It's late spring of 1990 and a love affair is flourishing: between Ivor Tesham, an ardent womanizer and rising star of Margaret Thatcher's Conservative government, and Hebe Furnal, a stunning North London housewife stuck in a dull marriage. On the eve of her birthday, Tesham gives Hebe a present to remember: a man arranges for his unsuspecting, but otherwise willing, girlfriend to be snatched from the street, bound and gagged, and then delivered to him...
Barbara Vine is a pen-name of Ruth Rendell. Her works have been translated into 14 languages and more than a million copies have been printed in English. She was awarded the Crime Writers' Association Diamond Dagger for a lifetime's achievement in crime writing.
©2008 Kingsmarkham Enterprises; (P)2009 BBC Audiobooks Ltd
I have always read or listened to any new book by Barbara Vine that appears. Her best books can make me shiver in recollection even years later. This is the first that I've found boring. There are two narrators, neither of them likable, and I found it hard to suspend my disbelief in the plot, which seemed to drag on. Nor could I care about the off-putting central character. A disappointment.
A very British theme ... a gentleman must do what a gentleman must do. A landed gentry politician with 'out of the norm' sexual preferences is plagued throughout his career by an 'accident' which would expose him if it were ever examined closely. We follow his anxiety through the eyes of his brother-in-law and through the eyes of his dead lover's bridesmaid. The brother-in-law is super conservative and unexceptional. The bridesmaid is ... unstable. Crime plays a very small part in the whole story. Insinuation and assumption play very large parts. Different, but absorbing and told by a master story teller. The narrators are to be applauded.
Painter, musician, bibliophile...
I find it hard to believe that Barbara Vine (Ruth Rendell) wrote this tedious, long-winded novel. Louche, vulgar, and pathetic are not adjectives I would ever think to apply to her work, but this story is all three. Contrasting this with THE MINOTAUR and many other excellent titles, this one feels as if it were outsourced to an underling. I found the story predictable and the narrators hard on the nerves. The book ends with every little detail explained, every loose end tied up, and some living all too happily ever after. Who reads this author for that kind of nonsense? If you haven't read her before, don't start here. And if you have, skip this title as it is likely to disappoint.
This was so terrific, so far above most other thriller/novel writers, and in fact this is a novel rather than a thriller. You can tell because Ruth Rendell is being Barbara Vine here, in one of her -- what my cousin calls -- sociopath novels. BUT I just reread (re-listened to) The Minotaur also by B.Vine. I was blown away by how absolutely riveting it was the second time around. It may be her best. READ THE MINOTAUR. It's such a stunner.
"great story ,expertly read."
Both readers really get into character here to give this tantalising tale the "keep going" effect. Barbara Vine expertly captures the "slease" atmosphere of the end of the last Tory government. Characters are 3D neither all good or all bad and very credible. I love Rendell/Vine stories in book format but this was my first audiobook and I will be back for more and the voices added an extra dimension.
"Not the best she has written..."
This was one of those books that I wanted to hear the ending of but became bored with listening to. The narrators worked quite well, I agree with what previous reviewer said - but I thought the book somewhat repetitive, and too detailed. Altogether it was rather tedious. Following one from some of the previous books by this author - A Dark Adapted Eye is truly wonderful - this one is not as good, I'm afraid.
"Not her finest"
I love Ruth Rendell, especially when she is writing as Barbara Vine - these are not so much whodunits as whydunits? complex psychological thrillers that have the inevitability of tragedy. The Birthday Present is, however, less satisfying than her earlier novels as Vine (A Dark-Adapted Eye, A Fatal Inversion and Gallowglass are all masterful). The crime - such as it is - comes too late and is too obvious, but even so, the wonderful development of character holds the listener
This novel is set in the early 1990s, and it brought back memories for me of that time in English politics when it was 'every man for himself and devil take the hindmost'. Vine captures the atmosphere and values of that time extremely well, and as you would expect she populates the story with some great characters.
The plot concerns Ivor Tesham, rising young star in the Thatcher govt of the time and his affair with Hebe, a married woman with a child. His 'birthday present' to her, to have her abducted, goes horribly wrong and the rest of the story is about that dark secret as the lives of those concerned in it gradually unravel.
The story is told from the viewpoint of two characters: Ivor's brother-in-law and Jane, Hebe's 'best friend'. The brother-in-law is pretty unmemorable, I can't even remember his name - but as a story-telling device it works rather well. Jane is a wonderful complex character - narcissistic and even delusional at times I found myself swinging from feeling desperately sorry for her to rather unpleasantly thinking that she deserves all that she gets!
The novel is narrated by two readers, and I must admit that when I first heard the voice of the male my heart sank - I actively disliked his rather prissy and repressed voice and I was not sure I would stick with the book because of this. I did however find that the 'brother-in-law voice grew on me in time and fitted the character rather well, so don't be put off! The 'Jane' narrator was great fun - all the spiteful little asides were read in just the right tone of subdued venom.... what a bitch!
Perhaps the story itself doesn't have quite the pyschological depths and complexities of some of Vine's other books, nor any great surprises at the end, but still an absorbing listen.
A waste of time.
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