Horror Criticism

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels.

A recording of the reading of the first edition, published in 1950. An additional bonus chapter, The Holy Planet Purgatory from the 1931 typescript, is included. Beelzebub's Tales to His Grandson is Gurdjieff's world-famous cosmological epic. It examines human life on Earth from the viewpoint of beings belonging to a distant world, led by the all-wise Beelzebub. Through this cosmological allegory—rich in humour, anecdote, and linguistic elaboration—Gurdjieff demonstrates a methodology for the spiritual growth of all mankind.

A collection of his finest writing on horror cinema by the acclaimed critic and journalist, Jon Towlson. Essays range from studies of auteurs Tod Browning and George A. Romero to reflections on Universal horror, analysis of the 1978 classic Dawn of the Dead, and commentaries on contemporary international horror cinema. The volume contains reviews of over 25 modern horror films, including Jennifer Kent’s The Babadook (2014) and Brandon Cronenberg’s Possessor (2020). Plus, interviews conducted with leading creatives in horror cinema: Jason Blum (Blumhouse Productions), Scott Derrickson (...

In Thomas Ligotti's first nonfiction outing, an examination of the meaning (or meaninglessness) of life through an insightful, unsparing argument that proves the greatest horrors are not the products of our imagination but instead are found in reality. "There is a signature motif discernible in...

"This is gory and brutal and beautiful and painful and terrifying and a pure delight." —Stephen Graham Jones, New York Times bestselling author “Leede’s words and narrator Sosie Bacon’s voice imbue Maeve with thought-provoking realism and earnestness, even as her violent acts become more...

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

50 Years of Hammer Horror by John L. Flynn, Ph.D. is the follow-up book to his popular 75 Years of Universal Monsters. Hammer Film Productions was the most successful independent film company in the world. Between 1935 and 1983, the company produced more than 250 motion pictures and television shows, and their signature productions headlined theater marquees all around the globe. Those productions included thrillers, comedies, historical dramas, and science fiction. The company was best known for its series of gothic horror films.

AN INSTANT NEW YORK TIMES BESTSELLER ""Great playwright and filmmaker, DAVID MAMET, just wrote an incredible new book, The Disenlightenment, Politics, Horror, and Entertainment. David is a special man and talent. Get his book, NOW!"" — President Donald Trump One of America's greatest living...

Found footage has divided horror fans and critics. Some find it to be a refreshing departure from the predicable slashers and torture horror films that had dominated the market for so long. Others found them to be so at one time, but feel that the market is flooded with these films, and that quality is declining. Whatever one might think of them, there are plenty of found footage horror films to sort through out there, and it’s useful to have a guide. That’s what Cheap Scares: The Essential Found Footage Horror seeks to deliver. The book gives an overview of the genre. Though it ...

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

"Blood-soaked, heart-wrenching, grim and glorious.”—Rachel Harrison, national bestselling author of Black Sheep From CJ Leede, the author of Maeve Fly, comes a scorching new apocalyptic novel. American Gods meets The Last of Us in this epic and sweeping story about the end of the world as we...

She was not born a monster. Medusa was a glare — a woman whose beauty made gods look away — until a crime in a temple turned worship into indictment. Instead of punishing the god who broke sanctity, the goddess punished the maiden: beauty wound into venom, hair into living snakes, a single look that could stop a heartbeat and freeze a world. Banished to the edge of the map, she becomes what everyone needs her to be — monster, warning, prize — while the story that made her is reshaped and sold back to a frightened culture. Medusa: The Gorgon’s Curse is both close, cinematic ...

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

New York Times bestselling author of Sex, Drugs, and Cocoa Puffs and Downtown Owl, “the Ethicist” of the New York Times Magazine, Chuck Klosterman returns to fiction with his second novel—an imaginative page-turner about a therapist and her unusual patient, a man who can render himself...

Neon Werewolves : Werewolf Films of the 70s and 80s 🩸🌕 Unleash the Beasts of the 80s Horror Scene! 🌕🩸 The 1980s was a golden era for horror—when practical effects, spine-chilling transformations, and unforgettable werewolves dominated the silver screen. "Werewolves in Neon" by Ricardo D. Rebelo is the ultimate guide for horror fans, film buffs, and cinephiles looking to explore the evolution of werewolf films from cult classics to mainstream legends. 📽 Inside This Book: ✔️ Deep Analysis – Explore the history, themes, and special effects of werewolf films like The ...

I was a “Monster Kid” and “The Weird Kid, The Horror Movie Kid.” I found out early…horror is always personal. Now I make horror for a living. It shouldn’t just be WATCHED. Horror should be ENJOYED. This isn’t some stuffy analysis telling you what’s good or bad. Instead, it’s a tour of the 1930s through the 1980s—a personal account of how the best and worst of this era gave us so many memories and experiences that impacted our own lives. It’s fun…just how horror should always be.

FINALIST FOR THE 2026 LAMBDA LITERARY AWARD FOR TRANSGENDER NONFICTION An Electric Literature Best Nonfiction Book of the Year A them Best LGBTQ+ Book of the Year A Literary Hub Most Anticipated Book of the Year An Autostraddle Most Anticipated October Read A BookRiot Most...

A Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers' psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films' directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film.

Conventional wisdom has it that the origins of the horror genre are found in the nineteenth century, in works like Frankenstein, Dracula, and The Strange Case of Dr Jekyll and Mr. Hyde. In this paradigm-shaking new book, Bible scholar and cultural historian Brandon Grafius argues that the Bible is, among other things, the world's first work of horror literature. The tropes and themes that we find in slasher movies, body horror, folk horror, and zombie apocalypses were kickstarted by the Bible. Before Godzilla, there were the monsters arising from the sea in the book of Daniel.