
A Fatal Night
Ryder and Loveday, Book 7
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Compra ahora por $26.13
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Narrado por:
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Stephanie Racine
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De:
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Faith Martin
New Year’s Eve, 1962. As a snowstorm rages in Oxford, the city’s elite gather for the most exclusive party of the year. But the celebrations take a dark turn when a guest is found dead in his car the following morning.
What first appears to be a tragic case of freezing to death after crashing into a snowdrift soon unravels into something far more sinister. When WPC Trudy Loveday and Coroner Clement Ryder arrive to investigate, they uncover a tangled web of secrets that plainly point to murder.
With everyone telling different stories about that fateful night, only one thing is clear: several people had reason to want the victim dead. Trudy and Clement must uncover the truth before the killer escapes with the perfect crime.
A gripping, twisty cosy crime novel, perfect for fans of Agatha Christie, Richard Osman and M.C. Beaton.
‘Absolutely loved it… The characters were some of the best I’ve read in a long time.’ Angela Marsons, no. 1 bestselling author of the Kim Stone series©2021 Faith Martin (P)2021 HarperCollins Publishers LimitedListeners also enjoyed...




















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A good cozy mystery.
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Great edition to this series
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The story was good. I didn’t guess who-done-it but I didn’t give it too much thought and let the investigation go forward.
Excellent narration by Stephanie Racine.
Good book
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If I could have given a 7 8 or 9 I would have.
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My Only Disappointment is I Finished It Too Quick
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More than a great mystery series!
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We are treated to a full cast of interesting characters,
lots of talking, lots of hot tea brewing for anyone who walks just a short way. I remember Britain's historic artic winds
blizzards a few years ago. Here it is.
Not a disaster story, just fine detective work.
5
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Best One Yet
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…she asked, mildly.
…he responded, firmly.
…she said, flatly.
…she added, crisply.
I lost track of the narrative several times, distracted by the artless way these useless words were stapled to the end of every third sentence. The favorite by far was “mildly.” That’s such a (forgive me) mild descriptor, it adds nothing to the story but Ms. Martin was so enamored of it that she used it six times in recounting one short conversation between characters and at least two dozen times throughout the rest of the book.
Incessant use of adverbs, word repetition within sentences and character head-hopping are hallmarks of a very amateur writer, which Ms. Martin is not. These stylistic shortcuts are disappointing and for me, overshadowed a decent plot.
Brought to you by the letters “ly”
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