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The first novel that George Sand wrote without a collaborator, this is not only a vivid romance, but also an impassioned plea for change in the inequitable French marriage laws of the time, and for a new view of women. It tells the story of a beautiful and innocent young woman, married at sixteen to a much older man. She falls in love with her handsome, frivolous neighbor, but discovers too late that his love is quite different from her own.

With all of the pluck and charm of its eponymous young hero, Rachel McAdams (The Notebook, Spotlight, Midnight in Paris) delivers a spectacular reading of Montgomery's beloved bildungsroman. In moments both funny and bittersweet, McAdams' voice is imbued with the spark that has made Anne a much-loved symbol of individualism and cheer for over a century.

Mariée, au sortir de l'adolescence, à un vieux colonel, antipathique et autoritaire, Indiana est contrainte à une routine d'outre-tombe. Tout la disposait pourtant à être sauvée par l'amour : Raymon, par qui elle se laisse séduire, possède la jeunesse et la fougue que n'a plus son mari. Indiana se trouve prise dans les turpitudes de la passion, car le désir du jeune homme se révèle bientôt un appétit plus redoutable que la brutalité de son mari repu. Oppressée dans son mariage, Indiana cherche une aventure.

From the New York Times bestselling, Booker Prize–winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves—and our world today. For the last twenty years, George Saunders has been...

"The Devil's Pool" (1846) is a novel about the life of the French peasants by George Sand. Excerpt: "I knew the young man and the beautiful child; I knew their history, for they had a history. Although but a peasant and a laborer, Germain had always been aware of his duties and affections. He had related them to me clearly and ingenuously, and I had listened with interest. After some time spent in watching him plow, it occurred to me that I might write his story, though that story were as simple, as straightforward, and unadorned as the furrow he was tracing."

Scornful of men and the love they profess for her, Gwendolen Harleth is a beautiful but spoiled young woman, frustrated by her limited options in Victorian England. Daniel Deronda is an intelligent, handsome young man who has been raised by his guardian, Sir Hugo Mallinger, but knows nothing of his true origins. Deronda’s search leads him into the world of 19th-century Zionism, a discovery that will alter the course of his life.

Ne crois pas, ne crois pas, Alfred, que je puisse être heureuse avec la pensée d'avoir perdu ton cœur. Que j'aie été ta maîtresse ou ta mère, peu importe. Que je t'aie inspiré de l'amour ou de l'amitié ; que j'aie été heureuse ou malheureuse avec toi, tout cela ne change rien à l'état de mon âme à présent. Je sais que je t'aime et c'est tout. Veiller sur toi, te préserver de tout mal, de toute contrariété, t'entourer de distractions et de plaisirs, voilà tout le besoin et le regret que je sens depuis que je t'ai perdu. George Sand à Alfred de Musset, Venise, le 15 avril 1834

I thought getting a linguistics degree would land me a decent job, not get me shipped off to an alien planet ruled by barbarian warlords with tails. But that’s exactly what happens when my own government kidnaps me, along with a bunch of other women, and drops us on a brutal desert planet in the name of research. But the mission goes wrong. Because of course it does.

After four trips to the Sahara and extensive historical research, David Ball crafted this sweeping adventure novel spanning two continents and 15 years. Set against a backdrop of the crumbling French Empire’s attempts to colonize the Sahara Desert, Empires of Sand follows the lives of two cousins who are raised as brothers but destined to become enemies. It is 1870, and France is at war with Prussia.

This is George Sand's first novel. Her real name was Amantine (or Amandine) Lucile Dupin, and she later became baroness Dudevant. As an aristocratic woman living in 19th century France, she chose her first novel to be, above all, a realistic work. Indiana is trapped since the age of 16 in a loveless marriage with a rich, much older, man. Her only real friend is her cousin, sir Ralph, who, sometimes, just does things which are- logically- the best for her but- mentally- the worst he could do. She tries to find means of escape. But would she be able to recreate her own reality? Can a woman find ...

Después de abandonar a su esposo, Aurore comenzó a usar vestimentas masculinas, aunque continuaba vistiéndose con prendas femeninas en reuniones sociales. Este "disfraz" masculino le permitió el acceso a lugares negados para una mujer de su condición social.

On l'appelait "la petite Fadette", car elle avait la taille d'un farfadet et les pouvoirs d'une fée. Comme sa grand-mère, elle guérissait les hommes et les animaux. Landry, l'un des jumeaux de la ferme voisine, tombe amoureux d'elle. Mais l'amour d'une sorcière est mal vu dans cette famille, et il rend malade de jalousie Sylvinet, l'autre "besson." Après "La mare au diable", et "François le Champi", c'est le troisième roman champêtre de George Sand. Elle y exprime tout ce que la vie lui a appris. L'apparence des êtres ne compte pas, il faut percer l'écorce.

Ce recueil de textes sur la nature de George Sand, interprétés avec finesse par Marie-Christine Barrault, met en lumière l'alliage harmonieux entre la nature, l'engagement écologique et la modernité intemporelle de l'écrivaine. À travers la diversité des sujets abordés et la richesse des styles, il dévoile des facettes méconnues de son œuvre prolifique. Ses écrits sur la botanique témoignent d'une érudition remarquable en sciences naturelles, où l'observation précise de la flore se mêle à des réflexions métaphysiques empreintes de poésie.

In The Marquise, Sand displays her instinctive feeling for the true sense of the "conte" or short story. She neither analyses nor explains the character of the old noblewoman who fell in love with an actor, she merely suggests the strength of passion in the cold, cynical, aged beauty. She leaves the listener's imagination vibrating with its own images thrown up by the hints she gives. A truly exceptional short story.

Dans les années où éclosent, en Europe, les forces qui renverseront l'Ancien Régime, à Venise, une jeune femme, Consuelo, fille d'une pauvre chanteuse bohémienne, apporte au théâtre, avec sa voix exceptionnelle, son génie. Roman historique, roman d'amour, roman musical, composé sans plan, au fil de la plume, chaque mois, pour paraître en feuilleton, en 1842, dans la Revue indépendante que George Sand venait de fonder avec le socialiste Pierre Leroux et Louis Viardot, "Consuelo" est aussi l'œuvre où l'auteur exprime le plus librement, et fortement, sa conception de l'histoire.

WINNER OF THE AUDIE AWARD FOR AUDIOBOOK OF THE YEAR #1 NEW YORK TIMES BESTSELLER WINNER OF THE MAN BOOKER PRIZE The “devastatingly moving” (People) first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as...

NEW YORK TIMES BESTSELLER NATIONAL BOOK AWARD FINALIST ONE OF TIME’S TEN BEST FICTION BOOKS OF THE DECADE ONE OF ENTERTAINMENT WEEKLY AND BUZZFEED’S BEST BOOKS OF THE DECADE ONE OF THE NEW YORK TIMES BOOK REVIEW’S TEN BEST BOOKS OF THE YEAR One of The New York Times’s 100...

Debauched, divorced, and courting death, Billy Ray Schafer is a comedian who has forgotten how to laugh. Over the course of seven spun-out days across the American Southwest, he travels from from hell gig to hell gig in search of a reason to keep living in this bleak and violent glimpse into the psyche of a thoroughly ruined man. Ex-inmate, ex-husband, ex-father - comedian is the only title Schafer has left. Trapped in the wreckage of his wasted career, Billy Ray knows the answer to the question: What happens when the opportunity doesn't come - or worse - it comes and goes?

Amantine Lucile Aurore Dupin was born on the 1st July, 1804, in Paris, France, to an unconventional family who were from different classes—her father being from noble lineage whilst her mother from rather more modest origins. Her writing, a blend of romance and realism, had an effortless spontaneity which neither sacrificed style or form and tackled the complexities of politics, society, and gender.

Germain, Petit Pierre et Marie sont forcés de passer la nuit au lieu-dit La mare au Diable. Le laboureur et la jeune fille ont le coeur triste : Germain va chercher une mère pour ses enfants, mais l'amour n'y est pas, et Marie a quitté sa mère pour se louer comme bergère à la ferme des Ormeaux. Seul Petit Pierre est heureux et confiant : de lui dépendra le sort de ceux qu'il aime tant.