Theatre Biographies

Picking up where his previous memoir leaves off, Sledge, a young marine in the First Division, traces his company's movements and charts his own difficult passage to peace following his horrific experiences in the Pacific. He reflects on his duty in the ancient city of Peiping (now Beijing) and recounts the difficulty of returning to his hometown of Mobile, Alabama, and resuming civilian life haunted by the shadows of close combat.

For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra. In a series of intimate conversations with actor & director Brendan O'Hea, she guides us through Shakespeare's plays with incisive clarity, revealing the secrets of her rehearsal process and inviting us to share in her triumphs, disasters, and backstage shenanigans.

August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.

No one does glamour, severity, girlish charm, or tight-lipped witticism better than Dame Maggie Smith. Michael Coveney's biography shines a light on the life and career of a truly remarkable performer, one whose stage and screen career spans six decades.

Here, in his own words, is the true story of America's wildest flying hero, of his extraordinary heroism, and of his greatest battle of all-the fight to survive. The World War II air war in the Pacific needed tough men like Colonel Pappy Boyington and his Black Sheep Squadron. The legendary Marine Corps officer and his bunch of misfits, outcasts, and daredevils gave a new definition to "hell-raising" - on the ground and in the skies.

Dick Van Dyke, indisputably one of the greats of the golden age of television, is admired and beloved by audiences the world over for his beaming smile, his physical dexterity, his impeccable comic timing, his ridiculous stunts, and his unforgettable screen roles.

Gypsy Rose Lee’s memoir became a New York Times best seller in 1957, inspiring the 1959 hit musical, two movies, and three revivals. At turns touching and hilarious, Gypsy describes her childhood trouping across 1920s America through her rise to stardom as The Queen of Burlesque in 1930s New York.

In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner’s novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience. The production’s cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances.

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.

Michaela DePrince was known as girl no. 27 at the orphanage where she was abandoned at a young age and tormented as a "devil child" for a skin condition that makes her skin appear spotted. But it was at the orphanage that Michaela would find a picture of a beautiful ballerina en pointe that would help change the course of her life. At the age of four, Michaela was adopted by an American family who encouraged her love of dancing and enrolled her in classes.

Shakespeare’s world is never too far different from our own, permeated with the same tragedies, the same existential questions and domestic worries. In this extraordinary book, Jonathan Bate brings then and now together. He investigates moments of his own life—losses and challenges—and asks whether, if you persevere with Shakespeare, he can offer a word of wisdom or a human insight for any time or any crisis.

Dickens was one of the first true celebrity authors. Thousands of fans in Britain and America eagerly awaited each new installment of his stories, and flocked to see him on his legendary speaking tours. Not only did he create an incredible cast of characters on the page, but he was also a dazzling mimic and storyteller, and he wrote, stage-managed, and acted in plays for the public. Throughout his life, from his childhood performances to his legendarily powerful reading tours, Dickens was fanatical about the stage.

Forgotten Scores: Broadway's Lesser-Known Creators by Richard Fleischman Tired of reading the same books about Rodgers & Hammerstein, Sondheim, and the usual Broadway legends? Unheard Voices is for the true Broadway superfan who craves something different—something deeper. Richard Fleischman’s meticulously researched collection of 120 essays takes you on a thrilling journey through the forgotten, the overlooked, and the lost creators of Broadway. This is not a book about the names you already know—this is about the composers and lyricists whose works shaped the Broadway we love, but ...

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

The operas of William Gilbert and Arthur Sullivan are a national institution. Hesketh Pearson's biography is of the two men who together formed a famous partnership and he is interested in them as individual, quite different personalities - one of the explanations behind their equally famous quarrel. Pearson describes their lives rather than criticise their works. As the operas such as The Mikado and The Pirates of Penzance live on the stage, here their authors come to life in a biography. The Author: Born in 1887 at Hawford, Worcesterhire, Hesketh Pearson was educated at Bedford Grammar ...

At eight years old, Ricky Ian Gordon pulled The Victor Book of Opera off his piano teacher’s bookshelf, and his world shifted on its axis. Though scandal, sadness, and confusion would shake that world over the next few decades, its polestar remained constant. Music has been the guiding force of Gordon’s life; through it, he has been able not only to survive great sorrow but also to capture the depths of his emotion in song. It is this strength, this technical and visceral genius, that has made him one of our generation’s greatest composers.

How much do you know about the key role women played in shaping the theatre we all know and love today? Perhaps you know little about the women who made theatre what it is today, and you are searching for a book that will help you improve your knowledge of musicals and their history. Or maybe you already have a strong understanding of the history of Broadway musicals, and you are searching for a book that covers the biographies of women in theatre in great detail. The truth is women’s role in the rise of theatre is greatly underappreciated. That is, until now. Introducing The Wonderful ...

Noël Coward on theatre was as dazzling and entertaining as his masterful plays and lyrics. Here his ideas and opinions on the subject are brilliantly brought together in an extraordinary collection of commentary, lyrics, essays, and asides on everything having to do with the theatre and Coward's dazzling life in it.

La niñez de Jesse fue destrozada de forma violenta. Nació en San Diego, en los años setenta, hijo de inmigrantes mexicanos e indígenas de la clase obrera. Cuando tenía once años, un encuentro en una tienda de regalos lo dejó con un secreto aterrador entre manos. Herido, con el apoyo de nadie y temiendo por su vida, Jesse se perdió en el mundo híper masculino de las calles de San Diego, donde silenció su dolor con lo que fuera que encontrara: alcohol, drogas y prostitución.

Timeless and surprisingly current, The Art of the Theatre, published after her death at age 78, is the final and most in-depth record of the great actress' views on acting and the theatre. Here "The Divine Sarah" shares advice on everything from speech, movement, role preparation, vocal warmups, and make-up tips to why she preferred to play Hamlet instead of Ophelia.