New Communism

The Principles of Communism by Friedrich Engels is a foundational political text that outlines the core tenets of communism in a concise and accessible format. Written in 1847 as a preparatory document for the Communist League, the book is structured as a series of questions and answers, making it straightforward for listeners to grasp.

From one of the leading critics of leftist orientations comes a study of the thinkers who have most influenced the attitudes of the New Left. Beginning with a ruthless analysis of New Leftism and concluding with a critique of the key strands in its thinking, Roger Scruton conducts a reappraisal of such major left-wing thinkers as E. P. Thompson, Ronald Dworkin, R. D. Laing, Jurgen Habermas, Gyorgy Lukacs, Jean-Paul Sartre, Jacques Derrida, Slavoj Žižek, Ralph Milliband, and Eric Hobsbawm. Scruton delivers a critique of modern left-wing thinking.

Edited and with an introduction by philosopher Tom Whyman, this new abridged version The German Ideology sheds new light on one of the most difficult, disputed texts in Marx’s oeuvre. Written in 1846 and subsequently abandoned by Marx and Engels, only to be rescued in the 1930s by researchers in the USSR, The German Ideology is the high point of Marx’s philosophical thought: A brilliantly insightful, still thrillingly radical work of materialist philosophical therapy.

Socialist Feminism: A New Approach reclaims theories of women’s oppression through a return to humanism, enriched by social reproduction theories, Black feminist intersectionality, abolitionism, queer theories, Marxist-Humanism and the author’s own experiences as an Iranian American feminist, scholar, and activist.

As this book argues, every era since Marx's death has reinvented him to fit its needs. There is not one Marx forever and for all time. There are a thousand Marxes. As Thomas Nail contends, one of the most significant contributions of Marx's work is that it treats theory itself as a historical practice. Reading Marx is not just an interpretative activity, but a creative one. As our historical conditions change, so do the kinds of questions we pose and the kinds of answers we find in Marx's writing.