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The Tale of Genji, Volume 2
- Narrated by: Brian Nishii
- Length: 37 hrs and 3 mins
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Publisher's summary
Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji - widely considered the world’s first novel - during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki’s tale came to occupy a central place in Japan’s remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.
The Tale of Genji is presented here in a flowing new translation for contemporary listeners, who will discover in its depiction of the culture of the imperial court the rich complexity of human experience that simultaneously resonates with and challenges their own. Dennis Washburn embeds annotations for accessibility and clarity and renders the poetry into triplets to create prosodic analogues of the original.
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The doorbell rings, just days after my beloved husband’s sudden death. I don’t recognise the woman on our doorstep, with her blonde highlights, a diamond bracelet identical to my own and a bouncing baby boy in her arms. As I show her inside, I notice her eyes grow wide as she takes in our spacious hallway, and the big squashy sofas that we all used to pile on. She glances at the silver-framed family photos and my little daughter hiding behind my skirts. She looks at me, her blue eyes serious. ‘I’m sorry’ she says. ‘I am your husband’s girlfriend. And this is his son.'
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Uh, what?
- By Karyn Cavanaugh on 02-22-23
By: K.L. Slater
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You Shouldn’t Have Come Here
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- Length: 8 hrs and 1 min
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Grace Evans, an overworked New Yorker looking for a total escape from her busy life, books an Airbnb on a ranch in the middle of Wyoming. When she arrives at the idyllic getaway, she’s pleased to find that the owner is a handsome man by the name of Calvin Wells—and he’s eager to introduce her to his easygoing way of life. But there are things Grace discovers that she’s not too pleased about: a lack of cell phone service. A missing woman. And a feeling that something isn’t right with the ranch.
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Worst. Ever. NOT a true twist. Juvenile writing and story,
- By Whitney Lahann on 04-29-23
By: Jeneva Rose
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The Narrator
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When the call came it seemed like the answer to my prayers. My career as a voice actor had been over for months and me and my little girl Scarlet were living back at my mum’s place. I felt like a failure professionally—and with Scarlet having problems at school, as a parent as well. So, when I was asked to narrate a new book by disappeared novelist Philippa Roberts I jumped at the chance, even if it meant leaving Scarlet with my ex, Hugo, for a few weeks. Hugo, with his perfect new home and his perfect new girlfriend Saskia. But this isn’t a dream come true. It’s a nightmare.
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Love but it's a production issue!
- By Mary on 09-02-22
By: K. L. Slater
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The Shallows
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- Length: 9 hrs and 43 mins
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Emma and Ariella, neighbours in one of Sydney’s most exclusive suburbs, appear to have it all—perfect homes, perfect husbands, perfect lives. But they both know dark secrets lurk beneath the surface and shallow waters can’t hide Ariella’s. Now she has been found murdered. Her daughter filmed the killing. Not knowing what she’s filmed, Emma’s daughter Kiki innocently uploads footage of Ariella’s brutal death. Emma fears the worst—the killer will know what she and Kiki have seen. Their safe suburban lives no longer exist.
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Surprising and refreshing
- By digitalblonde2001 on 04-10-24
By: Holly Craig
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Fingerprints of the Gods
- The Quest Continues
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- Length: 18 hrs and 31 mins
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Fingerprints of the Gods is the revolutionary rewrite of history that has persuaded millions of listeners throughout the world to change their preconceptions about the history behind modern society. An intellectual detective story, this unique history audiobook directs probing questions at orthodox history, presenting disturbing new evidence that historians have tried - but failed - to explain.
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Classic in Historical Mysteries
- By Kelly on 09-05-19
By: Graham Hancock
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「プレバト!!」で大人気の俳人 夏井いつき先生 推薦
『源氏物語』全五十四帖 与謝野晶子による現代語訳をすべて朗読し、
オーディオ化しました。
近代で最初に『源氏物語』を訳した与謝野晶子は、それぞれの帖の冒頭に、その 帖の内容をふまえた歌を一首詠んでいます。その晶子の歌もすべて収録しています。
第一帖 桐壺
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紫のかがやく花と日の光
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その後、元服した皇子は臣下として源の姓を与えられ、左大臣家の娘葵の上と結婚する。彼はその光り輝くような姿の美しさから、いつしか光源氏と呼ばれるようになった。
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What listeners say about The Tale of Genji, Volume 2
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Michelle
- 06-19-23
Surprised myself
I didn’t think I would really make it through both volumes, but glad I did. Learned a lot, enjoyed the narration and the narrative of the great Japanese classic.
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- David Proctor
- 01-21-23
A lot of hours but worth it.
What a privilege to be able to admire and enjoy a work like this. Character development, storyline, descriptions are all exceptional, from such an unexpected source, a Japanese woman writer 1,000 years ago. And it may be having an academic translate this work preserves Shikibu's own sensibilities vs. filtering them. So happy I saw it through. You won't regret it.
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- MargaRose
- 12-29-20
Brian Nishii breathes life into The Tale; bravo!
So very satisfying are the first chapters of Bk 2 (before the Blank Chapter), as we see Genji's growth from self-centeredness and impulsivity to introspection, devotion to family, and pondering a spiritual path. Might Shikibu herself have been preoccupied with end of life concerns at this point, contributing to a sense of urgency to complete the development of each character and The Tale itself? Life can be so difficult to navigate for those with less privilege, especially when outrageous advantage is taken or threatened. For the women at court, discretion, circumspection and avoidance could be employed in order to stay safe. But how easily might one be tricked, cajoled by poetry or promises, or even betrayed by one's own trusted attendants, and if/when it happened, there would be no one to blame but oneself, one's own karma. To avoid social calamity, some of the women speak of jumping in the river (suicide) or cutting their hair (taking the veil). Might Shikibu even have longed for this herself, but the beautiful children of the court and the need to teach them (think of Genji's Murasaki who was a doting step-mother), or the demands of Shikibu's superiors at court for just one more story, or Shikibu's own worldly attachment to her characters' lives and development of The Tale, might these and other worldly demands have held her back? Might Shikibu have vowed to finish her work, in spite of illness or tiredness, or aging, until that day came when, quite suddenly, there was only just that final white page... In the last chapters (Audible ch. 42 ff) we see that the option of rejecting this world and turning spiritually inward (becoming a nun) is very much discouraged for all but very old women, almost a taboo for a young, beautiful, desirable woman to consider. There is really no escape for a woman at court except perhaps turning to the brush, if only to write poetry while pretending to practice calligraphy. But then, too, as Shikibu so often demonstrates, there's always a good story and good humor, which may be the best of all ways to cope, when things are destined by karma to be as they are; think for example of Genji as the older lover patiently rap, tap, tapping on the door of the screen while the women inside pretend to be asleep or the besotted young lover and his obsession with his beloved's little Chinese cat, not even a very pretty cat at that. Of all the marvelous characters of The Tale, my favorite is the gifted one, herself obscured behind the screen of her own creation, brush in hand and ink stone at the ready. If only I could pull back the screen to sneak just one little peek!
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8 people found this helpful