Dunbar

William Shakespeare's King Lear Retold: A Novel

De: Edward St Aubyn

Narrado por: Henry Goodman

A reimagining of one of Shakespeare's most well-read tragedies, by the contemporary, critically acclaimed master of domestic drama

Henry Dunbar, the once all-powerful head of a global media corporation, is not having a good day. In his dotage he hands over care of the corporation to his two eldest daughters, Abby and Megan, but as relations sour he starts to doubt the wisdom of past decisions.

Now imprisoned in Meadowmeade, an upscale sanatorium in rural England, with only a demented alcoholic comedian as company, Dunbar starts planning his escape. As he flees into the hills, his family is hot on his heels. But who will find him first, his beloved youngest daughter, Florence, or the tigresses Abby and Megan, so keen to divest him of his estate?

Edward St Aubyn is renowned for his masterwork, the five Melrose novels, which dissect with savage and beautiful precision the agonies of family life. His take on King Lear, Shakespeare’s most devastating family story, is an excoriating novel for and of our times – an examination of power, money and the value of forgiveness.

Reseñas de la Crítica

One of Town & Country's "6 must-read books for October"
One of Vulture's "8 must reads for October"

Praise for Dunbar:

“The pairing of St. Aubyn with Lear seems predestined—who better to reckon with a play about frustrated power and familial resentment than the author of the Patrick Melrose novels, a five-book exorcism of ancestral demons? St. Aubyn rivals Shakespeare in his magnificently scathing language...There’s no novelist alive who combines his gift for irony and his Wodehousian satire of the upper classes with his acute comprehension of the bleakness of existence.” - The Atlantic

“St. Aubyn’s writing has a lavishness that still retains precision — he never allows mistiness to descend on his metaphors… St. Aubyn has built a career out of family pain, and his language has a wonderful poetic density, dry, expansive, self-conscious, and savage, all at once.” - NPR.org

"St. Aubyn shines at skewering the rich and profligate." - The Los Angeles Times

"[Dunbar is] an enjoyable, breakneck ride through the misdeeds of one of the greatest stages of fools you’ll ever meet.” - Pittsburgh Post-Gazette

"Henry Dunbar--think Rupert Murdoch or Sumner Redstone--breaks free of an English sanatorium, set on revenge." - Esquire

"A brilliant reworking of William Shakespeare's King Lear for our day." – Kirkus (starred)

“St. Aubyn’s resplendent rendering of nature’s grand drama and Dunbar’s shattered psyche, Florence’s love, and her sisters’ malevolence make for a stylish, embroiling, and acid tragedy.” – Booklist

“The tale is the perfect vehicle for what this author does best, which is to expose repellent, privileged people and their hollow dynasties in stellar prose.” – Publishers Weekly

Praise for Edward St. Aubyn:

“Perhaps the most brilliant English novelist of his generation.” – Alan Hollinghurst

“Nothing about the plots can prepare you for the rich, acerbic comedy of St Aubyn’s world – or more surprising – its philosophical density.” – Zadie Smith, Harpers

“St Aubyn conveys the chaos of emotion, the confusion of heightened sensation, and the daunting contradictions of intellectual endeavour with a force and subtlety that have an exhilarating, almost therapeutic effect.” – Francis Wyndham, New York Review of Books

Hogarth Shakespeare Novel Sizzles

Finally, a modern Shakespeare that succeeds with the rapid fire wit of Edward St. Aubyn. Most Americans aren’t familiar with St. Aubyn who is truly among the best living English writers. This tale of King Lear in the twenty first century is loaded with scintillating dialogue, and characters whose greed and debauchery might be too vivid for the easily offended- I, for one, found them fascinating. Dunbar himself as King Lear is repulsive, yet there’s some remaining humanity within his obsession with power. Two of his daughters are disgustingly spoiled, and the “doctor” who toadies to their every sexual and drug craving is just plain bad. My favorite character is the British actor who befriends Dunbar in a mental hospital where the two daughters have plotted to have him committed. Here, Audible shines, because the narrator enlivens all of his mimicry with aplomb.

depressing tale of horrid people

The narration is amazingly stupendous. His voices for the senile, psychotic old men, the condescending nurse, the greedy daughters, the vicious hit men are painfully believable and fantastically acted.

The author's prose is delicious, full of delightful imagery and alliteration.There is humor in his word choice and juxtaposition.

It's just that the story is awful. There's a mad hermit gay defrocked priest, a cliché of a corrupt doctor, a foolish randy body guard, mention of an old death that might be murder but is not further discussed, torture and suicide, another death that is murder but is also not solved or resolved.

Two sadistic sisters want to trick their failing dad out of the family business. One family friend wants to trick them out of their trick. The third daughter just wants Daddy to be well and happy again. Daddy Dunbar stumbles through a freezing moor while his unhinged mind rambles through his life's regrets not knowing if he is mad or sane. About 3/4ths of the way through, there is some nasty action, and some tension, then there's resolution and forgiveness, and then it all ends horribly. If this is an allegory for our politics or society, we can all just slit our wrists now. Maybe this is good for some philosophy course in nihilism, I don't know. Not nice.

Beautiful

This is a lovely take on "King Lear" and I thoroughly enjoyed it. Henry Goodman gives another stunning performance. Highly recommend.

Don’t bother

I take issue with books like this being labeled as “literary masterpieces,” Shakespeare-based or no. This is little other than a boring tale of the worst kind of overprivileged people, embellished with some sadomasochistic sex to keep the interest of perverted overprivileged men. If a woman’s name was on the cover of this, it would be called “a fun beach read,” at best. The narrator is certainly talented and likely has a theater background, and he has a knack for accents, but the whole King Lear wandering through the woods begging for his sanity for three chapters thing was cringe-worthy, and what ultimately led me to exchange the book for something else.