Sixteen-year-old Takeo's village has been massacred by an evil warlord, and he is about to be slain by the men who murdered his parents and neighbors. At the last moment, his life is saved by a nobleman, who claims the boy as his kin and begins his education.
But nothing is as it seems. Takeo discovers that he has rare powers that are useful to those around him. As he grows into manhood, he must decide where his loyalties lie: with his noble master and adoptive father; with the Hidden, a secret, spiritual sect whose beliefs are forbidden; or with the Tribe, the assassins and spies who consider him one of their own.
A story of treachery, political intrigue, and the intensity of first love, set in a world ruled by formal ritual and codes of honor, Across the Nighingale Floor crosses genres, generations, and genders to captivate fans of all ages.
Don't miss the rest of the Tales of the Otori series.
©2002 Lian Hearn; (P) 2003 HighBridge Company
"The novel fills a unique niche that is at once period piece and fantasy novel." (Amazon.com)
I purchased this book based on the rave reviews, and now, after several hours of listening, I finally turned it off in disgust. The narrator (male) is monotone, yet the narration is oddly fast. I've checked several times to see if I had inadvertently set my ipod to 2x narration speed, but nope, it's 1x. The combo of the monotone, rushed narration, and lack of an interesting story, just frustrated me. I've given up. And I can usually listen to anything - no matter how bad, I find a way to enjoy it. Not this. Just not my cup of tea, I guess.
Nothing, it's irredeemable.
No, because it doesn't belong in the genre it was categorized as. It's not fantasy, it has nothing to do with this wonderful genre.
The narrators were innocent in this case, I'm sure they were trying to do the best they could with the material they were given.
I couldn't, I just couldn't stand this book. I have no idea what the people who gave this book five or four stars were thinking. I just have to wonder what kinds of books they read in general if they praise this dreadful story to high heavens. Across the Nightingale Floor is one of the most boring books I've read in a long, long time. The story was going absolutely nowhere, the plot was mundane and I felt as if my brain cells were slowly disappearing. And categorizing it as a fantasy is misleading. Placing a story in a made up country (uncannily resembling feudal Japan that really had nothing to do with an alternate world) does not a fantasy novel make. I've been reading fantasy books all my life, so I would know.
I realize I'm being harsh but I am very upset and mislead by all the praise and high ratings I fell for. This book deserves three stars at best. Check that, it really only deserves two stars. I was feeling generous suggesting three.
Well, the narrator has a pleasant voice. The writing style is pleasing enough. There is a poetic feel to this one, however, I just couldn't get into it. I think it's due to a lack of character development. They all seemed one-dimensional and flat. The main story line should be compelling and drive the story forward... but it didn't work for me and felt very bland. I probably won't be finishing this one.
The potential of this book was unfulfilled in the end. The setting was well done. The characters were well conceived and well drawn. The narration was considerably above average. But there were holes in the fabric of the novel. Certain intriguing avenues were left unexplored. While entertaining enough it left me dissatisfied, for when all was said and done it amounted to nothing more than a romance novel.
This book has no depth of plot, characterization, setting, or theme. There is nothing "epic" about it. Containing no intellectual originality or artistic complexity of any kind, this adult reader found it trite and boring. A fantasy by formula, it was little more than a shallow cartoon and a total waste of time and money.
The male narrator is decent, but the female narrator is terrible! She speaks with such careful and exact enunciation that there’s a discernable pause between each word and a lesser one between each syllable. Everything seems so carefully metered – a syllable seems to take her the same length of time to say, no matter what syllable it is. It just doesn’t flow together like it should and thus seems laborious rather than natural.
Also, she severely understates emotion. One line, in particular, I recall, was read with a trace of exasperation. Not a lot – just a trace. And it was read in the same quiet tone as the rest of the script. The descriptor that followed it was “ she demanded irritably.” Um. Right. That really sounded like a irritable demand.
I’m only a couple of hours into the book now, but I give up. I actually started cheering when Takeo’s section started up again. If I’m that happy to not hear the narrator’s voice, there’s something wrong. Somewhere along the way, I’ve picked up a paperback copy, so I’ll be finishing this one in print.
The writing and narration are so unremarkable that its popularity astonishes me. Not inherently bad, just completely by the numbers. Shogun beats it by miles for a fun tale of feudal Japan.
This was an average read - interesting enough to keep me listening but rather shallow characters that I never felt very attached to nor intrigued with. It was too short to have gotten very complex and I got the sense that the author cared more for imposing some assassin mystique than getting into the interesting depth of humans. The love story was disappointingly over-the-top lame and shallow. Good narration.
This book has it all -- wonderful prose, suspense, beautiful descriptions, great pace, and to top it all off, a history lesson in feudal Japan (which before this book I knew almost nothing).
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