In their darkest hour, Kahlan calls upon Richard to reach beyond his sword - to invoke within himself something more noble. Neither knows that the rules of battle have just changed...or that their time has run out.
This is the beginning. One book. One rule. Witness the birth of a legend.
Epic edge: listen to more in the Sword of Truth series.
©2008 Brilliance Audio, Inc.
"Wonderfully creative, seamless, and stirring." (Kirkus Review)
I bought this book because I saw the first two TV seasons based upon these books and I wanted to know what happened later. I found the book different and for the most part better than the show. The performance is outstanding. I highly recommend it to those who like this genre.
No, not really.
The further I got into this book the more I disliked it. The author seems to have some sort of sick fascination with pain. Do not get me wrong, I like darker stories, but this author's very world seems to be designed with a bent toward sadism. It's treated with an unpleasant lust and Richard's seemingly wanton desire to subject himself to it is disturbing and wholly unnecessary.
Furthermore, the weird 'love at first sight' thing between him and the girl is bizarre. It smacks of stalker-esque behavior. I could not relate to this character at all. I did not like him. I did not care what happened to him. I cannot imagine a scenario in which I were to continue with this series.
Wow. This book was bad. Hilariously bad. Let me see if I can stop laughing and crying long enough to explain why:
1. The writing is atrocious. The author seems to have a severely limited vocabulary and describes most things with words like "big" and "pretty important", except for an occasional passage where he suddenly decides he's a poet and spits out such gems as "the crystal formations winked back at him, their flame the only sound in the darkness." Wow. Just, wow.
2. The characters are completely one-dimensional. The main characters are pretty lacking in personality, but the secondary characters are painfully obvious. You can tell who's good and who's bad, which people are supposed to be sympathetic and which ones you're supposed to hate because THEIR EVERY WORD AND ACTION SCREAMS IT AT YOU. Good people always agree with the main characters, bad people oppose them in every petty way imaginable. Good characters always act kindly and are nice to children, bad characters are unfailingly mean, selfish, and usually scowling. No subltety here, no shades of grey or complexity. It's really easy to spot the false friends and the traitors really early on in the book, which spoils what I guess are supposed to be shocking plot twists in the last few chapters.
3. Repetition ad nauseum. Both the characters and author seem to have this obsessive-compulsive need to repeat the same thoughts, ideas, phrases, and pieces of plot exposition over and over, just in case they didn't get their point across the first 50 times. Really, I understand that the heroes need to STOP DARKEN RAHL, it's not necessary to keep repeating it. After sitting through all 24+ hours of this audiobook, I'm pretty sure that a good 80% of the words in this book are completely unnecessary. All in all, the level of this writing is so juvenile that it makes the next point extra-disturbing...
4. This book is REALLY sadistic. The author really seems to delight in the torture scenes, spending pages and pages on them, during which every sentence contains at least one occurrence of the word "pain". Some of the things the heroes do are downright disturbing, too. But it's supposed to be okay, because they're the heroes and hey, they emasculated that man and forced him to eat his own genitals in the name of Justice. Yeah, that really happened.
5. Melodrama. Seriously, everything that happens is a crisis situation. Somebody drops something and suddenly hearts are pounding, rage is flaring, and someone is sobbing uncontrollably with wracking sobs. It gets exhausting after a while, especially since none of the characters are really developed enough to pull off convincing emotion.
In conclusion, I gave this book 2 stars because the constant stream of awful writing, one-dimentional characters, and ridiculously contrived situations was oddly entertaining, though not remotely in the way the author intended. Part of me wonders if the author wasn't somehow being intentionally ironic; surely writing that comically bad doesn't happen by accident. In any case, unless "comically bad" sounds appealing to you, I'd highly recommend that you avoid this book; it really doesn't have much else to offer, and certainly nothing rewarding enough to justify that much time spent listening to it.
By the way, in case you were wondering about the "wizard's first rule" in the title, the highest and most secret rule of the wizard order, it consists of the following earth-shattering revelation:
"People are stupid."
Somehow, that seems fitting.
I can see the appeal of this book. It doesn't waste any time getting into the action, and there is lots of action. Emotions always run high as the characters are constantly in situation that put them in harm's way, and the few times they aren't there is no lack of angst. This is all by design no doubt, since the main character's magical weapon is fuelled by righteous anger.
It's that design that finally burned me out on this book. Every situation is emotionally intense, and after a while I stopped caring. Richard, the main character, is in emotional turmoil even when he's feeling emotionally numb. I never really connected with Richard for this reason. He is always distressed unless it's all gotten to be too much and he is righteously enraged.
Also, did you know good and evil are perspectives and that sometimes people have to make hard choices for the greater good? You did? Well, get ready to hear about it over and over again! It's a fairly simple point of view and most people will understand this concept in full the first time it is discussed by the characters. However, it will be discussed many times, sometimes at length, as a group and by nearly each character in private conversation with the main character. These conversations fill the rare moments the author didn't fill with emotionally stressful situations where the characters are about to be killed.
All that said, the threats are almost always something new and imaginative. The villains are really evil, creatively so many times. The action doesn't stop, and if that's your cup of tea, I'd recommend you give the series a try. For me, however, Richards's constant emotional state has become very annoying and I'm not sure I'll make it to the end of this story, let alone continue with the series.
I understand that Goodkind is not always a great wordsmith, but the scope of this epic is just incredible. I first picked up this book in the late nineties and found myself re-reading the first books of the saga so I wouldn't miss anything when a new one was released. Sam Tsoutsouvas brought a new life to the characters that made this, my fourth time through this book, even more special than the first three. My only disappointment is that he does not narrate the next book, and I fear for the continuity of the the characterization. I will, however, hold off on my judgment until I've heard Jim Bond strut his stuff.
The story did not flow smoothly at all. It was as if the author didn't know how to skillfully direct the plot so he forcefully shoved it in his desired direction when he got tired of the present course. There are easily recognizable elements from other authors thrown into this poorly stitched together work. Then comes the S&M. I'm not naive or squeamish, however the length of this content and the detail leads me to believe the author has some serious issues. It was like the story was taken over by some fan fiction author with a S&M fetish that wanted to shove his sick abuse fantasy into the story. That was the last nail in the coffin for me. I am not sure how this series is so popular, but the thought that large amounts of people would enjoy this crap enough to read the rest of the series really depresses me.
Absolutely. This is actually the first book I am thinking about asking a refund for.
Almost all if, not all of the S&M crap and the parts that were obviously taken from other well known authors and awkwardly shoved into the book. Actually, as the editor, I probably would have burned the manuscript and just sent the ashes back.
If you are in a relationship with someone who likes this book. Pack a bag, and get out NOW. Trust me, I'm doing you a favor.
The book is engaging, particularly towards the end... that's if you lasted through the 500+ pages. The only drawback is the torture scenes toward the end. It would not be a book for pre-teens. The story is good and the characters are well developed, particularly Richard Cypher who is the Seeker of Truth. As with a typical quest, they encounter impossible challenges. The author does a great job of reframing the challenges to slowly reveal it is possible to overcome them all while the Seeker remains truthful.
It could have had a spark of originality in it
It is a mishmash of characters and improbable events from just about every fantasy novel printed before 1990. A sword who power corrupts the user unless the are "the rightful user", a Gollum like creature who originally owed the sword and wants it back, a land protected from magic by magic. How many more cliches can you squeeze into this book? I gave up when the talking dog turned up.......
It lacked conviction and passion. But given the material they did their best
What would I cut out? chapters 2-49
It's truly terrible. Contrived, formulaic and derivative.
The sign of an exceptional author is one that can write around his or her own worn plot, and still breathe life into it, In this case, Goodkind can really write a novel, despite the somewhat tired premise. Once again, an unsuspecting hero comes into his own, as his future destiny will shape and save a nation. Hmmm. We've heard this before from other audiobooks, but in this case, Goodkind takes the prize. You'll look past this issue, and love the way he brings the story, characters and magic together to create a powerful listen. And even better news - there are MANY other audiobooks in this series, and the plot DEFINITELY gets better at times.
So, this sweeping epic saga begins with this single audiobook, and is well worth your time.
I bought "Wizard's First Rule" based on ratings (might have gotten a deal too, can't remember).
Read the low-star reviews carefully - they're pretty accurate.
If you have low standards for what pleases you, then by all means. But this is your standard "clueless yokel turned hero" with a linear plot, tired characters, lots of unnecessary repetition, stereotypical bad guys ("Darken Raahl"? Really?), and predictable "surprises."
If I hadn't sunk 18 hours listening to this already, I would have stopped. The killer was a stretch during this last third of the book (I have a few hours to go) where the main character gets tortured for two hours. Not two story hours...two hours of having to listen to different forms of torture. Frankly, I just wanted the main character to die and for the author to say "THE END." But you know there's some way he gets out of it. Surprise. That whole stretch represented at least an hour and a half of unnecessarily abusing your readers.
Now I just want to see how it ends. I will NOT be buying any more of Goodkind's books. I'd suggest Lois McMaster Bujold or Jim Butcher - great authors, far more creative, and characters you actually give a hoot about.
Listening to Goodkind story was like reading a story dumbed down for 12-year olds - except for the endless gratuitous torture.
"Very Good. For adults only though."
Very enjoyable. I wasn't sure about the reader at first but once you get used to his style it turns out he's quite good.
The story is standard fantasy fair.
There's an ordinary guy for a hero who turns out to have a big destiny and a secret past.
There's a beautiful heroine with a dark secret.
There's a love story of doomed love.
There's an old wizard very much like Gandalf.
There's a magic sword.
I defy anyone to not think the Samuel character isn't a copy of Gollum from LOTR.
There's a mega baddy wizard for the enemy.
There's quest for a magic item needed to beat the baddy.
However despite all this standard fantasy stuff, it is a very entertaining and gripping story.
I did find the early chapters of part 4 heavy going with its graphic descriptions of torture and abuse. This part may have gone on a bit too long for my liking. There's also an attempted rape later on towards the end of part 4.
Not for children, this book.
Anyway, I must have enjoyed it as I've just bought the second book on Audible too.
"Not normally a fantasy fan"
This book was a really refreshing change from my normal choices. I am not normally in to this type of book. I find this much easier to follow than Terry Pratchett, which I struggle with. This is enough like our world to be easy to follow, and has loads of magic, adventuring and questing to make it a really good read.
"Better read than listened to."
I agree with many of the other reviewers in that there are clear LOTR parallels and that the torture aspect goes on for far too long. Of course, when you read it yourself is isn't so blatant somehow and doesn't last for so very long so it is less painful. The descriptions are rather drawn out on an audio book (naturally) so it doesn't always have pace. Having said this, the scenes with Rachel are really enjoyable and sufficiently tense. I am still finding that I enjoy listening to books I have enjoyed reading rather than coming cold to them. That way, your own impression of the characters isn't coloured by the narrator's depiction. From the reading, Richard is one of my favourite characters ever - and I'm an Austen fan! Still the narration hasn't put me off - I am just finishing book 2 and about to download book 3. Book 2 changes narrator and he doesn't do women too well, and I notice there is yet another narrator for book 3!
This book got me hooked into the Sword of Truth series. Well worth the money.
"starts promising but badly disappoints"
The narrator is excellent and his voice acting is superb. The quality of the production is also excellent. The story starts out good with lots of promising characters and imagination. Unfortunately in the later half of the book the story falls apart and the writer seems to give in. After unbelievable plot coincidences and further unbelievable failures by the characters the story takes hours to arrive at a dull and predictable end. Very disappointing.
I found this story to be quite easy to follow though as some have mentioned it was a little boring in places. When the narrative did become interesting the spell was often broken by the use of Americanisms which soon became an irritation. The use of 'real bad' instead of 'really bad' and 'I guess' instead of 'I suppose' to name just two. The number of times characters 'scrunched their eyes up' I lost count of.
"Good story line, boring story length"
I bought this without knowing it was the base story for 'The Seaker' on TV. It started off pretty good and I only realised what it was after chapter 2. The characters are good and well defined but the descriptions and emotive painting gets very tedious. I wouldn't buy another one I'm afraid.
"Well worth it"
Brilliantly well read. Very good representation of the book. I spend alot of time in the car and it's a fantastic way to pass the time.
"Good start, slow middle, great ending!"
I agree with much of what the other reviewers have said, however having now listened to the second and third books, I would say that it is a little slow to get going. The opening is sufficiently interesting, however like the first LotR book, the whole 'travelling endlessly through the wilderness' bit gets a bit tiresome!
Seriously though, stick with it to the end. Yes, there is the whole graphic torture bit, however I disagree that this is pointless like others have said, and it's purpose becomes clear as you read on into later books.
All in all, a good book, but the subsequent ones are better, so haste ye through this one and get one with them!
"Couldnt stand it"
I had to stop listening after chapter 6 as the writing and narration was so cheap and child like. The writing is very basic and imature and has no depth to it.
Where the book is ment to be fast paced and gripping it instead comes off as rushed and not very well thought out. I was unable to relate to any characters as they were so unreal and badly writin.
The author repeats the same words over and over and shows a lack of understanding when scene setting.
It also seems very amatuerish in parts with conversations between characters writin the way a child would (then Mattew said..then Peter said..then Mattew said etc).
I would Avoid this as there are lots of better books in this genre
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