The eponymous "man" of this collection of short detective fiction is G.K. Chesterton’s protagonist Horne Fisher. Throughout these mysteries and investigations Fisher finds himself in the paradoxical spot of holding the key to the query while being immobilized by some privileged, often dangerous, information or connection. Harold Wiederman performs this collection with the tone of an experienced British orator who, although speaking loudly, seems constantly to be relating a secret. Perhaps this reflects the paradoxes that Chesterton was so fond of - and it certainly heightens the listening enjoyment of these enigmatic puzzling episodes. The collection includes 8 stories about Fisher and his friend the journalist Harold March, who meet in the first episode.
Gilbert Keith (G.K.) Chesterton (1874-1936) was an English literary and social critic, historian, playwright, poet, Catholic theologian, debater, mystery writer, and foremost, a novelist. Among the primary achievements of Chesterton's extensive writing career are the wide range of subjects written about, the large number of genres employed, and the sheer volume of publications produced. He wrote several plays, around 80 books, several hundred poems, some 200 short stories and 4,000 essays. Chesterton's writings without fail displayed wit and a sense of humor by incorporating paradox, yet still making serious comments on the world, government, politics, economics, theology, philosophy and many other topics. His talent as a mystery writer is displayed in his collection of detective stories, The Man Who Knew Too Much. In each story, the star detective, Horne Fisher, deals with another strange mystery: the vanishing of a priceless coin, the framing of an Irish "prince" freedom fighter, an eccentric rich man dies during an obsessive fishing trip, another vanishing during an ice skate, a statue crushing his own uncle, and a few more.
Includes "The Face in the Targe", "The Vanishing Prince", "The Soul of the Schoolboy", "The Bottomless Well", "The Fad of the Fisherman", "The Hole in the Wall", "The Temple of Silence", and "The Vengeance of the Statue".
Public Domain (P)2012 Audible, Inc.
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
A collection of Chesterton detective stories revolving around Horne Fisher and his companion, political journalist Harold March. These stories have a lot of the same late Victorian/Edwardian flavor of Sherlock Holmes and Chesterton's own Father Brown stories. The reluctant, and moral protagonist of The Man Who Knew Too Much, however, is often forced by greater-good circumstance or a need to protect the best interests of England from revealing the killer or the culprit.
The strengths of these stories revolves around the clever paradoxes that the Chesterton (the dark prince of paradox) knows too well. The weakness of these stories (and the reason I gave them 3 stars and not 4 stars) is the unsubtle antisemitism that pops up in a couple of them (especially 'the Bottomless Well').
"The Face in the Target"
"The Vanishing Prince"
"The Soul of the Schoolboy"
"The Bottomless Well"
"The Hole in the Wall"
"The Fad of the Fisherman"
"The Fool of the Family"
"The Vengeance of the Statue"
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