Art Crime

The art world is a much dirtier, nastier business than you might expect. Tony Tetro, one of the most renowned art forgers in history, will make you question every masterpiece you’ve ever seen in a museum, gallery, or private collection. Tetro’s “Rembrandts,” “Caravaggios,” “Miros,” and hundreds of other works now hang on walls around the globe.

For centuries, works of art have been stolen in countless ways from all over the world, but no one has been quite as successful at it as the master thief Stéphane Breitwieser. Carrying out more than two hundred heists over nearly eight years—in museums and cathedrals all over Europe—Breitwieser, along with his girlfriend who worked as his lookout, stole more than three hundred objects, until it all fell apart in spectacular fashion.

The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe.

Art scams are today so numerous that the specter of a lawsuit arising from a mistaken attribution has scared a number of experts away from the business of authentication and forgery, and with good reason. Art scams are increasingly convincing and involve incredible sums of money. The cons perpetrated by unscrupulous art dealers and their accomplices are proportionately elaborate. Anthony M. Amore's The Art of the Con tells the stories of some of history's most notorious yet untold cons.

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

How did the son of a decorated policeman grow up to be one of Boston's most notorious criminals? How did he survive a decades-long feud with the FBI? How did he escape one jail sentence with a fake gun carved out of soap? How did he trade the return of a famous Rembrandt for early release from another sentence? The Art of the Heist is a roller-coaster ride of a life, the memoir of America's most infamous art thief Myles Connor.

In the predawn hours of a gloomy February day in 1994, two thieves entered the National Gallery in Oslo and made off with one of the world's most famous paintings, Edvard Munch's Scream. It was a brazen crime committed while the whole world was watching the opening ceremonies of the Winter Olympics in Lillehammer. Baffled and humiliated, the Norwegian police turned to the one man they believed could help: a half English, half American undercover cop named Charley Hill, the world's greatest art detective.

Here is a tautly paced investigation of one the 20th century's most audacious art frauds, which generated hundreds of forgeries - many of them still hanging in prominent museums and private collections today. Provenance is the extraordinary narrative of one of the most far-reaching and elaborate deceptions in art history.

In To Catch a Spy: The Art of Counterintelligence, James M. Olson, former chief of CIA counterintelligence, offers a wake-up call for the American public and also a guide for how our country can do a better job of protecting its national security and trade secrets. Olson takes the listener into the arcane world of counterintelligence as he lived it during his 30-year career in the CIA.

They called him Leonardo - a master skilled in the art of murder. One year ago, Cincinnati was his canvas. A scalpel was his tool. And women were his works-in-progress. FBI profiler Casey McKinley was one of them, a victim of Leonardo's twisted genius. She has the scars - and the nightmares - to prove it. For Casey, a new city means a life far from the one she left behind in Cincinnati. In San Francisco she finally feels safe. Until a series of eerily familiar slayings plunges her back into Leonardo's game.

After the death of famed art detective Harold Smith, reporter Ulrich Boser decided to take up the case. Exploring Smith's unfinished leads, Boser travels deep into the art underworld and comes across a remarkable cast of characters, including a brilliant rock 'n' roll thief, a gangster who professes his innocence in rhyming verse, and the enigmatic late Boston heiress Isabella Stewart Gardner herself. Boser becomes increasingly obsessed with the case and eventually uncovers startling new evidence about the identities of the thieves.

The extraordinary life and crimes of heiress-turned-revolutionary, who in 1974 became the only woman to pull off a major art heist, The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle.

Susan Ronald reveals in this stranger-than-fiction-tale how Hildebrand Gurlitt succeeded in looting in the name of the Third Reich, duping the Monuments Men and the Nazis alike. As an "official dealer" for Hitler and Goebbels, Hildebrand Gurlitt became one of the Third Reich's most prolific art looters. Yet he stole from Hitler, too, allegedly to save modern art. Hitler's Art Thief is the untold story of Hildebrand Gurlitt, who stole more than art - he stole lives, too.

In this pulse-pounding short thriller for fans of Big Little Lies and The Last Mrs. Parrish, Maggie Cabot refuses to sit by idly as police re-open an investigation into the mysterious death of a woman her husband used to know. After two decades in a near-perfect marriage, Maggie and James Cabot are enjoying their first year as empty-nesters in their charming Florida suburb, until two detectives arrive at their front door and change their lives forever.

Ten years ago, an FBI investigation was about to expose a scandal in the art world that would have been front-page news in New York and London. After a trail of fake paintings of astonishing quality led federal agents to art dealers, experts, and major auction houses, the investigation inexplicably ended, despite an abundance of evidence. The case was closed and the FBI file was marked “exempt from public disclosure”. Now that the statute of limitations on these crimes has expired and the case appears hermetically sealed shut by the FBI, this audiobook, Caveat Emptor, is that artist, Ken Perenyi’s, confession.

Once upon a time, there was a little boy. His belly full of laughter, his life full of joy. Until one day, something changed; stripped his innocence away. The hole inside making space for the devil to come and play.

In the 1950s, Confidential magazine, America's first celebrity scandal magazine, revealed Hollywood stars' secrets, misdeeds, and transgressions in gritty, unvarnished detail. Deploying a vast network of tipsters to root out stars' sexual affairs, drug use, and sexuality, publisher Robert Harrison destroyed celebrities' carefully constructed images and built a media empire. Confidential became the best-selling magazine on American newsstands in the 1950s, surpassing Time, Life, and the Saturday Evening Post. Confidential's spectacular rise was followed by an equally spectacular fall.

It's 1924 and investigative reporter Poppy Denby is heading up to Northumberland to celebrate her father's 60th birthday. She stops off in Newcastle en route to visit her Aunt Dot, who has temporarily relocated from London to renovate a house she's inherited. One of Aunt Dot's guests is the world renowned artist Agnes Robson, who is staging an exhibition at the Laing Art Gallery. Reluctantly, Poppy is roped in to help when the artist's press liaison man falls ill....

The pitch went like this: Chris Butler, a retired cop, ran a private investigator firm in Concord, California. His business had a fascinating angle - his firm was staffed entirely by soccer moms. In fact, Butler employed PI Super Moms: attractive, organized, smart, and trained in investigative techniques, self-defense, and weaponry. This American Life host Ira Glass described them as "MILF: Charlie's Angels." When this story came across Pete Crooks's desk when he was working at Diablo magazine in 2010, he was instantly hooked.

In an exchange of favors with an art dealer colleague, Jonathan Argyll unluckily offers to transport a painting from Paris back to Rome. It seems routine work, and Jonathan gets to meet his girlfriend, Flavia, who works for Rome's Art Theft Squad. But when a would-be thief tries to take the painting at the train station, and the art dealer seems less interested in his purchase once he sees it, Jonathan wonders why, as events unfold, someone is willing to kill for it.