What is your art really about? Where is it going? What stands in the way of getting it there? These are questions that matter, questions that recur at each stage of artistic development - and they are the source for this volume of wonderfully incisive commentary.
Art & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. This is a book about what it feels like to sit in your studio or classroom, at your wheel or keyboard, easel or camera, trying to do the work you need to do. It is about committing your future to your own hands, placing free will above predestination, choice above chance. It is about finding your own work.
©1993 David Bayles and Ted Orland (P)2012 Tantor
This book is one that I will return to again and again like a mantra. I'm so happy that it is available in audio now. I can listen to it driving back and forth to the day job - the job that allows me to buy any art supplies I need but keeps me too busy to remember where my studio is and too tire to go there when I do remember.
"The hardest part of artmaking is living your life in such a way that your work gets done, over and over..."
No. This performance would be my first for him.
"It is easier to paint in the angel's feet to another's master-work than to discover where the angels live within yourself."
I've read Art & Fear two or three times over the last several years. My paperback copy is worn and underlined. It's a book I go back to when I get stuck in my art. Yesterday, I was looking for my copy, couldn't find it and turned to Audible. I was thrilled to find it here! The prose is sometimes beautiful and sometimes sarcastic. The writers don't take themselves too seriously. That being said, they never fail offer the encouragement I need when I start doubting my artistic integrity.
I was assigned this book in art class. I was a little turned off because the title isn't very inspiring, but I ended up really liking it because it describes an artist's daily life so well. It reminds me about what's important about being an artist--the simple, humble task of going into your studio day after day--rather than inflating the artist's life into some grandiose thing that it's not. It also reminds me that there are other artists out there. It's pretty inspiring after all.
I really enjoyed this meditation on what it means to be an artist and to make art. The authors try not to have it be specific to one type of art and are generally successful. While I found the section on art school interesting it was not particularly useful to me for the making of art. The book is a good encouragement to create the art you have the desire to make.
The performance was excellent. A very good and engaging reader. This book could have come across as dry or tedious but Arthur Morely brings the book to life.
If you create any kind of art I recommend this book.
Yes, I can listen to this inspirational self portrait any time I need it, and spend the time painting that I would be reading!
It spoke to thoughts that I have often.
The content of the book is perfect! I whish I was a writer so I could adequately express how this book has impacted my life. I have been bound by fear and many other issues that the author writes about, that I was frozen. I could not work, paint, sing, play my cello. After the first chapter I was cleaning off my work table and got back to work! Thank you so much!
This book has truly changed my life!
Thank you, Thank you!!
Painter, musician, bibliophile...
"How does art get done? Why, often, does it not get done? And what is the nature of the difficulties that stop so many who start?"
These are the questions the authors ask, and more importantly, answer, in this concise, brilliant book. By turns philosophical and pragmatic, insightful and witty, ART AND FEAR is a gift for the creative soul.
It's valuable to working artists, artists who have given up, and artists who have yet to begin.
And if you remove the charged word "artist," one might say it's valuable to anyone who struggles to create anything.
You need not be writing a symphony or a novel, dancing a principal role, or attempting to release a sculpture from a hulking block of marble. Maybe you're designing a dress, creating a new dish, keeping an illustrated journal, or teaching yourself to play a ukulele. What creative thing you do isn't the point. Continuing to do it is:
"What separates artists from ex-artists is that those who challenge their fears, continue; those who don't quit."
This is at the heart of the authors' message. They've written it to help us figure out how to stay in that first group. To stay in it, you must be able to combat fear, which includes facing any issues, preconceptions, misunderstandings, or even delusions about yourself or anyone else that may be holding you back from doing your work. What is involved will be as individual as your work. There are no easy answers or magic formulae. But it can be done, and is, every day you refuse to give up.
When my brother gave me this book, I didn't hold out much hope, but I kept my reservations to myself. After all, I'd read a sea of books about creativity, many of which turned out to be filled with useless pop psych clichés and other nonsense. But this one is different. It provides something deep and true, something everyone who creates can use.
Or as another artist friend said, "This is the straight stuff, straight up."
Indeed it is, and it just might change your creative life.
encouraging, enlightening, reaffirming.
encouragement in a language that creatives all speak, musicians, visual artists, dancers, culinary artists, sculptors, it speaks to all of us in our language. It provides a path out of frustration and the option of quitting the creative process.
Solid and soothing.
I'm a goofy kid who wants to work in art.
Essential for artists. I don't mean artists who are professional only; this is valid for hobbyists; for craftsman; for artisans. It says in voice and print what every artist should hear: make art, make a lot of it, and don't be afraid to make mistakes because error is human. I'm on my second listen and in times where I feel not at my best when it comes to making work, this will be playing to get me through those times along with the dry spells.
I have yet to compare it to anything.
I did, but not laughing or crying; it gave me a sense of enlightenment and encouragement to stop keeping my creativity and my willingness to try new things in a stranglehold and to let go of my fear with my work. While I won't say this is an overnight change, it's helping me a lot.
Part time artist - Like to listen to audiobooks when I am working and creating.
I read this book a few years ago and thought I would get a refresher by listening to the audiobook. Although I love the information it is one of those books you have to read. If you are an artist or want to be, I highly suggest this book. But read it, because it will give you more time to let what they are telling you really sink in.
I teach art and this book consolidates what i have been trying to say for years
That is -- just get in and do it
Got off the back of Robert Rodgriguez (movie director) recommending in an interview with Quentin Tarantino. Really good advice here!
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