Georgian English History

London, 1772: a young artist called Thomas Rowlandson is making his way through the grimy backstreets of the capital, on his way to begin his studies at the Royal Academy Schools. Within a few years, James Gillray and Isaac Cruikshank would join him in Piccadilly, turning satire into an artform, taking on the British establishment, and forever changing the way we view power. Set against a backdrop of royal madness, political intrigue, the birth of modern celebrity, French revolution, American independence and the Napoleonic Wars, UPROAR! follows the satirists as they lampoon those in power.

In the latest volume of his celebrated series of Time Traveler's Guides, Ian Mortimer turns to what is arguably the most-loved period in British history—the Regency, or Georgian England. A time of exuberance, thrills, frills, and unchecked bad behavior, it was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality. At the same time, it was a period of transition. Conveying the sights, sounds, and smells of the Regency period, this is history at its most exciting—the past not as something to be studied, but as lived experience.

In this fascinating and original book, a team of leading historians and archaeologists reconsiders every aspect of the battle. They examine the latest historical and archaeological evidence, question every assumption, and rewrite the story of the campaign in vivid detail. This is the first time that such a distinguished team of experts has focused on a single British battle. The result is a seminal study of the subject, and it is a landmark publication of battlefield archaeology.

Immerse yourself in the vanished world inhabited by Jane Austen's contemporaries. Packed with detail and anecdotes, this is an intimate exploration of how the middle and upper classes lived from 1775, the year of Austen's birth, to the coronation of George IV in 1820. Sue Wilkes skillfully conjures up all aspects of daily life within the period, drawing on contemporary diaries, illustrations, letters, novels, travel literature, and archives.

On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as “the prize of all the oceans,” it had wrecked on a desolate island off the coast of Patagonia.

The heroic story of the founding of the US Navy during the Revolution has been told many times, yet largely missing from maritime histories of America's first war is the ragtag fleet of private vessels that truly revealed the new nation's character. In Rebels at Sea, Eric Jay Dolin corrects that significant omission, and contends that privateers, as they were called, were in fact critical to the American victory. Privateers were privately owned vessels that were granted permission by the new government to seize British merchantmen and men of war.

The Victorians are often credited with ushering in our current era, yet the seeds of change were planted in the years before. The Regency (1811-1820) began when the profligate Prince of Wales - the future King George IV - replaced his insane father, George III, as Britain's ruler. Around the regent surged a society steeped in contrasts: evangelicalism and hedonism, elegance and brutality, exuberance and despair. The arts flourished at this time with a showcase of extraordinary writers and painters such as Jane Austen, Lord Byron, the Shelleys, John Constable, and J. M. W. Turner.

In 1765, as the Stamp Act riled eastern seaports, frontiersmen clashed with the British Empire over another issue: Indian relations. When British officials launched a diplomatic expedition into the American interior to open trade with the Indian warrior Pontiac, the Black Boys formed to stop it and led an uprising that threatened the future of Britain's empire. Clashing with traders, diplomats, Native warriors, and imperious British officials, the Black Boys evolved into an organized political movement that resisted the Crown years before the Declaration of Independence.

The Battle of Culloden in 1746 has gone down in history as the last major battle fought on British soil: a vicious confrontation between the English Royal Army and the Scottish forces supporting the Stuart claim to the throne. But this wasn't just a conflict between the Scots and the English: The battle was also part of a much larger campaign to protect the British Isles from the growing threat of a French invasion.

The breathtaking latest installment in Bill O'Reilly and Martin Dugard's mega-best-selling Killing series transports listeners to the most important era in our nation's history, the Revolutionary War. Told through the eyes of George Washington, Benjamin Franklin, Thomas Jefferson, and Great Britain's King George III, Killing England chronicles the path to independence in gripping detail, taking the listener from the battlefields of America to the royal courts of Europe.

Initially a slaving vessel itself, the Black Joke was captured in 1827 and repurposed by the Royal Navy to catch its former compatriots. Over the next five years, the vessel liberated more enslaved people than any other in Britain’s West Africa Squadron. As Britain attempted to snuff out the transatlantic slave trade by way of treaty and negotiation, enforcing these policies fell to ships such as the Black Joke as they battled slavers, weather disasters and interpersonal drama among captains and crew that reverberated across oceans.

Charles, first marquis of Cornwallis (1738-1805), was a leading figure in late 18th-century Britain. His career spanned the American War of Independence, Irish Union, the French Revolutionary Wars, and the building of the Second British Empire in India - and he has long been associated with the unacceptable face of Britain's colonial past. In this vivid new biography, Richard Middleton shows that this portrait is far from accurate. Cornwallis emerges as a reformer who had deep empathy for those under his authority and was clear about his obligation to govern justly.

Beset by the personal cruelties perpetrated by her husband and a society whose rules were set against her, Caroline Norton chose to fight. She channeled her energies in an area of much-needed reform: the rights of a married woman and specifically those of a mother. She campaigned tirelessly, achieving her first landmark victory with the Infant Custody Act of 1839. Provisions which are now taken for granted owe much to Caroline, who was determined to secure justice for women at all levels of society from the privileged to the dispossessed.

In the early 17th century, Britain took ruthless steps to deal with its unwanted citizens, forcibly removing men, women, and children from their homelands and sending them to far-flung corners of the empire to be sold off to colonial masters. This oppressive regime grew into a brutal system of human bondage which would continue into the 20th century. Drawing on firsthand accounts, letters, and official documents, Graham Seal uncovers the traumatic struggles of those shipped around the empire.

Francis J. Bremer focuses on the role of religion in the settlement of the Plymouth Colony and how those values influenced political, intellectual, and cultural aspects of New England life 150 years before the American Revolution. He traces the Puritans' persecution in early 17th-century England for challenging the established national church and the difficulties they faced as refugees in the Netherlands in the 1610s.

A personal indictment of the institute of slavery in the Southern United States, as witnessed directly by Fanny Kemble, a British actress in 1838 and 1839. In a very personal way, she relates her many varied experiences, efforts to make life easier for the slaves despite her husband's stubborn resistance. As an English citizen, she had seen the total end of slavery throughout the British Empire in 1833, just a few years before her journey to Georgia. She ends her account with a stirring defense of Harriet Beecher Stowe's novel, Uncle Tom's Cabin.

In Behind the Throne, historian Adrian Tinniswood uncovers the reality of five centuries of life at the English court, taking the listener on a remarkable journey from one Queen Elizabeth to another and exploring life as it was lived by clerks and courtiers and clowns and crowned heads: the power struggles and petty rivalries, the tension between duty and desire, the practicalities of cooking dinner for thousands and of ensuring the king always won when he played a game of tennis.

Spanning the end of the Regency, Ackroyd takes listeners from the accession of the profligate George IV, whose government was steered by Lord Liverpool, whose face was set against reform, to the "Sailor King" William IV, whose reign saw the modernization of the political system and the abolition of slavery. But it was the accession of Queen Victoria, at only 18 years old, that sparked an era of enormous innovation. Technological progress - from steam railways to the first telegram - swept the nation, and the finest inventions were showcased at the first Great Exhibition in 1851.

The most urgent story in modern tech begins not in Silicon Valley but two hundred years ago in rural England, when workers known as the Luddites rose up rather than starve at the hands of factory owners who were using automated machines to erase their livelihoods. The Luddites organized guerrilla raids to smash those machines—on punishment of death—and won the support of Lord Byron, enraged the Prince Regent, and inspired the birth of science fiction. This all-but-forgotten class struggle brought nineteenth-century England to its knees.

Kensington Palace is now most famous as the former home of Diana, Princess of Wales, but the palace's glory days came between 1714 and 1760, during the reigns of George I and II. In the eighteenth century, this palace was a world of skulduggery, intrigue, politicking, etiquette, wigs, and beauty spots, where fans whistled open like switchblades and unusual people were kept as curiosities.