This has been a wonderful fantasy series. But like all good things it must come to an end. This was one of those series that drew you in and became more captivating the more you read. Micheal J. Sullivan did a great job. I will defiantly keep an eye out for more books by this author.
I was pleasantly surprised that this book (books 3 and 4) did not suffer from the sophomore curse. This was on par with the first novel and I enjoyed it every bit as much. There are loads of different characters but the main focus is still on the main characters Royce and Hadrian. I love these characters and I can't wait for the next book.
This is the second book in the series but it takes place before the first. It gives you more in-depth background to all the characters you know from the first book. Bernard Setaro Clark does a great job narrating, he brings the characters to life and will leave you wanting to hear more from him.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
I enjoyed Professor Michael D. C. Drout???s 14-lecture class on modern fantasy, which mainly focus on J. R. R. Tolkien, which is fine, because Tolkien is a major figure in modern fantasy. Professor Drout has a pleasing enthusiasm and a comprehensible clarity as he lectures.
After discussing the fantasy genre (a hybridization combining oral epics with novelistic techniques and concerns), Drout limns the origins of modern fantasy (Victorian works like the Alice books, The Waterbabies, and The Princess and the Goblin), and then dives into Tolkien, depicting relevant facts about his life and philological study before assessing The Hobbit and The Lord of the Rings, as well as difficult work like The Silmarillion and important scholarly essays on Beowulf and fantasy. Drout next covers two followers of Tolkien, Brooks the imitator and Donaldson the reactor, as well as two ???worthy inheritors??? who create fantasy as aesthetically and thematically consistent and compelling as that of Tolkien: Ursula K. Le Guin and Robert Holdstock. He then discusses children???s fantasy (Narnia, The Dark is Rising, Prydain, and a bit of Rowling and Pullman) and then the Arthurian genre (T. H. White, Mary Stewart, and Marion Zimmer Bradley). He concludes with a chapter on magical realism (Borges and Garcia-Marquez), arguing that, unlike most modern fantasy, it denies rather than provides healthy escape and is oriented around tragedy rather than Tolkieniean eucatastrophe.
I like the many insights that Drout provides as he lectures, like about Le Guin???s solution to death in The Other Wind or about class in The Hobbit or about the way in which Peter Jackson???s movies make Tolkien???s world smaller. Sure, I wish he???d have covered more authors (like L. Frank Baum, Lord Dunsany, E. R. Eddison, Robert E. Howard, Mervyn Peake, or Michael Swanwick) and to have gone into more detail in non-Tolkien chapters, but that only shows how much I enjoyed his ???class??? and wished it could have been twice as long.