Short Film

Anyone can make a short film, right? Just grab some friends and your handheld and you can do it in a weekend or two before being accepted to a slew of film festivals, right? Wrong. Roberta Munroe screened short film submissions at Sundance for five years, and is an award-winning short filmmaker...

This updated and expanded edition of A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. Succinct yet comprehensive, this edition provides new information on contemporary horror, comic book, and franchise films; issues surrounding women and minority filmmakers; the effects of the COVID-19 pandemic on movies worldwide; the shift from film to digital production; the rising use of artificial intelligence in cinema; and the impact of streaming on the industry.

Short Film Structure Secrets - Short Films - There's no secret that structuring a short film can be a difficult process because of how condensed short films can be in relation to a feature film. Author Chike Camara has done it again. This book demystifies the process and gives you a breakdown of some of the most common short film types, how their structures work, why their structures work and how to take your own short film idea to the next level. In a way, it teaches you how to create a short film as well.

Indie Film Hustle presents I Made a Short Film Now WTF Do I Do with It, written by award-winning filmmaker Clarissa Jacobson. This indie film gem is jam-packed with hard-earned knowledge, tips, and secrets on how to enter film festivals, promote your movie; and succeed! I Made a Short Film Now WTF Do I Do with It covers everything from what festivals to submit to, how to maximize your money, secure an international presence, deal with rejection, gain publicity, harness the power of social media, what a sales rep does, and much more.

From this audiobook, you'll learn: how planning and shooting a short film today can lead to a feature-length project tomorrow; everything you need to know about writing a movie project on a burger budget; tips on how to find locations and not get arrested; Shooting tips galore for building exciting scenes; sound and film editing tips and all kinds of special effects wizardry, including puppetry; screenings, promotions, and juicy tips on film festival strategy; and more.

In April 2020, the world faced imminent lock-down, so a group of filmmakers started a virtual support group. Once a week, these diverse voices would assemble to do what they do best: tell each other stories. Campfire horror tales, emotional cosmic mysteries, and anything else that either made them take their minds off what was happening to the world, or help them understand it. HAUNTED REELS is the best of those stories.

Encompassing the 35 year span between the initial development of film technology in the mid-1890s and the adoption of synchronized sound in the late 1920s, the cinema's silent era is both one of the most important epochs of film history and one of the most misunderstood within the popular imagination. In this brief, engaging account, these formative decades come vividly to life.

Online courses with the author of this book: https://www.diegofandos.com/ This book will help you write short films in different ways: the Hollywood (or classical) style and the European form—miniplot films where apparently nothing happens. Both options can result in beautiful films for the audience. But also boring ones. Here, you'll find some tips to help you make them properly. I've been teaching screenwriting for 15 years at PFS. Every season, I read dozens of scripts that soon become short films, so I see both my students’ achievements and their failures. And my own. Here, I talk ...

The monster that is Haunted Reels has returned, and now no one is safe. Featuring twenty-four brand-new, never-before-published stories by a mix of Hollywood legends and rising film-industry stars, Haunted Reels 2 continues the menace its brooding predecessor started, only this time it has a grudge. Beware the murderous vandals, maniacal crackpots, and diabolically possessed contained within this book, for once you let them loose, there’s no telling what they’ll do next.

ON NOVEMBER 13, 1991, the world stopped to watch a music video. Broadcast simultaneously across four major networks and viewed by an estimated 500 million people worldwide, Michael Jackson’s eleven-minute short film for "Black or White" was billed as a triumphant return—his first new visual statement in years. What audiences got instead was something far more unsettling: a dazzling global unity spectacle that ended in rage, destruction, and a prowling black panther disappearing into a dark Los Angeles alley. The backlash was immediate. The final sequence was censored. Critics were ...

If the Hollywood implosion does come to fruition then where do aspiring filmmakers go to make a living? This unique survival guide is designed to help über-independent filmmakers navigate the terrain of direct digital distribution. It will show them how to really sell a product online.

Colleen Hoover, the #1 New York Times bestselling author of Regretting You, It Starts with Us, It Ends with Us, and Maybe Someday brilliantly brings to life the story of the hilarious and charismatic Warren in this novella. When Warren has the opportunity to live with a female roommate, he...

How to Make a No-Budget Short Film: A Quick and Easy Guide to Filmmaking on a Shoestring Budget Turn Your Filmmaking Dreams into Reality — Even If You Have $0 to Spend! Are you passionate about making films but overwhelmed by the high cost of production? No film school? No funding? No problem. If you’ve ever said, “I want to make a short film, but I don’t have the money,” this book is for you. Based on the real-life experience of producing the award-nominated short film "LEADING LADY" for just $28, How to Make a No-Budget Short Film is your step-by-step survival guide to getting ...

Soon to be an original TV series! From the #1 New York Times bestselling author of Regretting You, It Starts with Us, and It Ends with Us comes a “brilliant” (Tracey Garvis Graves, New York Times bestselling author) tale of friendship, betrayal, and romance. Twenty-two-year-old college...

Atticus Coven is lucky to have a job at all, let alone one with the Corporation. But the work is numbing and repetitive, and the pace is relentless on the brutally efficient AI-controlled factory floor. Every day is a trial—until her.

Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject.

Gathered together for the first time and featuring two brand new stories, this collection contains all of the short stories and novellas featuring Bunny McGarry, star of the million-selling Dublin Trilogy. Spanning his entire career in law enforcement and beyond, these stories give a whole new perspective on Ireland’s most truly unconventional police officer as he juggles being a force for justice and managing the world’s worst under-12s hurling team.

"The Grand Inquisitor" is a central chapter of Dostoyevsky's novel The Brothers Karamazov. The middle brother, Ivan, is having a conversation with his younger brother, Alyosha. Ivan represents the rationalist and nihilistic ideology that permeated Russia in the 19th Century. Alyosha's beliefs counterbalance his brother's. He embodies hope. Ivan tells Alyosha a vision where the grand inquisitor, during the Spanish inquisition, encounters Jesus Christ, who has made a return to Earth.

Finally, a book that confronts the challenges filmmakers of all types of films face when bringing their vision to the screen. Emmy-nominated director and multi-hyphenate filmmaker Christopher Folkens (www.mysticfilms.com) provides an in-depth look at the personal journey necessary for any filmmaker to take on their debut film (or really any creative project for that matter).

In this concise, crisply written guide, Patricia Aufderheide takes listeners along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling.