators can smoothly move from dialect to dialect as she could do. "Her Royal Spyness", Rhys Bowen's series, brought me to her fanbase where I gladly re-listen to that funny, funny series.

This book travels around the globe with the impact of WWII, MI-6 and private lives. I enjoyed the twisted intrigue and it fell into my book pattern of spies, murder and relationships.

Mostly, I enjoyed Katherine Kellgren again, knowing her library of narration is large, but her death removed her from our future listening relationship with her. I will continue to seek her books and hope they are as well written as Ms. Kearsley has done with Every Secret Thing.

I had to binge this, I couldn’t wait to hear what happened next.

I have LOVED l of Susanna Kearsley’s books. I’m torn which I enjoyed more. Highly recommend this one.

Outstanding!

I am in love with this story! It is one of which I will re-read again, and again. The characters are true to life with the images built in my mind.

Another great story from this author & narrator!

I really love Susanna Kearsley’s novels. She does a fantastic job of weaving past and present, romance and intrigue. Some of her books have a paranormal element like time travel, but this one does not.

Nice but slow

This story was somewhat depressing and slow to me. I loved the narration. Too many prose and description with too little story. Left me feeling blue.

Not her best effort

First of all, the performer’s voice was grating, sharp, and the many accents were pretty badly done. The story could have been shortened and tightened by several hours. Way too much descriptive prose.