The gripping tale about two boys, once as close as brothers, who find themselves on opposite sides of the Holocaust.
Elliot Rosenzweig, a respected civic leader and philanthropist, is attending a fundraiser when he is suddenly accosted and accused of being a former Nazi SS officer named Otto Piatek, the Butcher of Zamosc. Although the charges are denounced as preposterous, his accuser is convinced he is right and engages attorney Catherine Lockhart to bring Rosenzweig to justice. Solomon persuades attorney Catherine Lockhart to take his case, revealing that the true Piatek was abandoned as a child and raised by Solomon's own family only to betray them during the Nazi occupation. But has Solomon accused the right man?
Once We Were Brothers is Ronald H. Balson's compelling tale of two boys and a family who struggle to survive in war-torn Poland, and a young love that struggles to endure the unspeakable cruelty of the Holocaust. Two lives, two worlds, and 60 years converge in an explosive race to redemption that makes for a moving and powerful tale of love, survival, and ultimately the triumph of the human spirit.
©2009 Ronald H. Balson (P)2013 Macmillan Audio
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These types of books are my favourite; I always gets sucked into WW2 era stories because I find them so compelling and I found this story even more riveting than many others because of the added legal-thriller-courtroom-drama aspect.
Although I found it was an excellent story, some things did bother me a little:
•In the beginning when Ben wanted to tell his tale to Catherine, the whole “lawyer wants to hurry up / Ben wants to slow things down” thing was very tedious. I felt like it was being drilled into me – it was borderline drinking game. “get to the point Ben” “I’m getting there Catherine” enough!
•Too much interjection of the present punctuated into the recollections of the past. I’ve read many books where the main narrative is told as a recollection, but the interjection of only a sentence or two from the current time line (like a question from Catherine) broke the mood. Explaining to me how Catherine was reacting to Ben’s story or going into detail about how she felt about what she was hearing interrupted the flow and rhythm.
•The romance between Catherine and Liam – why bother? Such an unnecessary thread. That entire thing could have been cut out in my opinion along with ALL of Catherine’s personal-life threads. Pointless.
Despite those complaints, I really enjoyed it overall. Good book!
It was not time well-spent. I found myself so annoyed by the whining voice that I was anxious to be done! I've read many other fine books about the horrors of the Nazi regime - in fact I'm reading the superb "All the Light We Cannot See" right now, and find this book to be so simplistic and cliche. I kept talking back to it - of course his Hannah was the most beautiful girl in the whole world!
The accents were awful. I don't feel I can honestly evaluate the book because I was so annoyed by the reader's corny, whining voice.
This novel felt pretty basic and forced. You could tell it was a first novel. It felt like a supplement to a middle school history class. As it's set in modern day a fair portion is spent recounting the past and that made everything feel like exposition.
There was a lot of repetition and dictionary style definitions of events and terms. The narrator was cheesy and had some trouble with the accents and gender changes.
The story was endearing but wasn't as good as others in this genre.
Knowledge is knowing the way. Wisdom is looking for an alternative, more interesting road to get there. Audiobooks are that road.
At a fundraiser, Ben Solomon a holocaust survivor, walks up to Elliot Rosenzweig, a well-know Chicago businessman and philanthropist, and clocks him right in the jaw, all the while accusing Rosenzweig of being an ex S.S. Nazi Officer by the name of Otto Piatek. A shocked Rosenzweig, concerned for this man's sanity and his own reputation, rolls up his sleeve to reveal the tattooed identification numbers of the Auschwitz Death Camp. And so the tale begins between these two men. A legal thriller, Ben sets out to prove his accusations, while Elliot needs to prove Ben's lying.
Much of the book is filled with Ben telling his story to Catherine Lockhart, a young busy lawyer. Ben wants to convince her to take his case of stolen property from all those years ago. Catherine, is skeptical that there is any tangible evidence after all this time, but after much persuasion she allows Ben to tell his story. Ben takes no short cuts, beginning with growing up in Zamosc, Poland explaining how his life entwines with Otto Piatek right through the war. But are Otto and Elliot one in the same?
Being the daughter of 2 Holocaust survivors, I have listened to my share of Holocaust novels, in fact I've even written one, but Once We Were Brothers has to be one of the best books I've come across.
Fred Berman did an incredible job narrating this book. His performance brought the characters to life. It's almost a week since I finished Once We Were Brothers and I can't stop thinking about it. It would be a shame to miss this one.
Not to be missed. A good story tolld in a way that captures you lomg after the last page! You will thunk about these people and their story long after.
"OUTSTANDING - STORY AND NARRATOR BEYOND EXCELLENT"
gripping story line, excellently narrated
that's a no-brainer question; this book is incomparable - without equal
no, but certainly intend to now
absolutely, but for the time factor. listened to it 2x within 10 days, with even increased pleasure!
I don't feel I can rate this highly enough. Each time I listened, in the car - driving and just sitting in it (to carry on listening), walking the dog, cooking, getting up etc etc, I thought: this is just superb and Fred Berman's acting/reading mind-blowing. Both Ronald Balson and Fred Berman have created an UNFORGETTABLE EXPERIENCE for me.....
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