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In That Endlessness, Our End
- Narrated by: Deanna Anthony, Neil Hellegers, Steven Jay Cohen, Bronson Pinchot, Andi Arndt, Chelsea Stephens, Zura Johnson, Sarah Beth Pfeifer
- Length: 14 hrs and 5 mins
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Publisher's summary
Come closer, friend. Let me tell you a story.
Heard the one about the Airbnb that eats your dreams or the iron-crowned king who preys on his own bloodline from the air, still smoldering centuries after being burnt alive? How about the cloudy antique bottle you can wish your excess rage inside, or that crooked alley down which something waits to replace your disappointing child with a far more pleasant facsimile? We all know the truth, especially in times like these—in an anxiety-ridden, sleepless world such as ours, it’s only ever our very worst dreams that come true. Here streets empty out and people pull themselves apart like amoebas, breeding murderous doppelgangers from their own flesh; houses haunt, ideas possess, and a cold and alien moon stares down, whispering that it’s time to spawn. New myths rise and ancient evils descend. From the seemingly mundane terrors of a city just like yours to all the most dark and distant places of a truly terrible universe, nothing is as it seems … not even that dimly-recalled cinematic memory you’ve been chasing all these years, the one you think might be just something you stumbled upon while flipping through channels after midnight. The one that still disturbs you enough to raise a cold sweat all over your body, whenever you try to will its details clear.
Hot on the heels of her 2018 This Is Horror Award–winning short story collection Spectral Evidence, critically horror author Gemma Files compiles fifteen more of her most startling recent nightmares—a creepily seductive downward spiral of dark poetry and existential dread, entirely suitable to the slow apocalypse going on all around us. So take your mind off your troubles and send it somewhere the rules still operate, if only to punish those who violate them.
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You Shouldn’t Have Come Here
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- Narrated by: Andrew Eiden, Andi Arndt
- Length: 8 hrs and 1 min
- Unabridged
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Grace Evans, an overworked New Yorker looking for a total escape from her busy life, books an Airbnb on a ranch in the middle of Wyoming. When she arrives at the idyllic getaway, she’s pleased to find that the owner is a handsome man by the name of Calvin Wells—and he’s eager to introduce her to his easygoing way of life. But there are things Grace discovers that she’s not too pleased about: a lack of cell phone service. A missing woman. And a feeling that something isn’t right with the ranch.
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Worst. Ever. NOT a true twist. Juvenile writing and story,
- By Whitney Lahann on 04-29-23
By: Jeneva Rose
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The Narrator
- By: K. L. Slater
- Narrated by: Clare Corbett, Kristin Atherton
- Length: 8 hrs and 5 mins
- Original Recording
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When the call came it seemed like the answer to my prayers. My career as a voice actor had been over for months and me and my little girl Scarlet were living back at my mum’s place. I felt like a failure professionally—and with Scarlet having problems at school, as a parent as well. So, when I was asked to narrate a new book by disappeared novelist Philippa Roberts I jumped at the chance, even if it meant leaving Scarlet with my ex, Hugo, for a few weeks. Hugo, with his perfect new home and his perfect new girlfriend Saskia. But this isn’t a dream come true. It’s a nightmare.
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Love but it's a production issue!
- By Mary on 09-02-22
By: K. L. Slater
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The Girlfriend
- By: K.L. Slater
- Narrated by: Clare Corbett
- Length: 8 hrs and 28 mins
- Unabridged
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The doorbell rings, just days after my beloved husband’s sudden death. I don’t recognise the woman on our doorstep, with her blonde highlights, a diamond bracelet identical to my own and a bouncing baby boy in her arms. As I show her inside, I notice her eyes grow wide as she takes in our spacious hallway, and the big squashy sofas that we all used to pile on. She glances at the silver-framed family photos and my little daughter hiding behind my skirts. She looks at me, her blue eyes serious. ‘I’m sorry’ she says. ‘I am your husband’s girlfriend. And this is his son.'
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Uh, what?
- By Karyn Cavanaugh on 02-22-23
By: K.L. Slater
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The Shallows
- By: Holly Craig
- Narrated by: Tamala Shelton
- Length: 9 hrs and 43 mins
- Unabridged
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Emma and Ariella, neighbours in one of Sydney’s most exclusive suburbs, appear to have it all—perfect homes, perfect husbands, perfect lives. But they both know dark secrets lurk beneath the surface and shallow waters can’t hide Ariella’s. Now she has been found murdered. Her daughter filmed the killing. Not knowing what she’s filmed, Emma’s daughter Kiki innocently uploads footage of Ariella’s brutal death. Emma fears the worst—the killer will know what she and Kiki have seen. Their safe suburban lives no longer exist.
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Surprising and refreshing
- By digitalblonde2001 on 04-10-24
By: Holly Craig
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Fingerprints of the Gods
- The Quest Continues
- By: Graham Hancock
- Narrated by: Graham Hancock
- Length: 18 hrs and 31 mins
- Unabridged
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Fingerprints of the Gods is the revolutionary rewrite of history that has persuaded millions of listeners throughout the world to change their preconceptions about the history behind modern society. An intellectual detective story, this unique history audiobook directs probing questions at orthodox history, presenting disturbing new evidence that historians have tried - but failed - to explain.
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Classic in Historical Mysteries
- By Kelly on 09-05-19
By: Graham Hancock
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In the title story, a young boy becomes obsessed with his cousin's doll after she tragically passes away from leukemia. As he grows older, he begins to collect "found dolls" from the surrounding neighborhoods and stores his treasures in the abandoned carriage house on his family's estate. But just what kind of dolls are they?In The Doll-Master and Other Tales of Terror, Joyce Carol Oates evokes the “fascination of the abomination” that is at the core of the most profound, the most unsettling, and the most memorable of dark mystery fiction.
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The Year's Best Dark Fantasy & Horror, Volume 1
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The supernatural, the surreal, and the all-too real...tales of the dark. Such stories have always fascinated us, and modern authors carry on the disquieting traditions of the past while inventing imaginative new ways to unsettle us. Chosen from a wide variety of venues, these stories are as eclectic and varied as shadows.
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Highly misleading cover title and description
- By Kibadrakenraptor on 01-10-21
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An Echo in the Bone
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- By: Brian Martinez
- Narrated by: Virtual Voice
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Overall
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From the mind behind The Mountain and The City, The Body Farm, Bleeders, and A Chemical Fire comes Brian Martinez's most daring endeavor yet: a short story collection that promises to plunge readers into the depths of horror like never before. Thirteen years of cultivating terror have led to this ominous tome, a blood-curdling compendium of nightmare fuel designed to thrill, chill, and downright terrify. In this haunting collection, discover stories that will sear themselves into your memory. Twenty in total, each tale is an exploration of the macabre, a journey into fear. Prepare yourself ...
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Story was great. AI reader? Not so much.
- By Tay on 04-19-24
By: Brian Martinez
What listeners say about In That Endlessness, Our End
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Peter J Larsen
- 04-04-23
Another Great Collection
While I keep hoping Files will produce another novel, she keeps writing and releasing excellent short stories. There’s something about her dry, laconic tone coving themes of desperation, defeat, and bleak acceptance that really makes her stories hit hard. “Cut Frame” and “The Church in the Mountains” return to the subject of Canadian film, “Look Up” is a great mix of social anxiety and bewildered horror, and “Cuckoo” ends the collection with biting anger. If you’ve never tried Files, a couple of her stories should be available on the podcast Pseudopod, which may spark your interest.
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Overall
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Performance
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- osmosiphobe
- 06-14-23
Good ideas, not-great stories
As the title here suggests, there were a lot of good ideas, but the telling of the stories just doesn’t do it. Instead of actually seeing the characters, I see someone sitting on her laptop writing them, if that makes any sense. The first narrator is… not good. There’s way too much “performance” going on there. The wobbly voice on the second story just grates at you. I understand that the text says that the character distorted her voice, but it also says this is a transcript, so… not necessary and doesn’t add anything useful. Overall, you can skip this one. Read descriptions of the stories, they’ll give you about as much as the stories themselves.
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