Cartwheel

A Novel

De: Jennifer duBois

Narrado por: Emily Rankin

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Slate • Cosmopolitan • Salon • BuzzFeed • BookPage

Written with the riveting storytelling of authors like Emma Donoghue, Adam Johnson, Ann Patchett, and Curtis Sittenfeld, Cartwheel is a suspenseful and haunting novel of an American foreign exchange student arrested for murder, and a father trying to hold his family together.

When Lily Hayes arrives in Buenos Aires for her semester abroad, she is enchanted by everything she encounters: the colorful buildings, the street food, the handsome, elusive man next door. Her studious roommate Katy is a bit of a bore, but Lily didn’t come to Argentina to hang out with other Americans.

Five weeks later, Katy is found brutally murdered in their shared home, and Lily is the prime suspect. But who is Lily Hayes? It depends on who’s asking. As the case takes shape—revealing deceptions, secrets, and suspicious DNA—Lily appears alternately sinister and guileless through the eyes of those around her: the media, her family, the man who loves her and the man who seeks her conviction. With mordant wit and keen emotional insight, Cartwheel offers a prismatic investigation of the ways we decide what to see—and to believe—in one another and ourselves.

In Cartwheel, duBois delivers a novel of propulsive psychological suspense and rare moral nuance. No two readers will agree who Lily is and what happened to her roommate. Cartwheel will keep you guessing until the final page, and its questions about how well we really know ourselves will linger well beyond.

WINNER OF THE HOUSATONIC BOOK AWARD

“A smart, literary thriller [for] fans of Gillian Flynn’s Gone Girl.”—The Huffington Post

“Psychologically astute . . . DuBois hits [the] larger sadness just right and dispenses with all the salacious details you can readily find elsewhere. . . . The writing in Cartwheel is a pleasure—electric, fine-tuned, intelligent, conflicted. The novel is engrossing, and its portraiture hits delightfully and necessarily close to home.”—The New York Times Book Review (Editor’s Choice)

“Marvelous . . . a gripping tale . . . Every sentence crackles with wit and vision. Every page casts a spell.”—Maggie Shipstead, author of Seating Arrangements

“[You’ll] break your own record of pages read per minute as you tear through this book.”—Marie Claire

“Jennifer duBois is destined for great things.”—Cosmopolitan

“A convincing, compelling tale . . . The story plays out in all its well-told complexity.”—New York Daily News

“[A] gripping, gorgeously written novel . . . The emotional intelligence in Cartwheel is so sharp it’s almost ruthless—a tabloid tragedy elevated to high art. [Grade:] A-”—Entertainment Weekly

“Sure-footed and psychologically calibrated . . . As the pages fly, the reader hardly notices that duBois has stretched the genre of the criminal procedural.”—Newsday

“Provocative, meaningful and suspenseful.”—Chicago Tribune

“[Jennifer duBois is] heir to some of the great novelists of the past, writers who caught the inner lives of their characters and rendered them on the page in beautiful, studied prose.”—Pittsburgh Post-Gazette

Buenos Aires Short-Changed

Any additional comments?

I read this book in part out of interest in the subject matter, and in part because it was set in one of my favorite cities. After reading, I was surprised to learn that the author had even been to Buenos Aires. Rather, she throws out names of streets and locations, or cultural or political issues, totally out of context. It's as though she was given a list of hot topics in Argentina and tried to force them into the book without learning what they meant.

For example, there's a scene where Maureen gives a taxi driver a 20 peso note, and Andrew is certain that the wads of bills she will receive for change will contain counterfeits. First, 20 pesos is worth about $2-4 US, depending on the ever fluctuating exchange rate, and she wouldn't be getting change in bills, if any change at all, because taxi rides are more expensive than that. Also, bills that small aren't forged. This is beyond nit-picky, but it matters because it was a series of false comments on the city geared to paint it in a negative light.

I don't suppose this would bother many people other than me, and if her description of the city weren't so critical it wouldn't bother me as much. But I feel that she maligns and misrepresents a wonderful city because she did not take the opportunity to learn about it.

A dark but compelling story of sense making and different perceptions of reality

I found myself profoundly ambivalent about this novel. On the one hand I love the quality of the writing, the vocabulary and the depth of sensitivity demonstrated by the author. On the other hand I found the somewhat relentless dark side of our humanity to weigh on me and I wish there was someone I could really like in the novel.

Wonderful Book!

I thoroughly enjoyed listening to this book. Even though it was loosely based on Amanda Knox' story, this book focused more on the impact of the situation on the family and how we tend to judge people based on what we hear, whether it's true or not. The author's note at the end is important to listen to as well. The narrator provided excellent voices for each character & helped develop the story.

Unsatisfying and Disappointing

Any additional comments?

This novel sadly fizzled and by the end, I completely checked out and I did not care. I have no problem with characters and stories that stay within the shades of grey; however, I do have a problem with poor character development that leaves the reader utterly indifferent.

Very slow start

I couldn't even finish this. I found the beginning so slow it was painful to listen to. Narration is good, but there was nothing to interest me in the first hours listening. I regret this purchase