Prue McKeel’s life is ordinary. At least until her brother is abducted by a murder of crows and taken to the Impassable Wilderness, a dense, tangled forest on the edge of Portland. No one’s ever gone in – or at least returned to tell of it.
So begins an adventure that will take Prue and her friend, Curtis, deep into the Impassable Wilderness. There they uncover a secret world in the midst of violent upheaval - a world full of warring creatures, peaceable mystics, and powerful figures with the darkest intentions. And what begins as a rescue mission becomes something much greater, as the two friends find themselves entwined in a struggle for the very freedom of this wilderness. A wilderness the locals call Wildwood.
Wildwood is a spellbinding tale full of wonder, danger, and magic that juxtaposes the thrill of a secret world and modern city life. Original and fresh yet steeped in classic fantasy, this is a novel could have only come from the imagination of Colin Meloy, celebrated for his inventive and fantastic storytelling as the lead singer of the Decemberists. Wildwood is truly a new classic for the 21st century.
©2011 Unadoptable Books LLC (P)2011 HarperCollinsPublishers
Amanda Plummer's performance is slightly clumsy and distracts from the story. Characters are made to seem cartoonish and lack realism with her voice. Colin Meloy does an excellent job on the second book and the story just flows. I would highly recommend a second version of the first book with Colin as narrator, and I would purchase the audiobook again to have the superior performance.
The reader seems to be putting pauses in sentences rather oddly. It tends to leave you feeling that the story makes little sense. However, I did try rethinking the sentence without the misplaces pauses and they make perfect sense so I suspect it is the reader not the writer.
About five chapters in and I just can't stand the narration performance. Amanda Plummer sort of sings all the dialog and makes every character sound like they're high on some sort pharmaceutical. I'm liking the story so far, I just think I'd like it better without hearing crazy Amanda read it. I also realized that by not buying the actual book, I'm missing out on some beautiful illustration work by Ellis Carson.
The book, yes. The audiobook, no. The book is fun and not quite what you'd expect from the Talking-Animal genre. But the performance is a real distraction.
To be honest? The best thing is the illustrations, which you can't partake of in an audiobook. The next best thing is probably the fun of the details, which aren't quite what you'd expect. This isn't Narnia. In some ways though it does come a bit too close, with a witch-like character as the central villain. But there is much to delight in that feels fresh and inventive.
Very eccentric narration. It sounds as though she's inserting full stops where there shouldn't be any (as if the author had put a period in the middle of a sentence) -- this is a very consistent flaw. In addition, the "expression" of many of the characters' words is unexpected and just sounds "wrong". Words that are insignificant may be given a great deal of expression as if they are significant, for example. There are some attempts at accents (bad fake Irish accent mixed with what sounds like Southern "drawl" stands out) which fall flat and are unnecessary. The sections where there is no conversation suffers from similar problems, such as it sounds like the narrator is trying to make those sections very exciting by putting in far too much "expression." The narration was so irritating that I did not finish the book.
It's better to get the physical book.
I would definitely recommend this.
The humor, imagination, and complexity of the story
I disagree with the other reviewers who found fault with her performance. I felt her narration and character voices were varied and nuanced. I'm disappointed she wasn't the reader for Under Wildwood.
Fantastical, lyrical, gripping
The concept of another world nestled in reality
Way too distracting; her voice has an odd quality to it that I can see might be considered a match for this uniqu tale but I found it to detract from the story as I found myself thinking about her voice and wondering why she made certain inflection choices rather than the story she was telling.
When twelve-year-old Prue McKeel???s baby brother is abducted by crows and taken into the Impassable Wilderness outside Portland, Oregon, an adventure begins that takes Prue and her classmate and sometimes friend Curtis into the forest of Wildwood. Prue and Curtis are separated almost immediately upon entering the wood: Prue meets Richard, the shotgun carrying Post Master General, driving his mail van, while Curtis is abducted by coyote soldiers wearing civil war garb and carrying sabers.
Separately, Prue and Curtis meet a range of humans and talking birds and animals. Divided into factions, the people and creatures of Wildwood work to either befriend or manipulate Prue and Curtis. Prue follows the advice of Owl Rex, the Prince of birds, and seeks out the Mystics, the oddly Zen wise-ones of the forest, who might be able to help Prue find her baby brother Mac. Curtis, however, is taken by the coyote soldiers to the beautiful Alexandra, the Dowager Governess of Wildwood. It is Alexandra who is at the centre of Mac???s abduction and is the reason Prue is able to enter Wildwood in the first place.
Wikipedia compares Meloy???s Wildwood to Tolkien???s Middle-Earth, but don???t pay attention. This is a secondary world fantasy, and it is populated with talking birds and animals, but it???s in no way Tolkienesque. Not even C. S. Lewis uses eighteenth-century style coyote riflemen and cannoneers. The book is a good read and the characters engaging. If anything, it is more like Brian Jacques??? Redwall books than it is like Tolkien or Lewis.
With the narrative evenly divided between Prue and Curtis, the book rolls along, although it takes a while for the true nature of Wildwood and Prue???s presence there to become clear. Like Prue, you have to wait for it, but it is worth the wait. The book does try to be political, epic, and contemporary all at once. It mostly works. If you want something in a similar vein, try The Emerald Atlas by John Stephens. These books are perhaps the beginning of something new in American children???s fantasy.
Four stars of five for Meloy???s Wildwood. Four stars as well for Amanda Plummer???s reading of the book. Plummer offers a good performance with a challenging cast of characters, but she has trouble keeping her accents in order. Nonetheless, a good pick for any age.
I would try another book by Amanda Plummer. She added a lot of dimension to a flat story.
No. The idea of the story is good, but it is not well developed. The characters are never developed, and the story keeps abruptly changing from one set of characters to another, it makes the over all read disjointed and confusing.
The story is told from the point of view from a young girl. Amanda really sells this! Her tone and voice sound as if it really is the young girl telling you about her adventure.
Not for me. The best I can say about this book was the narrator, but I could not finish the story. I was so flummoxed that the characters could be written so poorly. I understand that it is a children's book, but the actions and emotions are odd even for children. Example, the young (12/13 years old) girl is watching her brother when he is kidnaped, and she is afraid that her parents will ground her. Thats it, that is the emotion of having a brother kidnaped.
This is not for my students or myself. At first take, it seems this book is trying to replicate the feel of television, in the flow to the storyline. The execution just did not work, and the book keeps the reader in a state of confusion without ever bringing everything together.
Whoever the woman is who read this obviously is not in continuous contact with children or humans in general. Her intonations are so weird. Instead of things being said like "JUMP in the BACK!" She says "jump in THE back" and THE is elongated strangely. Not only that but she sounds like half her mouth has been sewn shut. Maybe it's an accent I'm not familiar with? Regardless, the most annoying thing, is when a character has to yell, she does not make the usual noise of someone yelling, but she sings the sentence loudly on a single note, like a tone def child singing Christmas carols. It's really a shame, because the story is absolutely fantastic. One of my favorite awful sentences readings is "I can't believe we maaaadddee it". Jeeze, so bad. Just so frustrated.
I echo the sentiments of other listeners. The narrator's hesitations and emphases in the wrong spots nearly got in the way of my finishing!
Portland, Oregon setting and compelling story line.
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