I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
I eagerly purchased this audiobook of T. H. White???s complete The Once and Future King, because for a long time Audible only had the individual books available. And I loved the first four books, which begin with the halcyon fantasy of The Sword in the Stone, in which the boy Arthur (???Wart???) is educated by an anachronistic Merlyn. The scenes describing the daily life of a medieval castle during different seasons are vivid and beautiful, while those recounting Wart???s fantastic adventures and transformations into various animals are imaginative, suspenseful, and humorous. White loved and respected flora and fauna (even snakes), and this first book is encyclopedic and fantastic, dense and rich, absorbing and moving.
From the second book, The Queen of Air and Darkness, which opens in the cold north as Queen Morgause boils a black cat alive while her four sons are telling the story of their grandmother???s rape by Arthur???s father, begins the increasingly dark movement of the novel, centered on the tragedy caused by Arthur???s family history and the romantic triangle between himself, Guenevere, and Lancelot (The Ill-Made Knight). In the 2nd through 4th books White most closely follows Malory, though he also moves the era forward from the 11th to the 15th century and empathically imagines how medieval men and women felt and thought with modern psychological insight. At the same time, he writes plenty of joie de vivre, questing and combating knights, and fascinating details about medieval life (food, fashion, feudalism, etc.).
The novel really concludes with the 4th book (The Candle in the Wind) as the last battle between Arthur and Mordred is about to begin, but this audiobook then adds The Book of Merlyn, which may be good for completists, but which I found disappointing, as on the eve of the last battle Merlyn takes his former pupil off for a night of anachronistic political and philosophical debate with Badger and company about why humans wage war and what might be done to prevent it. Apart from Arthur changing into an ant and a goose to experience two different social systems, there is little ???story??? in this last book: too little Arthurian Matter and too much Whiteian Musing.
Jason Neville does a marvelous job reading the long work, effortlessly giving different characters distinctive voices and personalities without over doing it (so that, for example, his female characters sound like human beings rather than like a man imitating ???women???). And his King Pellinore reminds me of John Gielgud.
I recommend this audiobook for anyone interested in the Matter of Britain or philosophical and well-written fantasy.
In The Children???s Homer Padraig Colum weaves The Iliad into The Odyssey to make a single narrative in two parts. He begins the first part with the scene from the Odyssey where Athene recommends Telemachus to embark on a voyage to search for news of his father, and then has a minstrel, Nestor, Menelaus, and Helen narrate to Odysseus??? son the major causes and events of the Trojan war. In the second part Colum closely follows the sections of The Odyssey from Odysseus??? leave-taking from Calypso to his arrival back home at Ithaca. As the subtitle of Colum???s book reveals (The Adventures of Odysseus and the Tale of Troy), Odysseus here becomes the focal point of both The Odyssey and The Iliad.
Colum keeps many of the humorous insults, terrible battles, moving conversations, cultural textures, vivid similes, fantastic elements, and epic flavors of Homer???s epics in his 4.5 hour book. Perhaps due to his young audience or limited space, he also leaves out many impressive things, like Achilles repeatedly dragging the body of Hector around the walls of Troy, Odysseus visiting Hades, and Odysseus executing his serving women after having them clean up the gory remains of his slaughter of the suitors. The English translation seems faithful and strong, though it does favor thee, thy, and thine, as well as ???archaic??? forms like hast and spake.
I believe that although any reader (from child to adult) should really listen to the unabridged Homerian epics (of which there are many excellent translations and readings available on audible), if kids would be daunted by their length or more graphic gore, this would be a good choice, for although much shorter than the originals, it is not dumbed down and retains their grim view of mortality and vibrant view of life. And Robert Whitfield (Simon Vance) gives his usual elegant and assured reading.
I???d only ever read Joyce???s short story ???Araby,??? having been intimidated by the difficult reputation of his work (especially Ulysses and Finnegan???s Wake), so I was unprepared for how wonderful A Portrait of the Artist as a Young Man is???and how accessible.
It must partly be due to Jim Norton???s marvelous reading, so sensitive to and enhancing of the novel???s poetic rhythms and sounds, beautiful images, savory characters, and mix of comedy and tragedy. Norton, reading the base narration in an appealing and neutral English accent (to my American ear) and the dialogue in an impressively and appropriately varied range of Irish accents and personalities, helps to bring alive the cultural, personal, dramatic, and thematic meanings of every word in the novel. Many scenes have been imprinted on my mind: Stephen unfairly having his hands flogged in class and then screwing up his courage to visit the Rector about it; Stephen listening to a priest giving intense sermons on the physical and mental horrors of hell (Norton-priest had atheist me shaking my head and chuckling at the sadistic-masochistic Catholic imagination one moment and tremblingly thinking that I???d better go to confession the next); Stephen raptly watching a girl wading with her dress hiked up; Stephen talking with his friend Cranly about mothers and Catholicism???. And many more.
After finishing the audiobook, I didn???t want it to end, so started listening to it again??? I also visited a website with the text of the novel and read parts of that, realizing that Jim Norton had me understanding it just as well if not better than I would have had I read it myself.
This audiobook version of Joyce???s novel is filled with beauty, humor, sadness, love, lust, guilt, transcendence, and life. Next up: Dubliners and Ulysses read by Jim Norton!
I love listening to or reading books--especially fantasy, science fiction, children's, classics, & historical.
Bloody Jack read by Katherine Kellgren is a perfect matching of story and reader, for Kellgren IS Jack, the orphan girl who leaves her gang of London guttersnipes, cuts her hair and puts on boy's clothes, and joins the HMS frigate man-o-war The Dolphin as one of its new ship's boys and then experiences and learns more than she could have imagined about the sea, sailors, friendship, death, love, music, gender, and herself. As Kellgren reads Jack's narration, she convincingly changes her voice to suit the various characters who appear, among them cockney boys, Irish salts, lordly captains, pedantic Americans, French pirates, Jamaican merchants, and more. The story is fast-paced, savory, exciting, funny, and involving. The terrible sides of human nature are in evidence, too, including snobbishness, bullying, rape, and war. And Kellgren is there every step of the way, enhancing L. A. Meyer's prose with her enthusiasm and understanding. I'm looking forward to more of Jack Faber's sea adventures.