Craft Industry

With a singular voice in the narrative-bending tradition of Kafka, Cortázar, and Bulgakov, Lima speaks to Brazilian-American immigrant experiences—of ambition, fear, heartbreak, and home—with equal parts warmth and agitation. Strange, intimate, haunted, and hungry, Craft: Stories I Wrote for the Devil is a powerful experience: once listened to, you’re as much a part of the stories as they’re a part of you.

A groundbreaking and endlessly surprising history of how artisans created America, from the nation’s origins to the present day. At the center of the United States’ economic and social development, according to conventional wisdom, are industry and technology - while craftspeople and handmade objects are relegated to a bygone past. Renowned historian Glenn Adamson turns that narrative on its head in this innovative account, revealing makers’ central role in shaping America’s identity.

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Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City during what is now known as the golden age of musical theater. Toward the latter half of the 20th century, decentralization and deindustrialization brought the emergence of nationally distributed regional theaters and performing arts centers.