Delaware's suspicion is borne out when he compares notes with Milo's associate, Petra Connor, and her new partner Eric Stahl. The Hollywood cops are investigating the vicious death of Baby Boy Lee, a noted blues guitarist, fatally stabbed after a late-night set at a local club. What links Baby Boy's murder with that of painter Juliet Kipper is the shadowy presence of an abrasive fanzine writer. This alias-shrouded critic's love-the-art/disdain-the-artist philosophy and his morbid fascination with the murders leads Alex and the detectives to suspect they're facing a new breed of celebrity stalker: one with a fetish for snuffing out rising stars.
Tracking down the killer proves to be maddening, with the twisting trail leading from halfway houses to palatial mansions and to the last place Alex ever expected: the doorstep of his ex-lover Robin Castagna. With the rising of Robin's own creative star, her role assumes a chilling new importance - as a prime target for the psychopath who's made cold-blooded murder his chosen art form.
© 2003 Jonathan Kellerman; (P)2003 Random House, Inc. Random House Audio, a division of Random House, Inc.
I really liked the book, and especially liked the reader...I enjoyed all the different voices used in the reading. It makes it so much easier to follow than just the same voice all the way through. This is a typical Kellerman book with mystery, suspence, sex, Southern California and ethnic dining. Not as much Milo as in some of the past books, but still a good yarn, and a great listen. Petra is an interesting charcter, but not sure I like Allison..
The story is an average cop after the serial killer story. It is interesting and fairly easy to follow. It has some good characters that are given some depth. The narrator is hard on the ears through the first half of the book but gets better. I would only recommend this book if you are a big cop after the murderer story lover.
Like all of Kellerman's books this one goes a little past very good rating. I recommend this one even if you do not normally read the Kellerman's mysteries. This one is a page plus turner. Don't just judge it by the sample. It takes a little time and then it hooks you.
but lousy ending. It was over before I realized it and had to back up to listen to it again to find out what the ending was and still don't know. But the story itself was engrossing and I enjoyed the book. The reader was decent compared to some I've heard lately.
Having been a Kellerman fan for years, I am familiar with
the dramatic highs and ho-hum lows of his work. This book leans toward the ho-hum. The opening promises something interesting but the story line quickly becomes convoluted and contrived.
The Alex and Robin's estrangement figures too prominently. It is handled so realistically and rationally it's like sitting in on yet another break-up over lunch at the office. I suppose he needed to address the situation but we could have done without the relationship's invovlement in this bbok.
The new girlfriend is a cut-out crusader character better suited to an episode of Batman. And her idea of a suggestive come-on? "One way or another we'll obtain nourishment". No comment. The African-American woman professor is, on the other hand, a great character. Too bad she has such a small part. Kellerman devotees should go ahead and read this latest to keep up with the long-term developments, but shouldn't expect too much.
Welcome to the group Dakota; welcome to my life Summer, thanks for making it so much better. Support our Troops.
A bitter dabbler is killing creative artists on the verge of their big break. Petra Conner returns along with her new partner Eric Stahl. They team up with Detective Milo Sturgis and Doctor Alex Delaware to find the killer. There is the usual misdirection as the focus shifts from suspect to suspect.The two teams come together to follow the leads from a dive club to a multi-million dollar mansion. From rockers to painters to ballerinas. The final showdown takes more than one strange twist. In some ways Petra is at this point; a better character than Alex Delaware. Kellerman's Petra character is not surprisingly fresher than that of Alex Delaware. John Rubinstein is an excellent translator, bringing the lives of the characters from print to voice in a manner that overshadows the older Delaware novels.
I enjoyed the book but not as much as his others. If you like the Alex Delaware series, it will be more likable. If this is your first, you'll probably hate it.
What's always drawn me to Kellerman's books are first his characters' relationships and second the mystery. This book disappointed on both fronts.
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