Dramatized Adaptation Age

Since time immemorial, humans have worshipped the gods they call Fhrey, truly a race apart: invincible in battle, masters of magic, and seemingly immortal. But when a god falls to a human blade, the balance of power between humans and those they thought were gods changes forever. Now only a few stand between humankind and annihilation: Raithe, reluctant to embrace his destiny as the God Killer; Suri, a young seer burdened by signs of impending doom; and Persephone, who must overcome personal tragedy to lead her people. The Age of Myth is over. The time of rebellion has begun.

After years of warfare, humanity has gained the upper hand and has pushed the Fhrey to the edge of their homeland but no farther. Now comes the pivotal moment. Persephone’s plan to use the stalemate to seek peace is destroyed by an unexpected betrayal that threatens to hand victory to the Fhrey and leaves a loved one in peril.

The alliance of humans and renegade Fhrey is fragile — and about to be tested as never before. Persephone keeps the human clans from turning on one another through her iron will and a compassionate heart. The arrogant Fhrey are barely held in check by their leader, Nyphron, who seeks to advance his own nefarious agenda through a loveless marriage that will result in the betrayal of the person Persephone loves most: Raithe, the God Killer.

Raithe, the God Killer, may have started the rebellion by killing a Fhrey, but long-standing enmities dividing the Rhunes make it all but impossible to unite against the common foe. And even if the clans can join forces, how will they defeat an enemy whose magical prowess renders them indistinguishable from gods?

The accidental deaths of two students appear random, tragic events, except that in each case a copy of a book by John Millington Synge is found beneath the body. Jack begins to believe that "The Dramatist", a calculating killer, is out there, enticing him to play. As the case twists and turns Jack's refuge, the city of Galway, now demands he sacrifice the only love he's maintained, and while Iraq burns, he seems a step away from the abyss.

Seems impossible, but Jack Taylor is sober - off booze and pills, and nearly off cigarettes. One reason: his dealer's in jail. When that dealer calls him to Dublin and asks a favor in the sordid visiting room of Mountjoy Prison, Jack wants to tell him to take a flying leap. But he doesn't - can't - because the man's sister is dead and the guards have called it "death by misadventure." But the dealer says that can't be true and begs Jack to see what he can find.