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Flying dark, a plane carrying a team of mercenaries crash-lands on a remote snowy summit. When they come across a mazelike stone fortress, it’s no refuge from the wolves and the freezing wind. It’s more like a trap. What they discover can stop the heart—or worse. As terror takes a new shape, the real battle for survival begins in this unrelenting serialized novel from Academy Award–winning filmmaker and writer Guillermo del Toro.

Ken Holt is the son of a world-famous foreign correspondent named Richard Holt. Holt travels the world and is home infrequently. Ken's mother is no longer alive and Ken lives with the Allen family. One of his closest friends is Sandy Allen. Sandy and Ken both at the Brentwood Advance, a local newspaper. Things start off innocently enough as Ken's father comes to stay with the Allen's for the Christmas holiday. Naturally he brings gifts. For Mom Allen, he has brought an ornate iron box. The box is old but apparently, not very valuable.

On an isolated mountain, a stone labyrinth provides rough shelter for a band of mercenaries. At its core lies a centuries-old mystery. But in chapter two of The Boy in the Iron Box, no secret is safe. A concealed pit; an iron box, wrapped in chains; a statue of a boy. What unknowns await the anxious, disoriented team in this strange ruin? Night will tell.

A group of mercenaries on an unsanctioned mission survives a plane crash in whiteout conditions in the Tian Shan mountains. The men are accustomed to danger. Now they’re growing accustomed to fear. Team leader Liev and his band of survivors are stranded in the bitter winds with little hope of rescue—or outlasting the wolves that have scented blood. In the distance is the apparent sanctuary of an abandoned stone fortress. That an ancient bulwark even exists on this forsaken summit is beyond comprehension. So is what lies on the other side of its walls.

Their radio is sabotaged. The wolves are gathering outside. And for the increasingly desperate mercenaries, the worst is yet to come in chapter three of The Boy in the Iron Box: the box is empty. In the wake of an inexplicable disappearance, Liev and his men use their tactical skills to last the night—by going hunting. Following a small, bare footprint in the snow leads only to the realization that someone, or something, is hunting them.

What has been awakened is unbound. The Boy is getting his first taste of freedom. As their comrades fall, fear threatens to consume the survivors in chapter four of The Boy in the Iron Box. Liev’s plan: get his men out of this ancient stone prison, take their chances with the wolves, and descend the summit at first light. But in this snowbound hell, there’s soon to be a frightening new twist to survival.

The mercenaries set an explosive scheme in motion to blow this bad dream to smithereens. But in chapter five of The Boy in the Iron Box, they soon find that even the best-laid plans can backfire. With the morale of the team fraying, Liev makes a vow. He’s not going to leave anyone behind until the last stand is seen through to its cold and bitter end. On this night, it’s Liev who lies in wait to face everything he’s feared. It’s nothing like he expected.

"There was something about that box and that part of the woods. It was silent there - not a bird or any other sound - and dark, dark 'cuz the leaves were thick as a blanket over our heads." Two men on a treasure hunt in the Adirondacks wilderness encounter a bizarre and dangerous adversary.

Witty, fast-paced and always surprising, these great radio plays, written by the prolific writing team of Anthony Boucher and Denis Green, are as fresh today as they were then, and feature perfect sound, along with nostalgic war-time announcements, original narrations and radio commercials.

The New Adventures of Sherlock Holmes was a radio show which aired in the USA from 1939-1950, most famously starring Basil Rathbone as Sherlock and Nigel Bruce as Dr. Watson. Episodes from 1939 through 1943 were written or adapted by Edith Meiser from the books of Sir Arthur Conan Doyle. From 1943 onward, most shows were written or adapted by the team of Dennis Green and Anthony Boucher or Green and Leslie Charteris who replaced Meiser, who left the show over her disagreements with a sponsor over the amount of violence in the program.