Now he has a new problem: a slave who won't talk and can't cook, and drags trouble in her wake. Before he knows it, Ruso is caught in the middle of an investigation into the deaths of prostitutes working out of the local bar.
A few years earlier, after he rescued Emperor Trajan from an earthquake in Antioch, Ruso seemed headed for glory: now he's living among heathens in a vermin-infested bachelor pad and must summon all his forensic knowledge to find a killer who may be after him next.
Who are the true barbarians, the conquered or the conquerors? It's up to Ruso (certainly the most likeable sleuth to come out of the Roman Empire) to discover the truth. With a gift for comic timing and historic detail, Ruth Downie has conjured an ancient world as raucous and real as our own.
©2007 Ruth Downie; (P)2007 Tantor Media Inc.
"Downie's auspicious debut sparkles with beguiling characters and a vividly imagined evocation of a hazy frontier." (Publishers Weekly)
"Fans of Alexander McCall Smith will delight in this series debut set in Roman-occupied Britain and featuring wry army doctor Gaius Petreius Ruso." (Booklist)
Well written, interesting and well researched setting, engaging characters - and Simon Vance as narrator.I think I’m onto a winning series for the summer!
Sometimes the appropriate response to reality is to go insane.
This story follows military medicus (doctor) Gaius Petreius Ruso who is a Roman man living in Brittania (England). He's escaped to the Brittania to heal from a disaster of a marriage that ended in divorce and the death of his father that left the family with many undue debts to pay. Brittania is considered a backwater town but important nonetheless. It's too small to be considered grand, but too large to be ignored by the Romans. As if going from everything to having nothing wasn't bad enough, women continue to bring trouble for Ruso after he examines a dead woman found in the river and rescues a slave from her callous owner.
This story takes place during a time when modern medicine was just beginning to emerge. Doctors were regarded as suspicious conmen and "healers" still ruled surpreme. I loved how Downie weaved that into the story, showing how doctors began to record treatment and discover new ways to deal with various medical ailments and conditions. One of my favorite scenes in the book is when Ruso ushered around the new doctors in training and reveled in their naïveté after one fainted (and the others just barely made it out) when Ruso showed them a particular gruesome case. The description made me chuckle because it was just so Ruso-like.
Ruso is a bit cynical and serious, but he does have a little bit of a dry comedic side. He's very sure of his abilities as a medicus almost to the point of cockiness, but unlike his friend and fellow medicus, Valens, he keeps to himself in a world where knowing the right people means everything. He often feels awkward in social situations and almost always says the wrong things in his mind, so he tends to keep to himself. His bedside manners are cool because he's a man of logic, even by his own admission, but Ruso cares more about people more than he shows. This care extends beyond mere medical interest, but he's not sure how to "fix" people beyond what physically ails them.
Ruso complains that he shouldn't get involved in certain matters, but still he finds that his underlying compassion and concern causes him to do the exact opposite, which is how he ends up "investigating" a murder that he insists he's not investigating. He's also terrible at being a hard ass as shown when he became Tilla's "master." Tilla is just one of a group of ragtag friends he picks up during the course of the story which includes the charming Valens who thinks that Ruso needs a new wife, an overenthusiastic scribe named Albanus, and a dog he claims not to care for. He complains about them, of course, but I don't think he'd know what to do without them.
Despite all the elements that could make this a complicated story to listen to, it was very easy to follow. Nothing really went beyond my grasp or caused me to pause and rewind just to make sure I was understanding what I'd heard. Downie didn't use language that was too complicated, and the things that seemed a little unfamiliar she was able to explain in the simplest terms, even when it didn't really seem necessary. However, this was a surprisingly light listen. I was afraid that I would get partway in and decide that I need to read the book rather than listen to the audiobook.
One of the chief complaints I'd heard about this book was that the language was "too modern," but that's the usual complaint of many historical fiction settings ranging from books to television. I wasn't surprised to hear the complaint, but it just seems like old news now since many shows and books take this approach. I think that's because it makes it easier on the reader and the writer. How many people would really be interested in reading this if written in the style of that time? What writer would stick to writing a story in such a style? It would be tedious for both the reader and the writer. I agree that maybe some word choices absolutely were too modern, but that's such a nitpicky thing. However, I can only say that it doesn't bother me. Your mileage may vary.
My chief complaint is that, while I liked Ruso, he could be a bit annoying at times. I'd get mad at him for how he tried to treat Tilla, calling her property and trying to force her to call him master, even though he was terrible at being bossy--at least to Tilla. He does show a surprising amount of sexism that can be a bit annoying, too. Not because it's sexism, however. This is ancient Rome era we're talking about. It's annoying because it's obvious that he's not as sexist as most, but has defaulted to sexism because of his general disillusionment due to a bad marriage, which is understandable but so frustrating. Some of his actions were so obtuse to the point that I had to wonder if Ruso was okay mentally at times. An example being how he wanted the rumors about him investigating the murder to stop since he "wasn't investigating," but he made it his business to ask every person around if they'd heard he was investigating the murders. Really, Ruso?
As far as the narration goes, Simon Vance is quickly becoming one of my favorite narrators. He has a voice that is perfect for reading. This will be the third book I've listened to with him as the narrator and he never fails to impress me with his read. He's remarkable; his narration is always so impeccable. I have never encountered a narrator with such clean narration skills. Also, he understands that timbre not pitch determines how realistically a female voice will come across when reading, and even when faced with multiple female speakers in one scene, he gives them all their own personality that makes them easily discernible one from another.
The only real complaint I have is that he's a fast talker. I tend to speed up my audiobooks between 1.25 to 2.0 times faster than normal. With him, I have to get used to the pace he's keeping before I can speed it up, but that's really a trivial complaint when compared to how extraordinary he is as a narrator.
This was a great opening for the series, and I look forward to following more of Ruso's misadventures as narrated by Simon Vance.
I grew up on Golden Age Radio, and while I love to read, I typically consume more books via audio thanks to a job that lets me listen while I work. As an aspiring writer, I try to read a great deal of non-fiction in addition to a variety of fictional genres. I especially love history, historical fiction, science fiction, fantasy, and old-style gothic horror.
For something that pretty much bills itself as CSI: Ancient Britannia, it goes nowhere fast. The characters are well-developed quickly, but the plot... well, it plods. Slowly. Brutally slow to the point where I'm yawning. The author's descriptions and dialogue and everything else are top notch, she just has zero sense of pacing. I had high hopes based on other reviews and gave it a quarter of the book, but finally just gave up.
Simon Vance is the reason I got as far as I did in this title. His performance is, as per always, amazing. His talents are wasted on this one.
This was a Roman cozy to me - I liked the characters and the story. During the long drive to work, I found this book pleasant and relaxing - later I started to listen to the series during breaks at work - a mild addiction. Listening to Simon Vance is such a pleasure - just the right touch to get away briefly into a good story. It was well worth the credit for me, and I downloaded the rest of the series. I like to feel comfortable and entertained with a story. Good job all the way around.
It's refreshing to read a book that takes place in a location that is so unique. Set in Roman occupied (what is now) England, this is a story of a medical officer who gets mixed up in the murders of slave women. I particularly liked how modern the language seemed. It didn't dumb down the conversation to portray a culture far removed from modern times and it didn't pretty up any of the slave culture of the day. It was just matter of fact about how people treated each other.
When the story ended, I was left feeling like it was really only a part of a grander epic story and was disappointed. I read later that it's part 1 of a 3 part series and I'm intrigued to see where the author takes us. Hopefully we'll leave the little encampment and explore the native lives and cultures that were only really hinted at in this book.
I enjoyed listening to this book. The narrator was great, though, as others have noted, the use of more contemporary English accents was jarring. The mystery was enjoyable but I never believed I was in 2nd century Britian. The setting wasn't gritty enough, the hospital too modern, and the natives way too polite. I will probably listen to the next in the series because the narrator makes up for some of the weaknesses in the story.
I doubt if anyone would like this book. It is basically a book about nothing, but the author attempts to put it in Roman times. It isn't very accurate, and you learn nothing about the actual historical landscape or environment. Basically it appears the author took a poor written novel about people and translated the time.
Performance was fine.
The story is interesting for a lot of reasons - but I did not care for the reader/narrator. He was not able to differentiate between characters enough to keep my full attention. Not sure if I will get another in the series.
This was a great book. I love history and I love mystery and this book combined both well. I’ve always found the Roman time period fascinating and I enjoyed the characters and British frontier setting. I’m no expert in the Roman civilization but I thought the historical elements were well researched and believable. Worth a look or listen.
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