This book has all the things which annoy me about supposed "great" literature.
It is excessively poetic. (Not a fan of poetry).
It is wordy for the sake of it. (Big fan of directness).
There is relatively little direct narrative. (I like a plain and simple central thread).
Its full of clever devices. (Like my English not mucked about with)
But it is magnificent! I'm pretty sure that I didn't properly follow a lot of it but it doesn't matter. Some of the words made no sense but the sounded beautiful. Some of the scenes were meaningless to me but they were magic to listen to. The whole thing was a joy to listen to.
One of the other reviewers suggest that you should be familiar with this book in print before listening to this but I disagree. I suspect that if I had tried to read this from paper I would have made it t about page 12 before throwing it out of a window. It was made to be read out loud and if there is a better version available than this I'm not sure I would be able to cope with it.
Jim Norton gives each character just enough depth to make him distinguishable wthout creating any cartoon Irishmen in the process. There are a few sections read in a female voice. (Marcella Riordan - who should get a narrators credit). Double handed narration can be clumsy but this is perfectly judged. Overall - an excellent listen.
I never read this book as a child. Neither was it read to me and I thought that Peter Pan was a cartoo character until I was an adult. I missed out.
If you have children then buy the book and read it to them. If you can't or won't then the next best thing is to let Jim Dale read it to them for you. His delivery is excellent and carries just the right balance of restraint and enthusiasm.
An excellent presentation of a classic story.
Twain is one of my favourite fiction writers. All his talents are also there in full strength in this non-fiction work.
Telling the story of a journey through the Mediteranean and the "Holy" land by a group of Americans it is laced with all the humour, irreverance and intelligence that I love in his work. As a travel book it gives just enough flavour of the countries and places it visits to be relevant and contains some interesting historic details that were the currency of the day. I came away with a clearer picture of the reach of the Turkish (Ottoman?) empire than I had before and a better notion of some of the scale of the geography.
But you're not going to enjoy this for geography or history. You're going to enjoy it if you're interested in people and intelligent and witty comment on their behaviour. That is what Twain did best and this is one of his best.
Grover Gardner does an excellent job of the narration. Just the right level of old man growl to fit the words perfectly.
Painter, musician, bibliophile...
This second collection of "Great Classic Stories" is just as rewarding as the first, with something for everyone, including comedy, tragedy, suspense, and romance.
From Huxley's brassy lunchtime companion to the sad teller of Gilbert's love story, nearly every story reveals an unforgettable character or two, and the narrators are first-rate. I particularly enjoyed Bill Wallis and Simon Vance.
Here are the stories in order:
YOUNG GOODMAN BROWN by Nathaniel Hawthorne
THE CASK OF AMONTILLADO by Edgar Allan Poe
COUSIN WILLIAM by Harriet Beecher Stowe
HOW I EDITED AN AGRICULTURAL PAPER by Mark Twain
A PIECE OF STRING by Guy de Maupassant
ANGELA, AN INVERTED LOVE STORY by W. S. Gilbert
THE NIGHTINGALE AND THE ROSE by Oscar Wilde
THE STORY OF AN HOUR by Kate Chopin
A JURY OF HER PEERS by Susan Glaspell
ARABY by James Joyce
THE MARK ON THE WALL by Virginia Woolf
THE INTERLOPERS by Saki
HEAD AND SHOULDERS by F. Scott Fitzgerald
THE STRANGER by Katherine Mansfield
THE BLIND MAN by D. H. Lawrence
NUNS AT LUNCHEON by Aldous Huxley