This book picks up after a year or so after the end of first book where Church has found a lost leader and started to form an Empire.
Our combo of elvish assassin and burly fighter find themselves working for the king of Melengar as spies that book start to focus a lot more on the politics and intrigue. I enjoyed this portion of the book that author does not let the narrative get dull with endless chatter. Some of the characters are cunning yet funny.
Scope of the story is larger, and yet book almost manage to move as fast as the previous book (though there were few moments which I thought were kind of a drag).
Author provides a lot more depth to the characters of Royce and Hadrian. Back stories of Royce and Hadrian is been flushed out which is masterfully integral to the over all story.
There are twists in this book which caught me by surprised. Arista's development as person and as an practitioner of the 'art' continues, and it is a fun ride.
Sense of humor between two thieves is still fresh and fun.
Narrator did a great job, and book is really a fun listen. This audio series is turning into one of my favorite. This book has setup nicely for the last in series for which I cant wait!
I highly recommend this book and series.
This book demands attention from the reader/listener that I had to frequently skip back secs / mins to catchup on things which I missed or did not understood because I was not paying needed attention. Partially it is due to the nature of the book the way it is written, and a lot of it is due to narration. The narrator though otherwise did a great job, did finish one chapter of the book and start the next one seemingly in same breath causing confusion at times. I had to get use to this style, but once I was in synch, I had a great time.
Book has mix of great elements such as mage assassins making it an entertaining listen. Even though there is free flow use of magic, author manage to maintain the intrigue of such things while combining it with great character development. Characters are very well flushed out, and combination of interesting skill set makes the plot lines very interesting.
Book does demand attention as mentioned above that not everything is spelled out for the listener. Events are taking place which make no sense at the time gets explained as user continue to read through the book.
Book sets ambitious goal for itself in terms of complexity and quality, and I have to say that it almost achieved it. Though not easy to listen, it is very entertaining sometimes awesome epic. I plan to next book in the series when it arrives. I would recommend this book for seasoned epic fantasy fans.
This story has a potential to become a very high quality epic fantasy. One of the great things about the book is that events take place at a very rapid pace and story moves very fast. I thought that author would spend a lot of time at certain points, but story moved on to next chain of events which was surprising.
Narrator did a great job, and I hope the same narrator is used for future books by same author.
Author builds the world carefully, and provides a lot of details. One of the interesting aspect of the story is the handling of elf which are pretty much are second class citizen in human society.
I didnt enjoy a story about thieves as much since 'lies of locke lamora'. Book has pretty good sense of humor and just the right amount of dark.
The struggle between wizard and a religious order is very interesting and it is not entirely clearly which one is less brutal.
I highly recommend this book for reader looking for good epic fantasy.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
I enjoyed Professor Michael D. C. Drout???s 14-lecture class on modern fantasy, which mainly focus on J. R. R. Tolkien, which is fine, because Tolkien is a major figure in modern fantasy. Professor Drout has a pleasing enthusiasm and a comprehensible clarity as he lectures.
After discussing the fantasy genre (a hybridization combining oral epics with novelistic techniques and concerns), Drout limns the origins of modern fantasy (Victorian works like the Alice books, The Waterbabies, and The Princess and the Goblin), and then dives into Tolkien, depicting relevant facts about his life and philological study before assessing The Hobbit and The Lord of the Rings, as well as difficult work like The Silmarillion and important scholarly essays on Beowulf and fantasy. Drout next covers two followers of Tolkien, Brooks the imitator and Donaldson the reactor, as well as two ???worthy inheritors??? who create fantasy as aesthetically and thematically consistent and compelling as that of Tolkien: Ursula K. Le Guin and Robert Holdstock. He then discusses children???s fantasy (Narnia, The Dark is Rising, Prydain, and a bit of Rowling and Pullman) and then the Arthurian genre (T. H. White, Mary Stewart, and Marion Zimmer Bradley). He concludes with a chapter on magical realism (Borges and Garcia-Marquez), arguing that, unlike most modern fantasy, it denies rather than provides healthy escape and is oriented around tragedy rather than Tolkieniean eucatastrophe.
I like the many insights that Drout provides as he lectures, like about Le Guin???s solution to death in The Other Wind or about class in The Hobbit or about the way in which Peter Jackson???s movies make Tolkien???s world smaller. Sure, I wish he???d have covered more authors (like L. Frank Baum, Lord Dunsany, E. R. Eddison, Robert E. Howard, Mervyn Peake, or Michael Swanwick) and to have gone into more detail in non-Tolkien chapters, but that only shows how much I enjoyed his ???class??? and wished it could have been twice as long.