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As one of the two remaining unmarried Beverley sisters, Belinda considers herself the last hope for Mannerling, the beloved estate gambled away by their father. Each of her four elder sisters had hoped – even schemed - to marry one of Mannerling's successive owners. But all had chosen truelove over their ancestral home. Practical and duty-bound, Belinda would woo and wed Lord St. Clair, current holder of the estate. True, he is a silly fop, hardly what she desires in a husband, but she vows to make the man love her – even at the expense of her own happiness.

Life is not easy for the poor relations of England’s upper crust, but fate and clever schemes bring them together. Lady Fortescue and Colonel Sandhurst hatch a plan: What if they were to transform her decrepit Bond Street home into a posh hotel, offering their guests the pleasure of being waited upon by nobility? With the help of other down-and-out aristocrats, they do just that, and London’s newest hotel, The Poor Relation, is born. The establishment is an immediate hit with London’s most illustrious citizens, save the Duke of Rowcester....

Eliza Budley is a beautiful widow whose husband gambled away his fortune. Lady Fortescue reminds the others that, to be fair, Mrs. Budley has no relatives on whom she can call. Gentle Mrs. Budley thinks she has escaped her fate until Sir Philip comes up with a plan: He has heard that the elderly Marquess of Peterhouse is senile, a widower, extremely rich, and unlikely to remember whether Mrs. Budley is a relative or not. So off Mrs. Budley goes. But the marquess turns out to be not so old, hardly senile, and, in fact, quite handsome.

Life is finally looking up for the poor relations. The Prince of Wales’ coat of arms gleams over the hotel entrance. All but one of the rooms are filled by the open-handed Prince Hugo and his entourage. They have finally reached a position comfortable enough to allow them to consider offers to buy the hotel. The poor relations’ hard-earned success, however, is in stark contrast to the plight of their latest guest, Lady Jane Fremney. The slight, beautiful youngest daughter of the Earl of Durby has been cast out of her family for refusing to marry the man her father has chosen.

The poor relations, those genteel paupers of society who live on little more than their dignity, have banded together and started The Poor Relation hotel, hoping to be bought out by their embarrassed relations - but as the hotel prospered, they began to enjoy the fruits of their labor. Now once more they are in need of funds. To stoop to crime in their days of poverty was one thing, but to turn to it again when they have enjoyed a certain amount of success is quite another. But they all agree: the hotel must go on.

Owing to an unfortunate wager made by Sir Philip, the poor relations are once again scrounging around for a plan for solvency. This time it is Colonel Sandhurst to the rescue. After happening on Sir Randolph’s lovely daughter Frederica, who is running away to escape an awful marriage to Lord Bewley, the Colonel devises a plan to force Sir Randolph to settle his bill for six month’s stay and to save Frederica from her fate. The clever plan is thwarted when Lord Bewley shows up at the drop point instead of Sir Randolph.

Just when everything at the Poor Relation Hotel seems to be running smoothly, Sir Philip brings in another poor relation, Mrs. Budge. When Sir Philip presents his paramour, Lady Fortescue swears great oaths and says the woman is probably related to half the costermongers in London and certainly does not possess one rich relative. Mrs. Budge does nothing but eat all day and refused to do any work around the hotel. Worst of all, Miss Tonks seems to be taking the romance between Sir Philip and Mrs. Budge quite hard.

Updated in November 2024. This is a comprehensive list of M. C. Beaton's books including her many romance novels and her popular series, Agatha Raisin and Hamish Macbeth, listed from earliest to latest publication dates. Romance novels are identified, when possible, by her original pen names including Ann Fairfax, Jennie Tremaine, Charlotte Ward, Helen Crampton, and Marion Chesney. This reading list is free with your Kindle Unlimited subscription.

When Fiona Macleod is sent by her guardian aunt and uncle to spend a London season with the Tribble sisters, it is something of a last resort. At nineteen, Fiona is a beautiful and wealthy Scottish heiress, yet for some mysterious reason, her several proposals of marriage over the past few years have all fallen through at the last moment. Amy and Effy Tribble, professional chaperones whose School for Manners has recently made them the talk of fashionable London society, are always short of cash and gladly take on Fiona as a new client.

With little to live on but her romantic daydreams - which frequently starred the dashing Marquess of Fleetwater - Jean Lindsay lived a rather dismal life with her nasty, drunken uncle. Jean was always the object of ridicule, that is, until news of her unexpected inheritance spread. Suddenly her worn dresses became "quaint" and her forthright manner turned magically to "charming", but to Jean's horror, someone wanted her dead!

When Amy and Effy Tribble, two charming but impoverished spinster sisters, lose out on a much needed inheritance, they place an advertisement in The Morning Post and hire themselves out as professional chaperones. Vowing to prepare even the most difficult misses for marriage, the Tribble sisters will spend a London season on each client in this delightful Regency series, The School for Manners. Felicity Baronsheath, their first assignment, turns out to be more of a challenge than they ever imagined.

As one of the two remaining unmarried Beverley sisters, Belinda considers herself the last hope for Mannerling, the beloved estate gambled away by their father. Each of her four elder sisters had hoped - even schemed - to marry one of Mannerling's successive owners. But all had chosen true love over their ancestral home. Practical and duty-bound, Belinda will woo and wed Lord St. Clair, current holder of the estate. True, he is a silly fop, hardly what she desires in a husband, but she vows to make the man love her - even at the expense of her own happiness.

Minerva marks the delightful debut of The Six Sisters, a family saga in six volumes that will recount the romantic adventures of the six marriageable daughters of a country vicar, the Reverend Charles Armitage, in Regency England. The eldest, Minerva, is enchantingly beautiful - but a prude. She lives in the country looking after her siblings while her mother reclines on a chaise longue happily inventing new malaises.

Arranging a season for an unruly young lady whose habit is to enter drawing rooms by sliding down banisters presents a challenge at best - especially since the hoydenish Mira has a sister of incomparable grace and beauty. Mira isn’t at all daunted by the local society and its ridiculous marriage mart. Her heart belongs to Lord Charles, who has been the object of her dreams ever since she was a child. But alas, Charles has eyes only for her ever-perfect sister, Drusilla.

For lovely young Miss Patricia Patterson, life seemed a delightful dream - until the specter of her guardian, Lord Charles Gaunt, cast a shadow over her carefree days of idleness and enchanting evenings of dazzling balls and delicious flirtations. Lord Charles demanded she act the part of a proper and perfectly boring young miss. Even worse, he insisted she devote her waking hours to cultivating her mind rather than captivating her swarm of admirers. Thus, the battle was joined - between the handsome, arrogant aristocrat who had Patricia in his lawful power, and Patricia, who vowed to turn this hateful tyrant into her lovelorn slave.

Is Number 67 Clarges Steet the unluckiest house in Mayfair? Every season the beau mondes of the Regency would hire a house in the heart of London’s fashionable West End at disproportionately high rent for often inferior accommodation and yet Number 67 Clarges Street, a town house complete with staff, remains vacant from year to year. Could it be that it is associated with ill luck and even death? Something must be done so that the servants of this house don’t lose their livelihood.

"Oh to be as beautiful as Euphemia!" plain Jane Hart sighs when she joins her sister Euphemia at Number 67 Clarges Street for the season. Then Lord Tregarthan might notice her, as she had noticed him and forever lost her heart to the most eligible bachelor of the town. But Euphemia’s fate is to flirt through balls and into the arms of a marquis, while Jane’s is to stay home, amusing herself with snooping into the strange death of Miss Clara Vere-Baxton, a former tenant of Number 67.

The tenth earl of Berham does not know what to do. An attractivethirty-two-year-old bachelor, he has been appointed guardian of the youngFreddie Armstrong, the eighteen-year-old grandson of his late father's dearfriend. That's bad enough. Then he discovers that the boy is really a girl! It isagainst all convention and against his personal code to keep a young ladyconcealed in his own home. He must find a solution.

The earl's frequent visitor, Lady Clarissa Rennenord,heartily agrees - but for less noble reasons. Lady Clarissa hopes to snare theearl in marriage and does not want any competition. She recommends that Freddiebe sent to a seminary. No one but Lady Rennenord knows what a horrid place it is - andno one, including Lady Rennenord, expects Freddie to escape. Now Freddie isback, and the earl finds her presence unsettling in more ways than one.

Handsome, dashing Henry Wright, the Duke of Westerland, needed a wife in a desperately short period of time. If he could not find a wife, he would lose the legacy he so desperately desired. Young, lovely, but sheltered Miss Frederica Sayers needed a husband just as much as Henry Wright needed a wife, only she needed a husband to save her from the life of shame that almost certainly awaited her when shefled the callous cruelty of her family.

In any given glittering social season, Edwardian London's dizzying whirl had its share of surprises. The latest was Kitty Harrison, once achingly poor, suddenly an heiress and now, thanks to her determined mother, she was about to become a baroness. From the moment Kitty set eyes on Lord Chesworth she found him to be the most exciting man she had ever seen. But Kitty was young, innocent, and easily dazzled. She did not even question the motives of the dashing bachelor who swore he loved her even as he courted the scandalously beautiful Mrs. Jackson.