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To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman ( Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel The Hours, brings the impressionistic prose of this classic to vibrant life.

On the glistening surface of Virginia Woolf’s groundbreaking novel is the Ramsay family, a seemingly stable group of characters, but a group that is ultimately subject to the same alterations and losses that come with the passing of time. Set at the Ramsays’ summerhouse over two September days, ten years apart, Woolf’s influential landmark of twentieth-century literature explores the hopes, frustrations, and small moments of grace and change that permeate everyday life.

The Ramsey family, with house guests, visit the Isle of Skye at least twice. The plot is not at all the point though, as this is a book about how people think and feel and relate. There’s insight into the world of childhood thought and emotion, and a variety of views of adult cares and perceptions.I hope this doesn’t make it sound ‘difficult’, it doesn’t need to be – just let the sentences flow and make your own sense of the words. It’s perhaps as close as a novel can come to the highly individual experience of looking at a painting. … - Summary by Cori SamuelThis recording was...

To the Lighthouse chronicles the lives of the Ramsay family and their close friends, from the tranquil and motherly Mrs. Ramsay to the tragic and eccentric Mr. Ramsay, and their eight children and varied guests. Woolf uses the three movements of the novel to capture their complex family allegiances and the tensions between men and women at the time. Centered around their visits to the Isle of Skye between 1910 and 1920, the novel is an examination of the quiet, seemingly trivial moments of everyday life.

The Ramsay family is on holiday on the Isle of Sky in Scotland. As the family and their guests decide on whether or not to visit a nearby lighthouse, Virginia Woolf spins a tale that focuses on the intricate web of family life and the conflict that occurs between genders.

To the Lighthouse is at once a vivid impressionist depiction of a family holiday, and a meditation on a marriage, on parenthood and childhood, on grief, tyranny, and bitterness. Its use of stream of consciousness, reminiscence, and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

A celebration of an author regarded as one of the foremost modernist literary figures of the twentieth century. Celia Johnson reads from To The Lighthouse and Mrs Dalloway, and Virgina Woolf is featured talking about modern literature.

The Ramsey family, with house guests, visit the Isle of Skye at least twice. The plot is not at all the point though, as this is a book about how people think and feel and relate. There’s insight into the world of childhood thought and emotion, and a variety of views of adult care and perceptions. I hope this doesn’t make it sound ‘difficult’, it doesn’t need to be–just let the sentences flow and make your own sense of the words. It’s perhaps as close as a novel can come to the highly individual experience of looking at a painting.

Written in 1927, To the Lighthouse is Virginia Woolf's experimental and brilliant third novel. The narrative concerns the annual visits by the Ramsay family to their summer home in the Isle of Skye in Scotland between 1910 and 1920. Once again employing her unique stream-of-consciousness style of writing, Woolf creates a fascinating and complex novel where the point of view of the narration switches between the various Ramsay family members and their guests.

To the Lighthouse tells of one summer spent by the Ramsay family and their friends in their holiday home in Scotland. Offshore stands the lighthouse, remote, inaccessbile, an eternal presence in a changing wolrd. A projected visit to the lighthouse forms the heart of this extraordinary novel which, through the minds of the various characters, explores the nature of time, memory, transience and eternity.

Presented here are two of the most important books of the early 20th century by one of the most original and groundbreaking writers of her era, the feminist literary pioneer Virginia Woolf. First, the 1925 sensation Mrs. Dalloway, the breakthrough novel that solidified Woolf's reputation as a fresh new voice of her generation. Also included in this volume is To the Lighthouse, which was published in 1927, just two years after Mrs. Dalloway was released. To the Lighthouse is Virginia Woolf's experimental and brilliant third novel.

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing polemic on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

Nuestra apariencia, las cosas por las que se nos conoce, es meramente pueril. Por debajo todo es oscuro, vasto y de una profundidad insondable; solo de vez en cuando salimos a la superficie y eso es lo que ven los demás.

Sixteen-year-old Lara Jean Song keeps her love letters in a hatbox her mother gave her. They aren’t love letters that anyone else wrote for her; these are ones she’s written. One for every boy she’s ever loved - five in all. When she writes, she pours out her heart and soul and says all the things she would never say in real life, because her letters are for her eyes only. Until the day her secret letters are mailed, and suddenly, Lara Jean’s love life goes from imaginary to out of control.

Virginia Woolf's classic modernist novel explores the lives and thoughts of the Ramsays and their guests at the family's summer home on the Isle of Skye. The book is divided into three parts, described by Woolf as 'two blocks joined by a corridor'. The first and last parts tell of two days, ten years, and a world war apart. The 'corridor' describes the decay and renovation of the house over the intervening period, punctuated by marriages and deaths among the Ramsays and their friends. To the Lighthouse remains noteworthy for its use of multiple perspectives to reveal complexities of perception...

For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but as the First World War looms, the integrity of family and society will be fatally challenged. The novel's use of stream of consciousness, reminiscence and shifting perspectives gives it an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

Mourning the death of his father and gravely injured at the hands of the English, Jamie Fraser finds himself running with a band of mercenaries in the French countryside, where he reconnects with his old friend, Ian Murray. Both are nursing wounds, both have good reason to stay out of Scotland, and both are still virgins despite several opportunities to remedy that deplorable situation with ladies of easy virtue.