Defense attorney Mickey Haller returns with a haunting case in the gripping new thriller from number-one New York Times best-selling author Michael Connelly.
Mickey Haller gets the text, "Call me ASAP - 187," and the California penal code for murder immediately gets his attention. Murder cases have the highest stakes and the biggest paydays, and they always mean Haller has to be at the top of his game.
When Mickey learns that the victim was his own former client, a prostitute he thought he had rescued and put on the straight and narrow path, he knows he is on the hook for this one. He soon finds out that she was back in LA and back in the life. Far from saving her, Mickey may have been the one who put her in danger.
Haunted by the ghosts of his past, Mickey must work tirelessly and bring all his skill to bear on a case that could mean his ultimate redemption or proof of his ultimate guilt. The Gods of Guilt shows once again why "Michael Connelly excels, easily surpassing John Grisham in the building of courtroom suspense" (Los Angeles Times).
©2013 Michael Connelly (P)2013 Hachette Audio
"The combination of this fast-paced courtroom drama and Giles's steady and consistent narration makes for an engrossing listening experience…Giles's rich portrayals help listeners differentiate the multiple characters as Haller becomes convinced that his client is not only innocent but also the victim of an elaborate setup involving local police and DEA agents." (AudioFile)
"Connelly knows when to put his foot on the gas and when to take it off. Once he has you on board, turning the pages, you won't want to climb off." (Boston Globe)
"Haller is the kind of slick, cynical showman who can't resist making high drama out of every legal procedure....There's always something deadly serious behind Connelly's entertaining courtroom high jinks" (New York Times Book Review)
Boy can this author write. I can’t believe after doing so many books, he still comes up with such a good story, and well done, and entertaining. He does NOT use artificial devices to create mystery and suspense. He does NOT use flashbacks, jumping around in time, stopping scenes in the middle to create temporary cliffhangers. There’s no stupidity or characters doing things out of character to create conflict. It’s just a good story, in chronological order, good characters, good dialogue, and I loved the COMPLETE ENDING. It wrapped up well, questions were answered. I had a smile on my face all during the last chapter. Yes that means it was a happy ending. YAY!
I mention things he does NOT do because I am tired of other authors using those gimmicks. And in my opinion the best writing does not use them. And Connelly should be a role model for any suspense author (including romantic suspense which I love but frequently is not well done).
Some fun things in this story: I was intrigued with a scene where two characters were making their way into an unspoken agreement, acting it out on the fly, in front of others, without letting others know what they were doing, and also unsure of it themselves. I chuckled at Mickey’s comments about his clip on ties. I liked this neat character Legal Segal.
I normally do not like first person stories. But Connelly’s I do.
One minor complaint. Someone hired or forced Sewel to stab someone. I wanted to know more about that, who and how.
The narrator Peter Giles was very good.
Genre: legal suspense
Michael Connelly has always been dependable in delivering a top notch Harry Bosh or Mickey Haller story. His detective and lawyer yarns have been so good, I never bothered to write a review in this forum. Most everybody loves chocolate, so why rave and try and convince more people to partake in this pleasure.
I've noticed a number of reviewers indicating that this book about the lawyer is not up to the standards of one or more previous books. My only question for them is - did they really read the same book that I did!
I was fascinated by the intricacies of the trial, I got choked up near the end of the book (good thing I was alone in my car at the time and nobody saw that), and was blindsided by how a major witness ended up testifying. This was very entertaining from start to finish.
The neat thing about a Mickey Haller book is you never know if his client is really guilty or innocent until you are well into the story. Mr. Connelly is willing to expose that person you have been rooting for as a villain. This author is also willing to show our hero lawyer as not so praiseworthy in defending and freeing obviously guilty criminals.
You will have to read "The Gods of Guilt" to find out if he pulls any of those stunts in his latest book. I'm sure the majority of you will be glad you did.
Yes... already listened twice! Who are the Gods of Guilt? They are the Jury, of course! I am a Connelly fan, particularly Heller and Bosch, but loved Heller in Connelly's Lincoln Lawyer. A very entertaining personality.
Heller... his character is entertaining and unconventional... his office is in his Lincoln Town Car!
Giles is okay... nice voice but not enough acting abilities. Dick Hill is much better.
No..... too long
I love Michael Connelly, have read everything he's written, and, for the most part, enjoyed it. "The Gods of Guilt" was a real disappointment.
The story is complex and, if this were up to the standard of Connelly's previous work, I think it would be satisfying - but the detail, the characters, the driving suspense that I expected were all absent here. This came off as a straight-to-screenplay outline for the next "Lincoln Lawyer" movie, which, extrapolating from the afterword, is exactly what it is.
Still, it's a Connelly novel and wasn't awful. Peter Giles is a solid narrator, if not terribly nuanced. If you like Connelly and have enjoyed prior installments in this series, it might be worth a credit.
Perhaps if it had been written by someone else I would have liked it better. While "OK," it simply did not live up to Michael Connelly. Certainly not to The Lincoln Lawyer.
The story does not have as many surprising twists and turns. And the character development is nowhere near as good.
Some of it has to do with the fact that this is part of a series--and that Connelly feels obliged to explain some of the characters' absences (Like the fact that the daughter is not talking to our hero at this stage of this life…If this were a stand-alone novel, she would not have even been mentioned. Here, her absence is a recurring theme, but the main character is not given enough depth to make his 'anguish' believable). There are also a lot of "fast forwards," where relationships have been established two seconds after you first read about the characters meeting. Obviously, as another reviewer mentioned, this is more the basis for a screenplay than a novel. As such, The Gods of Guilt will probably be more satisfying as a movie.
No matter where you go, there you are.
Once the silly "I work from the back seat of a car" gimmick wears thin, a few minutes at best, we are left we what appears to me a book written by someone other than the author of the Harry Bosch novels. The ill-timed phrasing and awkward reading of this narrator just makes things worse for me.
The story lurches from cliched event/character to another and the author's (I do not believe Connolly wrote this or perhaps Bosch is someone else's work!) inability to make it sound anything but contrived and banal is just to much for me to stomach.
Does an author's fames give him license to bore us to death. Now there's a murder mystery plot worth pursuing!
I'm a fan of the Mickey Haller (Lincoln Lawyer) series, but I should had waited until summer to read the fifth book. "The Gods of Guilt" was just alright. It's pretty much the same from Michael Connelly. After reading the previous books in the series, it just seems like that I heard the story before, but with different clients for Mickey. I was looking forward to the next installment, but I should had waited for the book to go on sale. The book is good to listen to it on a road trip to keep you awake and help you follow the trip map. It is something that you would listen to on cruise control.
Big mystery lover here! The picture is of my father who is suffering with dementia and my youngest daughter on her wedding day.
Sometimes I find it hard not to be critical of one of my favorite authors, not because the book is disappointing, but because the expectation bar is set too high. Connelly sets the standard for police/crime procedural and it is very high.
The trial work in this book is phenomenally suspenseful. It kept me up late wondering how it would end. In court and in preparation Mickey Haller's is a gritty and smart strategist. My disappointment lies in Haller's shallow and empty personal life. There he is weak, foolish, and a boring, self absorbed whiner. The contrast is remarkable. Thank goodness I don't read these books for the character's personal lives!
I found the narration lacking emotion and borderline deadpan. However, it's important to note that it never took away from the story. I just wish Will Patton or Ray Porter would take over the narration of Connelly's work.
Sorry for the cynical review. The bottom line is that this a really terrific read. An easy 4 star winner!
Had "Gods of Guilt" been written by a lesser talent, it would be five stars all the way. But considering the source, it's a bit of a disappointment although well worth the credit.
Connelly debuted Mickey Haller as the star of "The Lincoln Lawyer," one of my favorite books in any genre. It's smoking good on every level. I listened to it twice, read it and watched the movie. Never a let down.
Since then, Haller has not been living up to his potential. If he were a property, he'd have moved from an ocean view to a tract home in the valley. Connelly's not giving him the wide view such a magnificent character deserves. In the first book, Haller lived in his head, and it was big lens. Since then, he's going through the motions. Where's the fabulous trickster sensibility? Greatly diminished.
"Gods of Guilt" (pretentious title for the jury) starts slow and gains speed. By the half-way point, I was engrossed without ever being in love.
Another thing. Without giving away anything about plots featuring Haller, it's safe to say this criminal defense attorney would be a wash-out at the personal injury bar. In "Lincoln Lawyer," he doesn't even consider the possibility of a big payday from a tort against himself. And the injury comes from a fabulously wealthy and totally guilty family.
This time out, Haller congratulates himself for getting a little money for a grievously injured client. Mickey: You got pocket change. Your client almost died in the hands of criminals, and you're boasting about what you got him? If those dollars were 1950 dollars, maybe. In the 21st century, for a guy who's supposed to be good at the bottom line, you're verging on malpractice.
Michael Connelly should consult with a few plaintiff lawyers before his character blows any more chances to get the money. John Grisham never makes these kind of mistakes, but then, he is a lawyer. For my money, Connelly is the better writer.
Bravo for narrator Peter Giles. Flawless.
I did not enjoy this book. It may have been a well written book, however, this book is a good example of the narrator ruining it. I have listened to this narrator before and never had an issue. This time, however, he was over so over dramatic that it was hard to listen to. As I mentioned before, maybe this is well written; it was hard for me to listen to because of the narrator's poor performance. Instead of listening to this book I wish I would have read it instead.
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