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Detectives Byrne and Balzano return to the streets of Philadelphia to put an end to a macabre succession of murdered children. A quiet Philadelphia suburb. A woman cycles past a train depot with her young daughter. There she finds a murdered girl posed on a newly painted bench. Beside her is a formal invitation to a tea dance in a week's time.

Dr. Tessa McGowan had never seen anything quite like it. But the mutilated bodies on her exam table tell a stunningly macabre tale: someone with a twisted mind is kidnapping women and altering their faces to resemble real, life-size dolls. As a forensic pathologist, it's her job to aid the agent leading the case—even if that agent is her estranged husband.

A body turns up in a field. She’s blonde and her eyes have been gouged out. DI Sophie Whitton knows it's him - The man the press has dubbed: The doll maker. Whitton and her team must act fast if they are to stop anyone else falling victim to the doll maker. With an innate need to seek the truth and find justice for the dead, DI Whitton risks losing it all, including her long-term relationship with live-in lover, Yvonne, as she strives to find a killer, and maybe even herself along the way.

The Doll Maker tells the tale of Clare Lydgate, a young woman studying at boarding school for her Oxford scholarship examinations. In the evenings she escapes the school grounds by climbing over the wall of Brackenbine Hall. It is here that she encounters the charismatic and mysterious Niall Sterne, the Doll Maker. This is a subtle, intelligent, and compelling tale of horror.

When Ashley finds a doll in her garden, she's determined to keep it. Little does she know that its previous owner - who's been dead for seven years - wants it back.

Stitch by perfect stitch, Andrew Garvie makes exquisite dolls in the finest antique style. Like him, they are diminutive, but graceful, unique, and with surprising depths. Perhaps that's why he answers the enigmatic personal ad in his collector's magazine. Letter by letter, Bramber Winters reveals more of her strange, sheltered life in an institution on Bodmin Moor, and the terrible events that put her there as a child. Andrew knows what it is to be trapped; and as they knit closer together, he weaves a curious plan to rescue her.

A woman's desperate search to find out what happened to the daughter who disappeared seven years ago leads her from a quaint collectibles shop in New Orleans into a murky Louisiana bayou and the shadowy ancestral home of an eccentric dollmaker whose "portrait" dolls resemble missing children. Set in the steamy, violent world of the Louisiana Gulf Coast, The Dollmaker is the story of obsession, redemption, and a love reborn from the ashes of despair.

In the title story, a young boy becomes obsessed with his cousin's doll after she tragically passes away from leukemia. As he grows older, he begins to collect "found dolls" from the surrounding neighborhoods and stores his treasures in the abandoned carriage house on his family's estate. But just what kind of dolls are they?In The Doll-Master and Other Tales of Terror, Joyce Carol Oates evokes the “fascination of the abomination” that is at the core of the most profound, the most unsettling, and the most memorable of dark mystery fiction.

In the country called One, dollmakers are vital members of the community. An artisan’s doll is the height of society’s accomplishments, while a guard’s doll is the only thing standing between the people of One and the Shod: vicious, cobbled monstrosities that will tear apart any structure—living or dead, inanimate or otherwise—to add to their horde. Apprentice Shean of Pearl is a brilliant dollmaker. With her clever dolls, she intends to outsmart and destroy the Shod, once and for all—a destiny she’s worked her whole life toward accomplishing.

Carson quickly realizes this person who’d had delivered the photo to NYPD HQ on Mulberry Street may be a more advanced photographer than him and his interest is piqued. Riis introduces him to this detective, Angelo Delmonico (of the famous restauranteur family) and he finds the scientific-minded detective and he are of a similar mind regarding this new killer. Together with teenager Kelley McCarthy, a pioneering female urban explorer "who goes where even the rats don’t go", the trio chase an ingenious and elusive serial killer who is murdering little girls and turning them into human dolls.

Quinn sat straight up in bed. “Annie McClery has been murdered.” She said the words out loud. She tells herself it was just a dream, but then she gets a call from Dermot Brennan, the local Garda. He’s calling to say they just found the old doll maker, Annie McClery, dead in her cottage. He’s sure she died from natural causes. After all, she was ninety-six years old. But Quinn can’t shake off her dream. Did Annie die of natural causes, or was she murdered? But what would be the motive? Quinn visits Annie’s cottage and discovers a drawer full of old journals. The journals reveal ...

Some dolls are meant to be broken. Others were made to watch. When FBI forensic linguist Nora Quinn escapes the fire that destroyed The Dollmaker’s lair, she thinks the nightmare is over. The killer who built a world of porcelain victims, obsession, and childhood nightmares is dead… or so she believes. But weeks later, a package arrives—a single glass eye and a note: Some dolls never burn. As Nora unravels the secrets left behind in Elias’s twisted journals, a terrifying question haunts her: How many of her memories are real? And how many were stitched into her mind by someone else?...

In the land of dolls, there is magic. In the land of humans, there is war. Everywhere there is pain. But together there is hope. Karolina is a living doll whose king and queen have been overthrown. But when a strange wind spirits her away from the Land of the Dolls, she finds herself in Kraków, Poland, in the company of the Dollmaker, a man with an unusual power and a marked past.

Dawn Hildegard’s dream is to become a doctor, but for a woman in the 1920s, this is no easy task. When her best friend Rose is kidnapped by “The Dollmaker,” a crazed serial killer who creates “art” from his victim’s bodies, she drops everything to find her. With the help of a handsome new acquaintance and his mysterious brother, Dawn investigates the fascinating case: Women found dead at the scene—their limbs skillfully removed, only to later be found stitched back together, suspended in doll-like positions throughout town in a grotesque display.

Nora Helmer has everything a young housewife could want: Beautiful children, an adoring husband, and a bright future. But when a carelessly buried secret rises from the past, Nora’s well-calibrated domestic ideal starts to crumble. Ibsen’s play is as fresh today as it was when it first stormed the stages of 19th-century Europe.

The Doll Maker is taking women off the street and turning them into dolls before killing them. Will he be caught?

Naomi is devastated when the sale of the apartment falls through, her dreams of moving to an amazing ‘forever home’ nearby with her family are momentarily dashed. But then a sweet-natured single mother named Summer appears, announcing her intention to buy Naomi’s old apartment. And all of a sudden, it looks like Naomi might get her new house after all. At first, it feels like Summer’s saved her life. But as soon as the sale goes through, Summer starts turning up at Naomi’s new house. She’s enrolled her child in Naomi’s daughter’s class. She’s dressing like Naomi.

To Catch A Predator, You Need Prey. Anne Burge knows what it means to fail. The public fallout surrounding the revelation of her real identity as the daughter of the notorious serial killer known as The Postman has forced Anne to leave the FBI in disgrace. She has moved to the middle of nowhere, as far as she can get from the demons that haunt her. A new home, a new love, a new town, but Anne will always hear the siren call of her past. Meanwhile, young teenage girls are disappearing in the Heartland. One by one, the girls vanish without a trace. Someone is taking the girls in broad ...

When Corinne inherits her estranged grandmother’s crumbling Victorian house, she also inherits something else: a doll. Unblinking. Unmoving. Dressed in lace that matches the casket lining. And wearing her face. Inside the walls of the house, silence doesn’t mean peace—it means listening. The attic is sealed in blood-red wax. The family ledger doesn’t record births, but bindings. And every room remembers something Corinne has tried to forget. Her grandmother was the last Dollmaker. Corinne is next in line. But the dolls aren’t just heirlooms. They are vessels. Each one holds a soul...

Comedians Dave Anthony and Gareth Reynolds picks a subject from history and examine it.