I KNOW I'm going to take heat for this one. So, like a flu shot, let's get the darn thing over with, for God's sake.
Let's review, shall we?..Show More » A writer with skills? Seems so. His storyline? The same. Just go read the Audible short on the work. Yet, there's an issue here. If you read or, in this case, listen, to a good number of books, you'll understand where I'm headed.
If you're a great writer, or even a GOOD one, you constantly strive for a few things in your writing. Suspension of disbelief is one. A moving and deep storyline is another. Rich characterization is important, as well.
Without REALISTIC, ENGAGING DIALOGUE between the characters, all of the potential of the work will fall short. We've all started to read or listen to such novels, and as soon as the characters open their mouths, it's over. The message suffers. The momentum is lost.
The book is closed, the audiobook returned.
And in this case, it's a shame. The problem happens here - In droves. I thought of including specific text, but it's not necessary. Is the audiobook bad? No. But the work suffers, due to the dialogue. It's a soap-operatic. Over the top. in some cases, WAY over the top.
A word to Mr. Barnes: "Do NOT get rushed by your editor to put your next effort out so quickly, that the character's dialogue suffers, as in this work. Take your time, and write great dialogue. I look forward to your next work with keen anticipation."
Audible listeners, I don't write these reviews to cater to anyone, especially myself. I have to be true to the job at hand, to let the audiobook stand on its own merits. Or fall.