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In between the space of time when Ezra lights themself on fire and when Ezra dies, the world of this book flashes before their eyes. Everyone Ezra’s ever loved, every place they’ve felt queer and at home, or queer and out of place, reveals itself in an instant. Unfolding in fragments of memory, Ezra dissolves into the family, religion, desire, losses, pains, and joys that made them into the person that’s decided on this final act of protest.

Julia Rosenberg loves her brother. Really loves him. Enough to: Be the "best woman" at his wedding; leave behind her hard-won New York life, brilliant best friends, and drag brunches for Boca Raton, Florida; entertain the uptight bride-to-be and her vicious cronies; try (and fail) to dodge the hometown hookup buddy she can’t resist; and navigate the tricky dynamics with her divorced parents. She’s not that nervous. She has a supportive family that stood by her when she came out as a woman a few years ago.

Star point guard Mack Morris’s senior year of high school begins with twin cataclysms: the death of her father and the arrival of transfer student Liv Cooper. On the court, Mack and Liv discover an electrifying, game-winning chemistry; off the court, they fall into an equally intoxicating more-than-friendship that is out-of-bounds for their small Pennsylvania town in 2004, and for Liv’s conservative mother. As Mack’s desire and grief collide with drugs, sex, and the looming college signing deadline, she is forced to reckon with the disconnect between her past and her future.

It’s 1972, and eighteen-year-old tomboy Maeve O’Connor must win a photography contest to escape her suffocating, conservative family and attend her dream school in Manhattan. But where will she find arresting subjects? Why, a washed up old seaside resort called Asbury Park, New Jersey—a place where sideshow entertainers, strippers, carnies, artists, and alternative lifestyles coexist on the boardwalk in plain sight.

It’s the summer of ’96 and best friends (and secret girlfriends) Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people . . . even if the move means leaving behind Hannah’s beloved Bubbe.

Where do you get an abortion in 1960 Georgia, especially if your small town’s midwife goes to the same church as your parents? For seventeen-year-old Doris Steele, the answer is Atlanta, where her favorite teacher, Mrs. Lucas, calls upon her brash, wealthy childhood best friend, Sylvia, for help. While waiting to hear from the doctor who has agreed to do the procedure, Doris spends the weekend scandalized by, but drawn to, the people who move in and out of Sylvia’s orbit.

A Language of Limbs is a breathtaking spin on a will-they-won’t-they love story; it is a tender epic that explores the weight of a choice, the love of community, and how joy is found in even the darkest corners.

Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world.

The year is 1986, and Yurka Konev, 16, has been sent off for another summer at Pioneer Camp. Impulsive, forthright, and unfairly branded as a troublemaker, he anticipates the weeks ahead of him with boredom and dread. But when he’s pushed into working on the camp’s theater production, he meets serious, thoughtful troop leader Volodya. Yurka finds himself drawn to the slightly older boy, and, surprisingly, Volodya seems to like him, too. The two boys grow closer and closer, and though both fear the consequences of their illegal attraction, its gravity pulls them together.

In many ways, twelve-year-old Artem’s life in Chernihiv, Ukraine, is normal. He spends his days helping on his grandfather’s sunflower farm, drawing in his sketchbook—a treasured gift from his father, who works in America—and swimming in the river with his little brother, Yuri. In secret, Artem has begun wrestling with romantic feelings for his best friend, Viktor. In a country where love between two boys is unthinkable, Artem has begun to worry that growing up, his life will never be normal.

Alison is mired in loneliness and grief. Freshly twenty-three and mourning the loss of her younger sister, who has drowned at sea, she’s moved out of her hometown and into a cramped apartment on New York’s Lower East Side. Now she’s living the cliché—barely making rent as a restaurant hostess, avoiding her roommates, and watching the bright, busy passersby from her bubble of grief. She doesn’t need originality; she just needs to be alive. So why does she feel she isn’t truly living? Until late one night, when she rounds the corner and sees a shape in the air—a ghost.

Welcome to Ganymede's. An elite boys-only boarding school that has long stood at the vanguard of the world's decline. Here there is only one purpose; how to be the perfect boyfriend, partner, and ultimately, husband. At graduation, your future wife will be waiting to welcome you into society. Over the next thirty days, you will prove that you are ready to take your next steps. These challenges are meant to test your strength, knowledge, resilience and loyalty. What it means to be a man. Pass, and your future is ahead of you. Fail, and there are consequences…

Exploring social, cultural, and sexual identities in New York, Shanghai, and beyond, Mike Fu's Masquerade is a skillfully layered, interwoven debut novel of friendship, queer longing, and worlds on the brink, asking how we can find ourselves among ghosts of all kinds, and who we can trust when nothing—and no one—is as it seems.

Giacomo Brolo, aka Jack, is a mess. He works piecemeal construction gigs in remote WA, drinks himself to oblivion and is estranged from his family and friends. He's consumed by a self-loathing all too common for closeted men who have grown up in a world of hate and shame. But then Jack returns to his regional hometown of Geraldton for a family wedding. He hasn't been back since he fled at the age of eighteen, and his past soon catches up with him.

Walter Simmering is searching for love and purpose in a city he doesn’t realize is fading away—San Francisco in 1993, at the height of the AIDS epidemic and the dawn of the tech revolution. Out of college, out of the closet, and transplanted from the Midwest, Walter is irresistibly drawn from his shell when he meets Cary Menuhin and Sasha Stravinsky, a dynamic couple who live blithely beyond the boundaries of gender and sexuality.

Our protagonist always believed herself to be the smartest person in the room. But a couple of years on from earning a fancy PhD, she’s still broke, single and stuck in a job going nowhere. One option remains: marry rich. Her summer becomes a whirlwind of dating: martinis with a lazy heir, board games with a butch producer and a Venmo request from a ‘socialist’ trust-fund babe. However, when some unexpected and tragic news takes her – and her project – to Tehran she is forced to ask and answer some overdue questions about family, connection and, terrifyingly, her own purpose.

It’s the summer of ’96 and best friends (and secret girlfriends), Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe.

As the healer’s daughter, Malka has seen how the wood’s curse has plagued her village, but the Ozmini Church only comes to collect its tithe, not to listen to heretics with false stories of monsters in the trees. So when a clergy girl wanders too close to the forest and Malka’s mother is accused of her murder, Malka strikes an impossible bargain with a zealot Ozmini priest: bring the monster out and spare her mother from execution.