Art Photography Biographies

Learn about the development of photography with iMindsJNR audio-learning series for younger minds. Before the photograph was invented, the best way to capture an image was by painting it. You can imagine how long that would take! In 1990, Kodak unveiled the first widely available digital camera. These days, through many advances in technology, we can store hundreds of images on a single camera, ready to print or upload onto a computer whenever we like. But how did we get from paintings to digital photography?

War photographer Lynsey Addario’s memoir It’s What I Do is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It’s her work, but it’s much more than that: it’s her singular calling.

Jacqueline Briggs Martin’s Snowflake Bentley won a Caldecott Medal, a Parents’ Choice Award, and was picked as an ALA Notable Book for Children. Listeners of all ages will cherish this beautiful story about a real man whose discoveries changed the way the world saw snow.

For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida.

Marilyn Monroe’s image is so universal that we can’t help but believe that we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety - and the way the camera fell helplessly in love with her. But what of the other Marilyn? To confront the mounting difficulties of her life, she wrote.

Learn about George Eastman and the invention of the Kodak camera.

He was the original 20th-century enfant terrible with the looks of a Greek god who blazed like a comet across the worlds of art, photography, and fame. The scion of several old WASP fortunes, he was by instinct an adventurer, and the more dangerous the escapade, the better. Journalist and author Graham Boynton was a friend for more than 30 years, spending time with Beard at his bush camp in Africa, in London, and at his Long Island home. From hundreds of Boynton’s interviews with Beard’s closest friends, former lovers, and fellow artists comes this intimate portrait.

"Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt," writes New Yorker literary editor Bill Buford. As a journalist, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. She also bewitched Eleanor Roosevelt's secret love and enraptured Ernest Hemingway with her courage as they dodged shell fire together.

Love and death cohabit in The Use of Photography, with alternating chapters by the two authors. First published in France in 2005, the book recounts a passionate love affair between Ernaux and the journalist and author Marc Marie, after the two met in January 2003. Ernaux had been receiving intensive chemo for breast cancer during the prior three months and had lost all her hair from the treatments. At the end of January, she had surgery, followed by radiation therapy.

From Life tells the story of the greatest portrait photographer of the Victorian age, Julia Margaret Cameron. Born in Calcutta in 1815, she married and settled down to the life of a typical Victorian colonial matron; but, beneath this conventional exterior, she was increasingly interested in photography. After moving to England, Cameron acquired her first camera in 1863, ultimately emerging as the leading portrait photographer of the Victorian art world.

In Gene Smith's Sink, Stephenson revives Smith's life and legacy, merging traditional biography with highly untraditional digressions. Traveling across 29 states, Japan, and the Pacific, Stephenson tracks down a lively cast of characters, including the playwright Tennessee Williams, to whom Smith likened himself; the avant-garde filmmaker Stan Brakhage, with whom he once shared a chalet; the artist Mary Frank, who was married to his friend Robert Frank; and Thelonious Monk and Sonny Clark, whom Smith recorded on surreptitious tapes.

From award-winning journalist and children’s book author Mary Cronk Farrell comes the inspiring and fascinating story of the woman who gave a human face to the Vietnam War. Close-Up on War tells the story of French-born Catherine Leroy, one of the war’s few woman photographers, who documented some of the fiercest fighting in the 20-year conflict. Although she had no formal photographic training and had never before traveled more than a few hundred miles from Paris, Leroy left home at age 21 to travel to Vietnam and document the faces of war.

This is a true story about Frances, age 9, who saw fairies by the waterfall behind her house. Nobody but Frances saw them, but when she told her cousin Elsie and their parents, the adults teased them. Why not take a photograph? Elsie (who was fifteen) had the idea. She would paint paper fairies and take their picture with Frances, and none would be the wiser. The girls never meant to fool the world. Who could have imagined that Elsie’s photograph would fall into the hands of Sir Arthur Conan Doyle, creator of the world’s most famous detective, Sherlock Holmes?

This provocative coming of age story, explores the power of branding strategy, a technique the writer developed at an early age and carried with him throughout his lifetime. Lowery puts forward a raw compelling narrative of an individual who repeatedly perseveres, re-imagines his life, and finds innovative ways to move forward.

When photographer Adraint Bereal graduated from the University of Texas, he self-published an impressive volume of portraits, personal statements, and interviews that explored UT's campus culture and offered an intimate look at the lives of Black students matriculating within a majority white space. Bereal's work was inspired by his first photo exhibition at the George Washington Carver Museum in Austin, entitled 1.7, that unearthed the experiences of the 925 Black men that made up just 1.7% of UT's total 52,000 student body.

From the time he was a small boy in Vermont, Wilson Bentley saw snowflakes as small miracles. And he determined that one day his camera would capture for others the wonder of the tiny crystal. Bentley's enthusiasm for photographing snowflakes was often misunderstood in his time, but his patience and determination revealed two important truths: No two snowflakes are alike; and each one is startlingly beautiful.