
A House Like a Lotus
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Narrado por:
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Emma Galvin
When 16-year-old Polly O'Keefe journeys to Athens, she feels confused and betrayed. The past eight months at home were different from any other time in her life. She met the brilliant, wealthy Maximiliana Horne, who gave her encouragement and made her feel self-confident. Polly idolized Max - until she learned a startling truth that left her wounded and angry. Now on a trip to Greece arranged by Max, Polly finds romance, danger, and unique friendships. But can she find a way to forgive Max and remember her as more than a painful memory?
©2016 Madeleine L'Engle (P)2016 Listening LibraryListeners also enjoyed...




















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Engaging and Insightful
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This book is like a huge wave of love
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Those three topics are handled gracefully, well lesbians and sex are as normal as peanut butter and apple pie today, as they should be, but not in the time of this writing. Madeleine was ahead of her time and she incorporated them into normal in this writing. In fact it's the ones who teased and tormented Polly about these subjects,who come across as bullies. And that's as it should be also.
The narrator's voice. There are three particular things I can't figure out.When she was voicing the other characters, her breathing, inflection was unremarkable. But when voicing Polly (and the writing is from Polly's viewpoint, so it's 3/4 of the book) her voice, made every sentence run on. As if there were no punctuation at all. Or she would end the sentence but her inflection made you think there should be more to come. The third thing was speaking with a lilt at the end of each sentence, as if it was a question. I have never encountered this speech pattern before and I would love someone to listen and tell me if they hear it as well.
It is not unpleasant to the ear, just a bit distracting. At times I was focusing more on the speech pattern than the content, and had to back track .
If you are a fan of "Time Quartet" books, you won't be disappointed.
Another Winner!
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Statutory rape of the main character doesn’t fit in this book
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a lot of cussing
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Traumatized me
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Not Madeline L’Engle’s typical magic
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