Museum Mysteries

After rising to prominence for his role investigating the case of Jack the Ripper, former Detective Inspector Daniel Wilson is now retired. Known for his intelligence, investigative skills, and most of all his discretion, he's often consulted when a case must be solved quickly and quietly. So when a body is found in the Egyptian collection of the Fitzwilliam Museum in Cambridge, Wilson is called in.  

1894. A well-respected academic is found dead in a gentlemen’s convenience cubicle at the British Museum, the stall locked from the inside. Professor Lance Pickering had been due to give a talk promoting the museum’s new 'Age of King Arthur' exhibition when he was stabbed repeatedly in the chest. Having forged a strong reputation working alongside the inimitable Inspector Abberline on the Jack the Ripper case, Daniel Wilson is called in to solve the mystery, and he brings his expertise and archaeologist Abigail Fenton with him.

1895. A senior executive at the Ashmolean Museum in Oxford is found in his office with a bullet hole between his eyes, a pistol discarded close by. The death has officially been ruled as suicide by local police, but with an apparent lack of motive for such action, the museum’s administrator Gladstone Marriott suspects foul play. 

1895. Former Scotland Yard detective Daniel Wilson, made famous from his days working the Jack the Ripper case, and his archaeologist sidekick Abigail Fenton are summoned to investigate the murder of a young woman at the Manchester Museum. Though staff remember the woman as a recent and regular visitor, no one appears to know who she is, and she has no possessions which identify her. Seeking help from a local journalist, Daniel hopes to unravel this mystery, but the journey to the truth is fraught with obstacles.

London, 1895. Daniel Wilson and Abigail Fenton have been hired by the Natural History Museum to find out who deliberately smashed the fossilised skeleton of a small dinosaur. At first Daniel is reluctant to take the case, pointing out that they deal in murders, not vandalism. But then one of the attendants in the dinosaur room is murdered, his body found tied to a dinosaur skeleton and a note pinned to him saying 'The price of betrayal'. As Daniel and Abigail investigate, they must negotiate a web of legal and professional tensions.

London, 1896. Madame Tussauds opens to find one of its nightwatchmen decapitated and his colleague nowhere to be found. To the police, the case seems simple: one killed the other and fled, but workers at the museum aren’t convinced. Although forbidden contact by his superior officer, Scotland Yard detective John Feather secretly enlists ‘The Museum Detectives’ Daniel Wilson and Abigail Fenton to aid the police investigation. When the body of the missing nightwatchman is discovered encased within a wax figure, the case suddenly becomes more complex. 

'The Museum Detectives' Daniel Wilson and Abigail Fenton have been contacted by the curator of the National Gallery. He is getting in touch at the request of the artist, Walter Sickert, famously suspected of being Jack the Ripper. The dead body of a young woman, who had been an artist's model, has been found at the back of the gallery, and Sickert has been arrested on suspicion of her murder. When a second similar murder occurs, Sickert is once again implicated.

17th May 1899. Queen Victoria lays the foundation stone on the site of a new museum being built in South Kensington, which she names as The Victoria and Albert Museum. Shortly after, Daniel Wilson and Abigail Fenton are called to the site because the dead body of a man, Andrew Page, has been found in one of the trenches.  The more Wilson and Fenton dig, the more they discover other potential motives for Page's murder, some with potentially explosive implications for the royals and the government. 

London, 1899. Daniel Wilson and Abigail Fenton, the museum detectives, are called upon to investigate a bizarre murder at the White Tower, the heart of the Tower of London. The dead body of a Yeoman is found inside a suit of armour belonging to Henry VIII, having been run through with a sword. When details of this suspicious outrage are reported to the Prince of Wales, he fears this may be an expression of Republican unrest and calls upon Wilson and Fenton to investigate further.